"Westworld" Costume Designer Debra Beebe on Living in Charlotte Hale's World
...memories of a past life, but trying to sort out where she is now. Then Teddy comes in and helps her understand what her life is and who she is in this...
“Confess, Fletch” Cinematographer Sam Levy Modernizes the Crime Caper
...but professional experience and a little luck made it an asset. The action was captured by an intricate steady cam shot following Hamm sneaking around at night. “The rain scene was completely...
How "TILL" Costume Designer Marci Rodgers Captured the Racial Dynamics of 1955 America
...Till family. Emmett’s urban sensibilities proved to be a critical component in the events that led to his murder. Rodgers can understand how the cultural differences between the city and the South...
How “Tár” Costume Designer Bina Daigeler Dressed Cate Blanchett in Power
...Lydia herself. “First of all, she is dressed in something that she feels comfortable in, and that represents her and her inspirations,” Daigeler explained. “For us, how we composed her character, the...
“Bones And All” Writer/Producer David Kajganich on Creating a Consuming Cannibal Love Story
...the 1980s. They find one another as outcasts from society, living on the fringe and coming to terms with their shared compulsion for cannibalism. Mark Rylance, Michael Stuhlbarg, and Chloe Sevigny round...
“George & Tammy” Costume Designer Mitchell Travers on the Power Couple's Fashion Forward Approach
...for these Nudie suits comes from was to try to make sure that everybody in the audience got to see them and experience them in real life. I think that the television...
"Babylon" Composer Justin Hurwitz Deconstructs His Oscar-Shortlisted Score
...at parties and clubs and underground music places where people are really sweating and going for it. So we tried to imagine the kind of music that was being played at the...
"Boston Strangler" Production Designer John Goldsmith Recreates a City's Nightmare
...reporters for a Boston daily who battled institutional sexism in order to break one of the most notorious crimes in history. Production designer John Goldsmith understood this was a Boston story and...
"Scream VI" Cinematographer Brett Jutkiewicz on Framing Scenes So They Cut Deep
...end of the day. Clouds come in and go. The scene at their apartment the morning after the ladder escape scene was particularly challenging. We had a lot of equipment to try...
"John Wick: Chapter 4" Fight Coordinator Jeremy Marinas on Building Balletic Mayhem With Keanu Reeves & Co.
...Shimozawa. The storyline paints Caine as having a similar background to Wick, even hinting they’re best friends. But The High Table has Caine under its thumb – threatening the livelihood of his...