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From Ranch to Rodeo to Rig: How the Hair on “Yellowstone” & “Landman” Tells the Story
“The Brutalist” Production Designer Judy Becker on Designing Fictional Mid-Century Modernist Masterpieces
“Anora” Cinematographer Drew Daniels on an Old School Approach to Modern, Misguided Love
Creating Count Orlock With “Nosferatu” Director Robert Eggers & Special FX Makeup Designer David White
“Better Man” Director Michael Gracey on Monkeying With Robbie Williams in Bold Bio-Pic
How “Anora”‘s DP & Production Designer Brought a Deconstructed Cinderella to New York
“Nosferatu” Production Designer Craig Lathrop on Creating Count Orlock’s Gothic World
“The Brutalist” Composer Daniel Blumberg on Blending Genres in Brady Corbet’s American Epic
“The Last Showgirl” Director Gia Coppola Pulls Back the Curtain on Pamela Anderson’s Career-Defining Performance
“The Room Next Door” Production Designer Inbal Weinberg is the Architect of Pedro Almodóvar’s World
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