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Production Designer Nathan Crowley: The Visionary Behind “Wicked’s” Stunning Sets
“Gladiator II” Production Designer Arthur Max on Rebuilding a Decadent, Debased Ancient Rome
Maximus Effort: “Gladiator II” Production Designer Arthur Max on Creating Colossal Constructions
“Here” Production Designer Ashley Lamont on Building an Entire Life in a Single Room for Tom Hanks & Robin Wright
“Conclave” Confidential: Production Designer Suzie Davies on Recreating One of the World’s Most Secretive Events
Lights, Camera, Recreation: “Saturday Night” Production Designer Jess Gonchor on Bringing “SNL”‘s Studio to Life
“Beetlejuice Beetlejuice” Production Designer Mark Scruton’s Masterful Marriage of Art & Architecture
How “The Penguin” Production Designer Kalina Ivanov Helped Bring Gotham Back to New York City
“Blink Twice” Production Designer Roberto Bonelli on Crafting the Sinister Façade of Zoë Kravitz’s Thriller
“It Ends With Us” Production Designer Russell Barnes on Crafting Visual Contrasts of Love & Control
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