Legacy Forged: Christopher Nolan & “Oppenheimer” Have Huge Oscars Night
Christopher Nolan and his riveting, historic biopic Oppenheimer had a huge night at the 96th Academy Awards. Nolan notched his first-ever Oscar win after seven previous nominations, winning Best Director. “Movies are just a little bit over 100 years old,” Nolan said during his acceptance speech. “I would imagine being 100 years into painting or theater. We don’t know where this incredible journey is going from here, but to know that you think that I’m a meaningful part of it means the world to me.”
Oppenheimer had a huge night,
Andes to Oscars: How Makeup Masters Turned “Society of the Snow” Actors Into Survivors
Director J.A. Bayona’s Society of the Snow, which recounts the experience of a Uruguayan rugby team whose plane crashed in the Andes in 1972, is Spain’s Oscar entry for best international feature. But the film, which depicts the crash and subsequent survival of 16 out of 45 passengers in exquisitely painful detail, is also nominated in another category. The passengers break bones. They sustain face injuries. They starve. For their incredible work creating the visual reality of this suffering,
Oscar-Nominated Editor Laurent Sénéchal’s High Wire Act in “Anatomy of a Fall”
After sweeping this awards season with trophies at the BAFTAs, France’s César Awards, Critics Choice, and the recent Spirit Awards, writer-director Justine Triet and co-writer Arthur Harari’s cerebral courtroom drama is headed for the home stretch, with five Academy Award nominations on the line. Anatomy of a Fall is a masterclass of filmmaking across the board, and that surely includes the surgical work done by editor Laurent Sénéchal (C’est ça l’amour,
Double Oscar Nominee Richard King Unveils the Aural Secrets of “Oppenheimer” and “Maestro”
Richard King, one of Hollywood’s most successful sound designers, is known for creating increasingly complex aural environments that help achieve a director’s vision, giving the movie its own rhythm and texture. Over the past two decades, he’s won four Academy Awards. And at this year’s Oscars, he’s nominated for two more for his contributions to Bradley Cooper’s Leonard Bernstein biopic Maestro and Christopher Nolan’s Oppenheimer, an R-rated historical drama about the first atomic bomb,
“Henry Sugar” Costume Designer Kasia Walicka Maimone on Weaving an Oscar-Worthy Story for Wes Anderson
When she was five years old, Kasia Walicka Maimone started making her own clothes. “Growing up in Poland, a lot of people had that skill,” she says. “My grandmother made clothes. My mother, a doctor, made clothes. And I did clothes for my musician friends without giving it a thought. I was like, ‘What’s the big deal?'”
As it turned out, Maimone’s talent for costuming became quite a big deal. After studying English in Warsaw,
Ryan Gosling’s “I’m Just Ken” one of Five Live Performances Set for Oscars
All five of the Oscar-nominated songs will be performed live at this year’s Academy Awards.
The Dolby Stage will not only be home to the 96th Oscars ceremony but will also serve as a major concert venue this Sunday, with Jon Batiste, Billie Eilish and Finneas O’Connell, Becky G, Scott George and the Osage Singers, and Ryan Gosling and Mark Ronson will all perform their Oscar-nominated numbers.
“The Creator” Oscar-Nominated Sound Team on Blending Retro-Futurism, Robot Monks, & the Didgeridoo
The Creator‘s Oscar-nominated supervising sound editors, Erik Aadahl and Ethan Van der Ryn, had a dream experience creating the soundscape for director Gareth Edwards‘ vision of a nightmarish future. The timing of the film couldn’t have been better—The Creator is set at a point in human history where there’s an outright war between humanity and artificial intelligence, a classic sci-fi set-up that felt alarmingly less fictive given the rapid expansion of AI in our real world.
“Maestro” Oscar-Nominated Re-Recording Mixers on Building Emotion With & Without Music
In Bradley Cooper’s Maestro, the music is flipped. Tracking the arc of Leonard Bernstein’s career in tandem with his loving but complicated marriage to Chilean actress Felicia Monteleagre (Carey Mulligan), the film’s music is Bernstein’s music, playing as it did over the course of the composer’s life, whether that’s performed on stage or worked out in the studio at the family’s Fairfield country house. When we revisit emotionally charged, private moments from Bernstein’s life,
“To Kill a Tiger” Director Nisha Pahuja on her Eight-Year Journey to Make her Oscar-Nominated Doc
One of the year’s Oscar Cinderella stories is the best documentary nomination for director Nisha Pahuja’s To Kill a Tiger. It took Pahuja and her small crew eight years to complete their independent film about a father’s fight for justice after three men abducted his 13-year-old daughter and sexually assaulted her in a poor rural village in India.
“It has not quite hit me yet,” says Pahuja of what will be her first-ever trip to the Oscar ceremony on March 10.
Co-Director Moses Bwayo on the Harrowing Journey to Capture the Oscar-Nominated Doc “Bobi Wine: The People’s President”
Imagine for a moment if a music icon like Beyoncé or Dolly Parton ran for United States President. Cool, right? But imagine, during their campaign, they were arrested, brutally beaten, and thrown in jail by the incumbent government while their supporters were detained, shot at, and killed. As Americans, would we simply look the other way? In Uganda, similar events actually took place leading up to the 2021 presidential election as Bobi Wine, a superstar musician,
“The Holdovers” Oscar-Nominated Editor Kevin Tent on Creating a 70s Vibe With Timeless Performances
Kevin Tent, nominated for this year’s best editing Oscar for The Holdovers, considers himself “the luckiest editor ever” thanks to his 28-year collaboration with director Alexander Payne. Tent has edited all nine of Payne’s films dating back to his feature directing debut Citizen Ruth (1996). It’s an impressive list that includes Election (1999), About Schmidt (2002), Sideways (2004), Paris, Je T’aime (2006),
