The Man in the High Castle‘s Emmy-Nominated VFX Supervisor on Taking Down Lady Liberty
The third season finale of The Man in the High Castle sees the show’s alternate fascist reality, based on the eponymous Philip K. Dick novel, take a giant leap forward for Nazism in America — surrounded by cheering crowds, the Statue of Liberty is brought down under fireworks, fighter jets, and Himmler’s watch. The episode title, “Jahr Null,” means year zero, the showy start to a new future for America devoid of the country’s history.
Emmy-Nominated VFX Designer on Creating Terrible Worlds in The Man in the High Castle
Amazon’s The Man in the High Castle portrays a comprehensive and convincing alternate reality in which the Nazi Reich was victorious in World War II. It’s a disturbing world that fortunately never was, but the show is a hearty visual feast that dives unrestrained into the terror. Visual effects supervisor Lawson Deming guided his team to build entire cityscapes outside Hitler’s window, reimagines where technology would lead in an America controlled by the Nazi Reich,
The Man in the High Castle‘s Emmy-Nominated Production Designer on Building a Nightmare America
Phillip K. Dick’s 1962 novel Man in the High Castle imagined the horrors of living in an America where the Allies were defeated in World War II. The series follows Juliana Crain (Alexa Davalos) who refuses to accept the terrible outcome and believes that things could be another way. Production Designer Drew Boughton has received two Emmy nominations for his harrowing interpretation of a world in which Nazi Germany has seized most of the United States while Imperial Japan controls the west coast.
How The Man in the High Castle’s Composer Set the Dystopian Tone
Based on Philip K. Dick’s chilling 1962 alternative history novel, The Man in the High Castle has become Amazon’s most watched original series. Set in a world where Hitler’s Reich and Imperial Japan were victorious in World War II, the action explodes from the opening scene with high stakes tension and a season long mystery. Composer Dominic Lewis wrote the first season’s score with Henry Jackman and took over the reins in season two.
