Writer/Director Chloe Zhao on Her Tender Look at a Real American Indian Cowboy in The Rider

The Rider, a meditative half-fictional drama set on the Pine Ridge Lakota reservation in South Dakota, first premiered at Cannes last year, where it won the Art Cinema Award. The second feature film from the Chinese director Chloe Zhao, it opened in wide release this past Friday. Zhao, who attended undergraduate and film school in the U.S., was living in New York before she decamped to South Dakota, where she made Songs My Brother Taught Me,

Writers/Directors The Spierig Brothers on Their Deliciously Detailed Horror Winchester

What makes an enduring haunted house classic? Much can be said for dread-inducing camera work, eerie sound design or clever ghostly effects, but for the Spierig brothers, it’s the human story underneath that can transform a horror flick from simply scary to downright legendary. Enter Winchester, a dramatization of the curious true-life mystery of Sarah Winchester and her fascinating, illogical home known as the Winchester Mystery House. And while the details of the true story are sketchy at best,

Sundance 2018: Writer/Director Babis Makridis on Exploring an Addiction to Sadness in his Surprisingly Funny Pity

Chatting with Greek filmmaker Babis Makridis is a little like being in one of his films. He’s dry, soft spoken, casually funny, and very smart. In his latest film, Pity, about a man who can only experience happiness by being unhappy, Makridis has delivered that rare treat—a story that doesn’t flinch at life’s paradoxes, absurdities and miseries, yet still manages to get a theater full of people laughing. No small feat there.

Makridis has the distinction of having his last feature, 

Sundance 2018: Trans Filmmaker Luis De Filippis on Their Bracing Directorial Debut For Nonna Anna

Toronto-based filmmaker Luis De Filippis’ short film For Nonna Anna focuses on the intergenerational relationship between a trans grandchild and their aging, ailing grandmother.  Selected for Sundance’s Shorts Program, For Nonna Anna is a tender, achingly wrought stunner in miniature, one told by a filmmaker of remarkable skill and compassion.

“It is imperative as Trans people that we tell our own stories on screen,” De Filippis explained in For Nonna Anna‘s press materials.

Writer/Director Margaret Betts on her new Film Novitiate

What happens when a Manhattan socialite turned filmmaker (The Carrier, a  2011 doc about the AIDS pandemic in Africa) makes an impulse pre-flight purchase of a biography about Mother Teresa that contains revealing letters about her passionate relationship with God?

If you are Margaret Betts,

Dear White People Creator Justin Simien Talks Race and Comedy

In Netflix series Dear White People, sarcastic black radio host Samantha (Logan Browning), worn out after a long day of anti-racist activism at fictional Ivy League Winchester College, asks her best friend Joelle (Ashley Blaine Featherson) to "Say something funny and specific." Joelle obliges with a snappy one liner involving Drake and his ancient sitcom Degrassi High, propelling the show into its next scene on a buoyant comedic note.

Talking to Writer-Director Tobias Lindholm About his Oscar-Nominated A War

The third big-screen collaboration between Danish writer-director Tobias Lindholm and actor Pilou Asbaek, A War follows a company commander through the horrors of Afghanistan and back to Denmark, where he's put on trial for alleged war crimes. The movie, an Oscar nominee for best foreign-language film, has a semi-improvisational style and features mostly nonprofessional performers. Lindholm's two previous movies, R and A Hijacking,