“Lovecraft Country” DP Michael Watson on Lensing HBO’s Multi-Genre Hit Series
If you’ve been watching Lovecraft Country on HBO, you’ve seen one of the most sublimely ambitious series on TV this year. Stripping the legendary horror writer H.P. Lovecraft for parts (the man was a seething racist and anti-Semite), creator Misha Green’s 9-episode series is equal parts horror, drama, sci-fi, and social commentary. Lovecraft Country is the show 2020 needed but probably didn’t deserve.
Cinematographer Michael Watson lensed four of Lovecraft‘s episodes,
HBO Max Reveals Trailer For 4-Part Docu-Series “Equal”
HBO Max has released the official trailer for Equal, their four-part docu-series chronicling the untold events leading up to the Stonewall Uprising in New York City that began on June 28, 1969, and marked a massive shift in the fight for LGBTQ+ rights. The series is narrated by Emmy, Tony, and Grammy-winning performer Billy Porter (Pose, American Horror Story: Apocalypse), and will likely introduce viewers to a wide range of LGBTQ+ leaders and visionaries for the first time—portrayed by an incredible cast.
“Lovecraft Country” Director Cheryl Dunye on Shapeshifting & More in Episode 5
HBO’s Lovecraft Country, created by Executive Producer Misha Green, is being celebrated by viewers and critics alike. The story of two families that come together in the Jim Crow South to battle monsters and white racists in power has horrors both real and imagined, but there are many elements in the storytelling and many challenges to the characters that speak to the state of American race relations today. The misadventures of Atticus Freeman (Jonathan Majors),
Costume Designer Analucia McGorty on Creating the Looks for the Groundbreaking “POSE”
Set in the Eighties and Nineties, POSE is a dance musical that juxtaposes several versions of life and society in New York: the downtown social and literary scene, the ball culture world, and the rise of the luxury Trump-era universe. So when it comes to what everyone in the show is wearing, Costume Designer Analucia McGorty—recently Emmy-nominated for Outstanding Period Costumes—has some challenging, and extremely fun, work to do.
Director Dime Davis on Making Emmy History With “A Black Lady Sketch Show”
Last year, director Dime Davis visited California desert retreat Joshua Tree to take a break from her burgeoning career as director of Showtime drama The Chi and BET rom-com Boomerang. “I’d been trying to get my head together so I wasn’t getting back to people,” Davis recalls. But Robin Thede kept calling. The comedian had created a new sketch series for HBO and wanted Davis to direct the whole thing.
Emmy-Nominated Production Designer Monica Sotto on “Drunk History”
Let’s get the sad part out of the way; Comedy Central’s beloved Drunk History was recently canceled, after 6 glorious, inebriated, compulsively watchable seasons. Shortly before that bad bit of news was revealed, we got a chance to chat with the show’s production designer Monica Sotto, whose work on the season 6 finale “Bad Blood,” which focused on the highly infectious Typhoid Mary (narrated by Jackie Johnson) and Cleopatra’s younger sister,
How Emmy-Nominated Choreographer Jemel McWilliams Makes His Moves
When Emmy-nominated choreographer Jemel McWilliams was a first grader growing up in the D.C. area, most of his friends spent their time worshipping and talking about Michael Jordan. It was the Nineties, and Jordan and the Bulls were at peak fame level. But McWilliams had a few other idols in his sights: Sammy Davis, Jr. and Savion Glover.
“I just loved that Sammy was an actor, a singer,
Emmy-Nominated Production Designer Jason Sherwood on Designing the Oscars
At 30 years old, Emmy-winning production designer Jason Sherwood became the youngest person to ever design the Oscars for this past year’s historic ceremony. Sherwood, already a talented theater designer, nabbed his first Emmy just last year for the design of Rent Live (which was also his first foray into major TV production).
For this year’s Oscars, Sherwood and his collaborator and fellow nominee, art director Alana Billingsley,
“Becoming” Composer Kamasi Washington on Scoring Michelle Obama’s Life
As one of the most famous women in the world, we’re familiar with the broad strokes of Michelle Obama’s life, from her rarefied resume and progressive values to her playfully chic sense of fashion. Thanks to her critically-acclaimed memoir, “Becoming,” the former First Lady’s legions of fans have also gotten to know more about her early life, marriage to Barack Obama, and their eight years in the White House.
Emmy-Nominated “Watchmen” Production Designer on The Show’s Eclectic Inspirations
Not only did Watchmen top all TV rivals by earning 26 Emmy nominations; the sprawling HBO series also tackled racism in America en route to becoming arguably the most topical drama of the year. Rooted in the horrific 1921 Tulsa Race Massacre of more than 300 Black citizens, Watchmen pits fictional superhero Sister Night (Regina King) against a secret society of white supremacists Hell-bent on taking over the world.
