“A Complete Unknown”: Orchestrating 60+ Live Performances for Oscar-Worthy Sound
In one of this year’s tour de force performances, Timothée Chalamet’s Oscar-nominated portrayal of one of America’s greatest singer-songwriters took almost six years to perfect (partly thanks to COVD-19 delays in production). For director James Mangold’s music biopic, A Complete Unknown, Chalamet not only learned to play the guitar and harmonica for the film, but ...
How The “Blitz” Sound Team Shook Steve McQueen’s Harrowing World War II Film
While researching Small Axe, a riveting series about the political awakening of London’s West Indian community, director Steven McQueen found a photograph of a young Black boy standing on a train platform holding a large suitcase. The stark image had the director questioning who the child was and what his story was during the London ...
“Joker: Folie À Deux” Production Sound Mixer Steven Morrow Dissects 3 Essential Scenesew
“We tried to do everything we could to make the best sounding movie,” says production sound mixer Steven Morrow about director Todd Phillips’ Joker: Folie À Deux. “Larry’s cinematography is beautiful, and with the amount of effort and time he puts into it, we wanted to put that kind of energy and emotion into our ...
Eye on the Emmys: “The Bear” Emmy-Winning Sound Team on Capturing the Chaos of the Kitchen
*After the 76th Creative Arts Emmy Winners, announced on September 8, and ahead of the 2024 Prime Time Emmy Awards on September 15, we’re looking back at our interviews with some of this year’s nominees. Costume The Bear’s Re-recording mixer Steve “Major” Giammaria, ADR mixer Patrick Christensen, foley mixer Ryan Collinson, and production mixer Scott ...
“Maestro” Oscar-Nominated Re-Recording Mixers on Building Emotion With & Without Music
In Bradley Cooper’s Maestro, the music is flipped. Tracking the arc of Leonard Bernstein’s career in tandem with his loving but complicated marriage to Chilean actress Felicia Monteleagre (Carey Mulligan), the film’s music is Bernstein’s music, playing as it did over the course of the composer’s life, whether that’s performed on stage or worked out ...
“Maestro” Sound Mixer Steven Morrow on Recreating Mahler’s “Resurrection” at the Ely Cathedral
Bradley Cooper knew Maestro was going to be the next film he directed before the proverbial ink dried on A Star Is Born (2018), his feature debut, which he starred in alongside Lady Gaga about a troubled musician’s relationship with alcohol. The adaptation, deservingly so, went on to be nominated for eight Academy Awards and ...
Best of 2022: How The “Babylon” Sound Team Built a Sonic Bacchanal
It’s that time of year—we look back on a few of our favorite interviews from 2022 in our annual year-end list. The opening sequence to Damien Chazelle’s Babylon (in theaters today) hits you like one of the many lines of powder its characters will ingest. It’s eye-opening, choreographed chaos, leaving you with an intensely euphoric ...
Best of 2022: How the “Top Gun: Maverick” Sound Team Ingeniously Captured Raw Emotion Mid-Flight
It’s that time of year—we look back on a few of our favorite interviews from 2022 in our annual year-end list. Mark Weingarten is no stranger to navigating the challenges of a production sound mixer. Over his accomplished career, Weingarten’s mixed on Christopher Nolan’s WWII epic Dunkirk, traveled to another dimension in Interstellar, captured the ...
How The “Babylon” Sound Team Built a Sonic Bacchanal
The opening sequence to Damien Chazelle’s Babylon (in theaters today) hits you like one of the many lines of powder its characters will ingest. It’s eye-opening, choreographed chaos, leaving you with an intensely euphoric feeling – quite fitting for a story that revisits Hollywood’s infancy of the 1920s and ‘30s when La La Land was ...
Best of Summer: How the “Top Gun: Maverick” Sound Team Ingeniously Captured Raw Emotion Mid-Flight
As we’ve done for the past few summers, we’ve compiled a few of our favorite interviews to highlight in this last week of August. This is by no means a comprehensive list, but a little taste of some of the great conversations we’ve had during these hot summer months. Bring on sweater season. Mark Weingarten ...
