Best of 2021: “Passing” Writer/Director Rebecca Hall On Navigating the Complicated History of Racial Identity

This interview is part of our highly subjective, decidedly non-comprehensive “Best of 2021” year-end list. It was originally published on November 30.

The complexity of bringing a thematically laced film like Passing to the screen isn’t a simple one. For Rebecca Hall, who makes her directorial debut, it was also a personal journey, “an extended catharsis” that allowed her “to get to the bottom of a lot of mysteries” in her family.

“Passing” Writer/Director Rebecca Hall On Navigating the Complicated History of Racial Identity

The complexity of bringing a thematically laced film like Passing to the screen isn’t a simple one. For Rebecca Hall, who makes her directorial debut, it was also a personal journey, “an extended catharsis” that allowed her “to get to the bottom of a lot of mysteries” in her family.

The story, which is adapted by Hall from the 1929 novel by Nella Larsen, follows two Black women, Irene (Tessa Thompson) and Clare (Ruth Negga),

DP Edu Grau on Using Light & Shadow to Play With Skin Tone in “Passing”

Set in 1920s Harlem and based on Nella Larsen’s 1929 novel of the same name, Passing, actress Rebecca Hall’s directorial debut tracks the relationship of two light-skinned Black women, Irene and Clare, who’ve taken opposite paths toward safety and recognition. Former childhood acquaintances, a chance run-in reveals the women’s abiding interest in one another, and as they reinsert themselves into each other’s lives, the differences between Irene and Clare take their toll on the stability each woman had achieved.