Cinematographer Alicia Robbins on Filming the “Grey’s Anatomy” Covid Season—During Covid

While there’s little in the way of “good luck” that can be attributed to an ongoing pandemic, there is perhaps a little good timing, in the speedy arrival of a vaccination. For cinematographer Alicia Robbins, she chalks up her arrival as one of the two people chronicling the struggles in Seattle’s fictive-yet-storied Grey Sloan Memorial Hospital, from behind a pretty active lens, to both “a stroke of good luck, and good timing.”

“I was working on For The People,

Grey’s Anatomy Donating Gloves & Gowns to Fight COVID-19

With the rapid spread of COVID-19, people all across the globe are trying to do their part. This includes people with symptoms who are self-quarantining, the tens of millions of folks practicing social distancing, and the efforts of individuals and charities alike to lending a helping hand—in whatever way they can—to support people in even greater need. As we all learn how to live under novel, legitimately terrifying circumstances, no industry or group of people are working harder than our healthcare providers.

Film at the Vatican Without Leaving LA: How Stargate Studios’ Virtual Backlot Is Revolutionizing The Industry

On location shooting is a variable that can make or break a film or television project. It might be the difference between shooting a scene at Westminster Abbey, or at the neighborhood church. So when visual effects house Stargate Studios launched their Virtual Backlot nearly a decade ago, television shows everywhere could hardly wait to use their game-changing library of virtual backdrops. From Vegas casinos to idyllic beaches, producers could finally green-light exotically ambitious scripts,