How Mindhunter’s Composer Manipulates Sound to Create an Unexpected Score
What kind of music describes the FBI’s early attempts to understand the mind of a serial killer? According to Mindhunter, the David Fincher-produced Netflix series based on Mindhunter: Inside the FBI’s Elite Serial Crime Unit, by John E. Douglas and Mark Olshaker, the auditory embodiment of this process swings between a creepily high-pitched yet restrained clamor, and quiet, moody intonations, like the rumbling of an ominous wind.
Charlie Manson Appears in Mindhunter‘s Season 2 Trailer
Charlie Manson briefly appears in Quentin Tarantino’s Once Upon a Time in Hollywood, yet his ghoulish specter hangs over the entire movie. In season two of Netflix’s excellent Mindhunters, Manson is back, and like Once Upon a Time in Hollywood, he’s played by Damian Herriman. You’ll see him in a brief shot in the season two trailer which Netflix has just released. The trailer is but a minute long,
Cameron Britton Breaks Through Playing Real Life Serial Killer Ed Kemper in Mindhunter
Netflix true crime drama Mindhunter moves efficiently in tracking the origins of forensic science as experienced through FBI odd couple (Jonathan Groff and Holt McCallany) until midway through its second episode. Then, Cameron Britton makes his entrance. Playing real-life 70’s-era serial killer Ed Kemper, Britton strolls into an interrogation room and takes the show in utterly unnerving new direction through his embodiment of folksy evil incarnate.
A frontrunner in Emmy’s Outstanding Guest Actor in a Drama Series category,
David Fincher Shot 75 Takes of a Single Mindhunter Scene
The brilliant mind of director David Fincher is probably full of every tip and trick available to the contemporary filmmaker, but nothing beats good-old-fashioned perfectionism. Which, for the man behind Netflix’s crime series Mindhunter, means shooting a nine-and-a-half minute scene several times. Well, more than several times. Seventy-five times. In a single day.
That’s about twelve hours, not including the single break the crew took for lunch and the time Fincher took to share with his actors the laborious notes he scribbled during each take.
Cinematographer Erik Messerschmidt on Shooting David Fincher’s Serial Killer Series Mindhunter
David Fincher does not like the color red. Cinematographer Erik Messerschmidt knows this because he shot much of the new Netflix series Mindhunter, executive produced and partially directed by the famously meticulous master of suspense. “Fincher and I both have an aversion to magenta so with Mindhunter we always erred on the side of green/yellow in our color choices,” says Messerschmidt, who met Fincher on the set of his 2014 thriller Gone Girl.
Mindhunter‘s Visual Effects are So Good You Don’t Know They’re There
A new behind-the-scenes clip from Mindhunter highlights just how crazy and intense the editing process can be on a TV show. The serial killer series that you have no doubt been binging on Netflix is trademark David Fincher. It’s dark and suspenseful and you might not realize the benefits of all the digital enhancement that has contributed to the final project.
The clip from Adobe, whose products are used on the series,
Watch the First Trailer for David Fincher’s Netflix Series Mindhunter
Director David Fincher might be the greatest living director when it comes to crime thrillers. On the big screen, he has delivered a series of sensational crime films, including Se7en, Zodiac, The Girl with the Dragon Tattoo and Gone Girl. Fincher is now one of the leading lights behind Netflix’s new series Mindhunter, based on John Douglas and Mark Olshaker’s book, “Mindhunter: Inside the FBI’s Elite Serial Crime Unit,” that detailed the work of the FBI’s Investigative Support Unit.