Unsane‘s Production Designer & Set Decorator on Perfecting Paranoia

On the surface, the most notable thing about Steven Soderbergh’s Unsane is that the ever-experimental filmmaker captured the frenzied 90-minutes with the assistance of a handful of iPhones, a down and dirty technique that nevertheless gives the film what Soderbergh calls a “velvet” smoothness. It’s a daring choice from an ever evolving filmmaker, but Usane’s greatest strength isn’t all in its technical wizardry. It’s the film’s ability to send any viewer veering off kilter nearly as soon as the action onscreen begins – it’s all unsettling angles,