Chatting with Super Composer Hans Zimmer About Man of Steel

According to a 2007 British survey Hans Zimmer is considered “one of the world’s 100 living geniuses.” He shares space on the list with the likes of Stephen Hawking, Prince and Philip Glass.  Zimmer’s own list of achievements includes an Academy Award, several Golden Globes, Grammys, Lifetime Achievement Awards, a star on the Hollywood Walk of Fame, and dozens of film credits that attest to his significant contribution to many of the industry’s finest films.

Where to Watch: New Site Offers Films & Shows, Legally & Seamlessly

Since our launch last September, The Credits has interviewed a diverse group of filmmakers, working our way through all the different jobs one could have  in pre-production, on a film set, and in post. Directors, actors, cinematographers, screenwriters, art directors, costume designers, composers, editors, visual effects supervisors, casting directors, music supervisors, stunt performers and more have told us what it’s like to make a living making movies.

Eli Roth on Aftershock, Learning to Love Horror, and Woody Allen

Brilliant, demented horror master Eli Roth — the Frank Sinatra of The Splat Pack — is ready to make the next round of moviegoers barf, thanks to Aftershock, a shock fest that chronicles the hell-on-earth circumstances that befall coastal Valparaiso, Chile, after an earthquake levels the town. While the film is helmed by Chilean director Nicolás López, Roth produces and stars, playing a hapless American who goes from partying and chasing girls to worrying about collapsing nightclubs and escaped prisoners. 

Golden Age of Documentaries: A Q&A With Filmmaker Jamie Meltzer

Documentarian Jamie Meltzer knows how to pick his subject matter. Take his award-winning film Informant, which took home the Grand Jury Award at the DocNYC Festival as well as Best Documentary at the Austin Film Festival. Informant examines the life of Brandon Darby, a radical leftist activist turned FBI informant. Darby became a hero when he traveled to a Hurricane Katrina-ravaged New Orleans and braved toxic floodwaters to rescue a friend of his stranded in the Ninth Ward.

Scoring Giants: Mark Isham on Composing the Jackie Robinson Biopic 42

Let’s take a quick glance at some of the giants composer Mark Isham has worked with; Robert Redford, Brian De Palma, Jodi Foster, Robert Altman, and Sydney Lumet. In the music realm, his list includes; Bruce Springsteen, Willie Neslon, Joni Mitchell, The Rolling Stones, and Van Morrison. Yet there is one legend Isham has worked for (in a very different sense) that loomed even larger when he joined director Brian Helgeland’s team to take on Warner Bros.’ 

Cinematographer Anthony Dod Mantle Puts us in a Trance

Chances are you’ve seen the trailer to this weekend’s Trance, and while it may be an incredibly intense three minutes, you’re likely left with several questions. Fear not, many of them might never get answered. But that’s okay, according to the film’s director of photography, Anthony Dod Mantle. Trance tracks what is a largely internalized journey taken on by an art auctioneer-turned art thief (James McAvoy) forced to see a hypnotherapist (Rosario Dawson) to help him recall where he’s stashed his latest haul.

House of Sound: Composer Jeff Beal Talks David Fincher, Scoring Netflix’s Breakout Hit, and Jazz

When composer Jeff Beal heard that director David Fincher was involved in an intriguing television project with Netflix, he wanted in. That project was House of Cards, an original series starring Kevin Spacey as House Majority Whip Frank Underwood, a vengeful political animal with scores to settle. Fincher asked Beal to submit some musical sketches, and what Beal created ended up becoming the basis for the show’s theme,

Writer-Director Derek Cianfrance on The Place Beyond the Pines

Ryan Gosling may have recently suggested that he is taking a break from acting, but fans can still find solace in this weekend’s release of The Place Beyond the Pines, a triptych that reunites him with Blue Valentine writer-director Derek Cianfrance.

The cops and robbers caper—costarring Bradley Cooper, Eva Mendes, and Ray Liotta—traces the ramifications caused when Gosling’s character, a drifter-cum-motorcycle stunt driver,

Triple Threat: Chatting With Film/TV/Video Game Composer Christopher Lennertz of NBC’s Revolution

Christopher Lennertz’s composing career has settled nicely across three mediums, making him one of the busiest musicians in Hollywood. His most recent film successes includes scoring a string star-studded comedies like Identity Thief, Think Like a Man and Horrible Bosses. For scoring TV, his credits include NBC’s new series Revolution, about a family struggling to reunite in a totally powerless American landscape–and we mean that literally,

From Making Hats to 3D Cats: Self-Taught Animator TJ Nabors Helps Create The Croods

TJ Nabors has taken your typical road to becoming a top animator in Hollywood—she started out designing hats. She was in theater at the University of Texas, and was focusing on textiles and costume, when she took a particular shine to the creation of hats. "There was a distilled and theatrical power to transform the wearer," she says. The power to transform one thing into another would become a theme in Nabors professional life, as she transformed herself into a self-taught animator,

Composer John Debney Answers The Call, and Goes Really Dark

Incorporating ‘found sound’ into his score for director Brad Anderson’s The Call, Oscar nominated composer John Debney wasn’t afraid to get weird. From slapping the tops of pianos to creating a bizarre engine revving sound for the film’s deranged lunatic, he took risks. The result is a truly unsettling soundscape–from the same man who wrote the score for Elf, no less.

The Call,

From Return of the Jedi to Jack the Giant Slayer, the Worlds of Production Designer Gavin Bocquet

Starting out as a draftsman on Return of the Jedi (1983), Gavin Bocquet’s career as a production designer coincided with the development and implementation of CGI technology into all spheres of the movie business. Bocquet was at the forefront of that revolution, working regularly for George Lucas, honing his craft on the TV show The Young Indiana Jones Adventures and the trilogy of Star Wars prequels. His career reflects the developing integration between practical production design and ever evolving CGI technology.