Asia Pacific Screen Academy Filmmakers Deliver Diverse Storytelling
Over the last decade, some of the Academy members of the Asia Pacific Screen Academy have benefited from receiving grants from the MPA APSA Academy Film Fund. We asked the Chair of the Fund, Andrew Pike, to provide us with a status update on some of the recent projects and the legacy that the Fund is helping to create in the Asia Pacific region.
For 10 years now, the MPA APSA Academy Film Fund,
How Justin Simien Schools Viewers in “Dear White People”
On one hand, Dear White People creator Justin Simien was thrilled to see a 600 percent increase in viewership for his Netflix series in the wake of George Floyd’s death. On the other hand, he says, “It’s also a little bit annoying because like, ‘Where were y’all when we started this conversation with this franchise six years ago when this [racism] was just as relevant then as it is now?'”
In tracking the trials and tribulations of wise-cracking Black students at an Ivy League-level fictional school called Winchester University,
How DP Nancy Schreiber Sidesteps Voyeurism for a Naturalistic Look in “P-Valley”
If you think you’re in for a sexy, easygoing watch with P-Valley, Starz’s new series on the life and times of the employees of a Mississippi Delta strip club, expect an emotional awakening. The show’s creator, Laurence Olivier Award-winning playwright Katori Hall, first brought P-Valley to life as a critically well-received play, “Pussy Valley.” Hall’s television adaptation may be less explicitly titled, but it retains the nuance of a work fit for the stage,
“Self Made” DP Kira Kelly on Why Black Stories Matter
Cinematographer Kira Kelly shot Ava DuVernay‘s 2016 Oscar-nominated 13th documenting how American prisons target Black men. Then she filmed miniseries Self Made: Inspired by the Life of Madam C.J. Walker, named after the hair products entrepreneur who became the country’s first Black female millionaire. Most recently, she shifted into rom-com mode for an episode of Insecure, set in South L.A.
How Director Mimi Leder Shaped Apple TV+’s “The Morning Show”
Hollywood has become somewhat more diverse since the eighties when director Mimi Leder became the first woman to graduate from the American Film Institute. And yet, as her latest drama The Morning Show illustrates, some male entertainment moguls still give talented women a hard time. Originally inspired by Brian Stelter’s book “Top of the Morning: Inside the Cutthroat World of Morning TV,” showrunner Kerry Ehrin (Friday Night Lights) re-tooled the Apple TV+ series as a #MeToo saga centered on the firing of popular infotainment anchor Mitch Kessler (Steve Carell) for sexual misconduct.
Emmy-Winning Director Randy Wilkins on Capturing His Mentor Spike Lee
Randy Wilkins is a three-time Emmy Award-winning writer, director, and editor from the Bronx who has edited a handful of Spike Lee joints, including She’s Gotta Have It and Rodney King for Netflix. But for his latest project, Apple TV’s Dear… the tables were turned, and Wilkins was tasked with interviewing and directing Spike Lee, his longtime mentor.
“It was weird,” Wilkins says. “There was pressure for sure.
KiKi Layne on Her Lethal Left Hook (And More) in “The Old Guard”
With her star turn in Barry Jenkins’ If Beale Street Could Talk, KiKi Layne left a lasting impression on critics and producers alike. In director Gina Prince-Bythewood‘s The Old Guard, now streaming on Netflix, Layne shows herself to be a performer capable of handling wildly divergent roles. Her character, Nile Freeman, the youngest and newest member of a team of immortal mercenaries, is a highly trained Marine with a strong moral compass,
“Cursed” Director/Producer Zetna Fuentes on Remixing Arthurian Legend for Netflix
Cursed, which premieres today on Netflix, reframes the King Arthur legend to center on the mysterious Lady of the Lake and fae, Nimue, played by Katherine Langford. The show is created by Tom Wheeler and Frank Miller, based on their illustrated novel. The Credits spoke to Zetna Fuentes, who executive produced and directed the pilot and second episode of the series. This conversation has been edited for length and clarity.
Director Gina Prince-Bythewood on her Netflix Epic The Old Guard
The Old Guard, premiering today on Netflix, is a completely engrossing female-fronted action film that just might blow the doors off your summer. Helmed by director Gina Prince-Bythewood, it also marks the milestone of the first major superhero film directed by a Black woman. Prince-Bythewood, who first made her name as writer/director of the classic Love & Basketball, has become one of the most thoroughly interesting directors working in Hollywood.
Javicia Leslie Makes History as the New Batwoman
When we spoke to Batwoman composer Sherri Chung, she expressed excitement over where the CW show would head in the upcoming season. Despite losing the talented Ruby Rose as Kate Kane/Batwoman, Chung was confident in the show’s approach to finding a new lead. “What I think is great is that it sounds like they’re going to treat this as Kate Kane leaving Gotham, and a new character comes in to carry the torch as Batwoman,”