A Q&A With A Good Day to Die Hard Cinematographer Jonathan Sela
At the ripe old age of 34, Jonathan Sela has turned his childhood passion of shooting films in Israel into a big time Hollywood career. As the cinematographer on A Good Day to Die Hard, Sela was reunited with director John Moore (they worked on The Omen and Max Payne together) to film the fifth installment of an action franchise that has spanned 25-years and grossed over a billion dollars worldwide.
He Builds It, Audiences Come: A Q&A With A Good Day to Die Hard Production Designer Daniel Dorrance
Production designer Daniel Dorrance’s career has been something of a monster movie carnival. That’s not to say he’s worked exclusively on movies about monsters, but rather almost exclusively on giant, sprawling epics. He’s been responsible for the creation of massive sets and managing huge departments while answering to some of the heaviest of heavy weight directors. Those directors include Steven Spielberg (Hook, Saving Private Ryan), Francis Ford Coppola (Dracula),
