Creating the Landscape & Soundscape of Harriet‘s World

Although her appearance on the $20 bill has been predictably delayed by the current administration, Harriet Tubman is still a recurring presence in American culture. An escaped slave herself, she became, as the New Yorker noted a couple of years back, “the most famous conductor” on the Underground Railroad, which itself became the stuff of Pulitzer Prizes in Colson Whitehead’s alternate history novel of the same name.

Now Tubman arrives in theaters (on November 1),

How The Voice Production Design Inspires Musical Creativity

Tonight, Spensha Baker, Britton Buchanan, Brynn Cartelli or Kyla Jade will be crowned the newest winner of The Voice. Whether you’re Team Blake, Team Alicia, Team Kelly, or even Team Adam, The Voice is always an inviting place to spend time every week. The talent is astonishing, the rivalry is riotous, and the environment is electric. Production designer James Pearse Connelly is responsible for transforming a singing competition into a glamorous music haven where dreams are born.

Making It: Ruth De Jong’s Designs on Paul Thomas Anderson & Terrence Malick

Ruth De Jong never thought she would end up working on movies. She wanted to be a painter.

But now, a decade into her career as a production designer and art director, she’s tallied up credits on films like The Tree of Life, To the Wonder and Knight of Cups from director Terrence Malick, and There Will Be Blood, The Master and Inherent Vice with Paul Thomas Anderson.

Production Designer K.K. Barrett on Creating Her’s Beautiful Future

One walks out of the theater after seeing writer/director Spike Jonze’s Her with lots of different feelings. First, and perhaps foremost, is a kind of bittersweet hope—similar to the way Michel Gondry and Charlie Kaufman’s film Eternal Sunshine of the Spotless Mind makes you feel when it ends. These are films about love, warts and all, and what we’ll put ourselves through in pursuit of it.

In Sunshine,