“The Last Showgirl” Director Gia Coppola Pulls Back the Curtain on Pamela Anderson’s Career-Defining Performance

For a film set in Las Vegas, it’s surprising that director Gia Coppola chose grit over glitz for The Last Showgirl.

“I wanted to make a movie in an intimate way. I adore [John] Cassavetes and how he made movies,” says Coppola, who cites Cassavetes’ The Killing of a Chinese Bookie as “one movie I looked at for sure.”

Coppola worked from a script by Kate Gersten,

Ike Barinholtz on his Funny/Terrifying Directorial Debut The Oath

In a future that seems as if it could arrive tomorrow, American citizens are instructed to pledge their loyalty not to their country, but to the president. That’s the premise of The Oath, the first feature directed by Ike Barinholtz. The comic actor, known from such series as madTV and The Mindy Project, also wrote the satire, which begins as a family gathers for Thanksgiving dinner.

Barinholtz plays the host,

Harsh Conditions Bring out the Best in The Homesman‘s Crew

When we interviewed Marco Beltrami, he was particularly jazzed up about the work he did for Tommy Lee Jones’ upcoming film The Homesman. Beltrami is the type of composer who seeks out directors (as he did with Joon-ho Bong for Snowpiercer) and he was excited about Jones’ second directorial effort. The film’s set in the punishing Nebraska frontier in the middle of the 19th century. This inspired Beltrami to record a lot of his score outdoors,

Writer/Director/Producer/Star Lake Bell on In a World…

In the dramedy 'In a World…', out August 9, writer/director/producer/star Lake Bell visits the voiceover industry as a newbie competing for the same gig as her industry-veteran father. Here, Bell, who has delivered memorable acting turns in such movies as No Strings Attached and It’s Complicated, talks about writing the script for her feature-film directorial debut, why she loves trailers, and what “voice” annoys her most.

The Credits: What insight can you offer about voices and accents?