The Polymath: Chatting With John Ottman, Composer and Editor of Jack the Giant Slayer

Perhaps one of the most famous film sequences of the past thirty years was edited together in a living room using a splicer. By somebody who is also a composer. A composer who has gone on to score a slew of films (while somewhat begrudgingly continuing to edit, too), making him one of the few people in the film industry who is a professional at both of these demanding positions. John Ottman,

On Location: EUE/Screen Gems Studios Atlanta

ScreenGems from The Credits on Vimeo.

The Credits recently traveled to Atlanta–home of Coca Cola, the Braves, and one of the most dynamic movie and television studios around. EUE/Screen Gems Studio Atlanta is a 33-acre, state of the art lot that hosts some of the biggest projects in film and television–from USA's Necessary Roughness to Columbia Pictures' Zombieland (2009). Boasting one of the largest independent film studios in the country,

MPAA and DGA Present: An Evening With Director Michael Apted

Senator Chris Dodd interviews British director Michael Apted in the inaugural installment of the MPAA’s new series, “An Evening With…,” which celebrates the work of cherished film icons and aims to shed new light onto contemporary issues facing the industry—from expanding into international markets, to raising awareness about copyright issues, to fostering an ongoing dialogue about innovations in the world of cinema.

Michael Apted is a critically acclaimed director, writer, producer,