“Lisa Frankenstein” Production Designer Mark Worthington on Reimagining 1980s Horror Comedy
In a send-up of 1980s slasher flicks, Lisa (Kathryn Newton), the anti-heroine of writer Diablo Cody’s and director Zelda Williams’s Lisa Frankenstein, spends too much time in an abandoned cemetery and accidentally calls up a deceased 18th-century hottie (Cole Sprouse) from the dead. Since Lisa is already in love with a living boy, Michael Trent (Henry Eikenberry), and her undead admirer is missing a hand and can’t speak, the high schooler finds herself at the center of a love triangle she’s ill-equipped to handle.
“Lisa Frankenstein” Costume Designer Meagan McLaughlin Luster on Dressing a Muse and a Monster
In Juno and Jennifer’s Body, screenwriter Diablo Cody depicted the worldview of alienated teenage girls with pitch-perfect wit. Her latest film, Lisa Frankenstein (in theaters now), directed by Zelda Williams, grafts Mary Shelley’s 19th-century monster myth onto the modern horrors of high school. Set in 1989, the movie casts Kathryn Newton as depressed Goth girl Lisa Swallows, who gains a whole new perspective after a muddy corpse (Cole Sprouse of Riverdale fame) breaks out of the graveyard and into her life.
The First Trailer for Diablo Cody’s “Lisa Frankenstein” Raises the Dead
What’s a girl to do when she’s separated from the boy she loves? Well, if she’s in the movies, she’s going to do whatever it takes, even when what’s separating them isn’t overprotective parents, rival romantic competition, or even unrequited love, but death itself. This is the conceit writer Diablo Cody and director Zelda Williams play with in Lisa Frankenstein, a new kind of coming-of-age story where young love requires a little more elbow grease—and perhaps,
