From Minority Report to Iron Man, the Genesis of Gesture Technology
Good sci-fi movies have a way of influencing, if not actually predicting, the future when it comes to technological innovation. Take, for example, gestural interactions with computers — they are the next step after today's virtual keyboards.
One of the most popular movie approximations of this tech is used by Precrime Police Chief John Anderton in the 2002 movie Minority Report. Anderton solves a future murder by shuffling through holographic data with special gloves and a burning intensity.
The Sky’s the Limit: Cinematography’s Technological Revolution
Just as smart phones and tablets are changing the way we experience daily life, other technologies are dramatically shifting the cinematic landscape. Directors today can harness these tools in order to express their artistic vision on the screen as never before. We spoke with two of the most significant players in this field in order to find out what’s possible now, and what we can expect to see in the future.
3D moves beyond ‘next big thing’
The Wired Theater: Audiences Get Social At The Cinema
There is a well-known myth of movie audiences in the late 19th century fleeing for the exits at the sight of a train that seemed to be barreling straight toward them. In reality, audiences’ early fascination with motion pictures quickly turned to admiration, a sacred respect for the movie going experience. Talking during movies became, almost instantaneously, strictly verboten. Decades later, other rules reared their heads to stomp out social distractions in the cinema. First it was,
The Return of Smell-O-Vision, the Advent of 4D Cinema, and the Brave New World of Sensory Film
TIME Magazine might have deemed it one of the worst 100 ideas in history, but it’s hard not to harbor a fond nostalgia for the wonderfully bizarre promise Smell-O-Vision once afforded moviegoers. Making movies that smelled was a bold and definitively quirky concept intended to persuade the television-hooked masses of 1950s Americana to migrate from their plastic-covered couches and microwaved TV dinners in order to experience movies in a ‘scent’sational new way. Of course,
Special Effects for Everyone: The Democratization of CGI Technology
You could say independent filmmaker Gareth Edwards is a surprising champion for CGI technology. After all, his feature film Monsters (2010) wasn’t a big-budget summer blockbuster, nor did it star Tom Cruise, Matt Damon or any other major A-list actor. In fact, he made his film for a mere $800,000—and that’s with CGI technology included. In an interview with film critic Mark Kermode, Edwards said, “You can go in [a] shop now and buy a computer that’s faster than the computers they made Jurassic Park on.”
Social Cinema: Start-Up Screens Viral Videos At Local Theaters
Surely, it’s happened to you: While watching a favorite flick at home, you suddenly realize that the laughs you found tear-inducing and stomach-ravaging in the theater are, on this solitary viewing at least, sadly amiss. What gives? According to an innovative Dutch start-up called Upload Cinema, not only are you missing out on the infectious and sporadic laugh-track of dozens of other moviegoers, you’re also missing out on the effervescent, hard-to-define ambiance of the traditional movie theater experience.