“Elvis” Sound Guru Wayne Pashley on the Sonic Glue Holding Baz Luhrmann’s Biopic Together
Bursting through in the golden age of television, Elvis Presley had stunning good looks and taboo-shattering dance moves that instantly attracted legions of female fans, but his legacy rests in that sound. His voice was inimitable with the pain and power he had to share to survive. Wayne Pashley, the re-recording mixer, sound designer, and ...
How the “Top Gun: Maverick” Sound Team Ingeniously Captured Raw Emotion Mid-Flight
Mark Weingarten is no stranger to navigating the challenges of a production sound mixer. Over his accomplished career, Weingarten’s mixed on Christopher Nolan’s WWII epic Dunkirk, traveled to another dimension in Interstellar, captured the spirit of Katniss Everdeen in The Hunger Games, and tracked the drama behind The Social Network and The Curious Case of ...
Oscar-Nominated Re-Recording Sound Mixer Paul Massey on “No Time To Die”
“When I started out, I had no objective whatsoever to become a re-recording mixer,” says Paul Massey, who may well be the most accomplished accidental Oscar winner in history. Growing up in London, Massey played trumpet in wedding bands, worked at a recording studio and then, he says, “I made a slow, totally unintentional transition ...
How “The French Dispatch” Sound Team Immerses You in Wes Anderson’s World
When it comes to a Wes Anderson film what unequivocally stands out is the whimsical aesthetics. A potpourri of artistic detail perfectly placed as if each shot was its own painting. The French Dispatch, which chronicles the final issue of an American magazine published in a fictional French city, is no different. But what immerses ...
How Cinematographer Roger Deakins & Team Pulled off the One-Shot Masterpiece 1917
For Sam Mendes, the multi-hyphenate who produced, directed and co-wrote the script with Krysty Wilson-Cairns, 1917 was a personal story. It follows two British soldiers – Schofield (George MacKay) and Blake (Dean-Charles Chapman) – tasked with delivering a message across enemy lines in order to stop a battle that could save hundreds of soldiers’ lives. ...
Roma’s Oscar-Nominated Sound Team on Making a Music-Free Film
Water sloshes in a rooftop laundry tub, a faucet runs, and the strains of a tinny radio shift to the quiet chatter of a family at home. Alfonso Caurón’s Roma depicts the daily life of Cleo (Yalitza Aparicio), an indigenous maid in a white, middle-class Mexico City household, an employee who gradually emerges as a ...
A Star is Born’s Oscar-Nominated Sound Mixer on Capturing Brilliance Up-Close
*In the run-up to this Sunday’s Oscars telecast, we’re sharing some of our favorite interviews with nominees. Warner Bros.’ A Star is Born, the fourth version of the film and Bradley Cooper’s first time directing, has earned a hero’s welcome as the best iteration yet of the tale of love, talent, and the price of ...
A Star is Born’s Sound Mixer on Capturing Brilliance Up-Close
Warner Bros.’ A Star is Born, the fourth version of the film and Bradley Cooper’s first time directing, has earned a hero’s welcome as the best iteration yet of the tale of love, talent, and the price of fame. Lady Gaga stars as Ally, a struggling musician with powerhouse pipes, and Cooper as Jackson Maine, ...
Ten-Time Daytime Emmy Nominee Sound Editor & Mixer Sean W. Karp on Dinosaur Roars, Dialogue & More
Ten-time daytime Emmy nominee Sean W. Karp is the sound-mixer and editor at Sinking Ship Productions, one of the most prolific production houses in children’s programming, including the series Annedroids, Dino Dana and Odd Squad. Karp began as a musician, playing for bands throughout Toronto throughout the early 90’s. In an interview, he explained the ...
Oscar-Nominated Blade Runner 2049 Sound Mixing Team on the Power of Silence
As part of our Oscars week coverage, we’re posting our conversation with some of this year’s nominees. Doug Hemphill and Ron Bartlett are nominated for Sound Mixing, alongside Mac Ruth (Blade Runner:2049); Julian Slater, Tim Cavagin, and Mary Ellis (Baby Driver); Gregg Landaker, Gary A. Rizzo, and Mark Weingarten (Dunkirk); Christian Cooke, Brad Zoern and ...
