“Daredevil: Born Again” DPs Hillary Fyfe Spera & Pedro Gómez Millán on Lensing NYC’s Mean Streets

Daredevil built a fierce fandom when the show first appeared in 2015, introducing Charlie Cox as visually impaired lawyer Matt Murdock, whose alter ego roamed the streets of New York at night as Daredevil, a superhero with heightened senses and lethally honed fighting skills. After nearly a decade, Cox reprises his role in Daredevil: Born Again, and in the first of two already planned seasons, doesn’t disappoint. 

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Ryan Coogler’s Big Swing With “Sinners” is Also a Love Letter to the Movie Theater

When Ryan Coogler was shopping the script for his fifth film around Hollywood, the excitement and competition for the rights to work with the filmmaker were equally high.  The major studios and streamers were vying to be able to produce and distribute Coogler’s original story, which, we’d eventually learn, was Sinners, his upcoming supernatural period piece. The reasons for the excitement and competition were obvious—Coogler hasn’t missed yet,

“Snow White” Cinematographer Mandy Walker on Casting a Visual Spell Through Past & Present

Nestled between a dental office and a local tavern in the Los Angeles neighborhood of Atwater Village is Tam O’Shanter, a Scottish restaurant inside a storybook style Tudor cottage, its interior a blend of rustic elegance and historical charm, a vestige of “Old Hollywood.” In the corner of the dimly lit room is Table 31, a regular spot of Walt Disney when the studio was located on Hyperion Avenue in the 1920s. It’s rumored the restaurant partially inspired Disney’s first feature-length animated film,

“Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip” Director Marvin Lemus on a Family Adventure Through New Mexico

The title says it all: Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip is a PG comedy that follows a rambunctious family on an RV trek through New Mexico. Their destination? A very old village in Mexico, home to an ancient stone idol. By returning the haunted talisman to its ancestral home, 11-year-old Alexander (newcomer Thom Nemer) thinks he can lift the curse bringing bad luck to his mother, father,

Reel Returns: Connecticut’s Film Investment Fuels Economic Growth in a Competitive State of Play

The evening before my conversation with Jonathan Black, a co-founder of the Connecticut Film and TV Alliance (CTFTVA), he was attending a hearing in Hartford. The Finance, Revenue, and Bonding Committee was listening to public testimony on Connecticut Governor Ned Lamont’s proposed film tax credit cut from 30% to 25%, a move that could strike a devastating blow to the state’s film and television community.

Black, a Georgia native, has roots in Hollywood,

Inside “The Residence”: Creator Paul William Davies on Crafting a White House Whodunit

The Residence, produced by Shondaland for Netflix, is the much-anticipated whodunnit that is Shonda Rhimes’ second show set in the White House. The first, of course, was another beloved, Kerry Washington-led Scandal, which dealt in the shadowy world of Washington’s Olivia Pope, the queen of fixers. Now Rhimes and her collaborator Paul William Davies return to 1600 Pennsylvania Avenue to follow Uzo Aduba’s Cordelia Cupp, a world-famous detective and obsessive birder,

SXSW 2025: Tapping Into Texas’s Vast Potential to Become the Next Cinematic Frontier

This year’s SXSW film festival in Austin blew into town with a considerable tailwind of enthusiasm for the Lone Star state’s film and TV future. Every state in the union can claim unique cultures, geographies, and mythologies, but there’s no disputing that Texas looms very large in our collective cultural imagination. It’s a state that takes very seriously the notion that it’s really a country.

Texas’s hold on our imagination is evident in how many great films and TV series are set there (whether they’re actually filmed there or not—we’ll get to that in a second),

From “Elf” to “Blue Bloods”: Veteran Producer Santiago Quiñones on the Unique Advantages of Filming in New York

Santiago Quiñones was a co-executive producer on Blue Bloods, CBS’s long-running police procedural that followed the Reagan family through their dynastic run within the NYPD. Quiñones, a born and bred New Yorker, joined the show assuming that, like previous projects, he might be moving on after a little while for another opportunity. Instead, he stayed for a decade, which kept him home alongside his family as his children grew and his colleagues became extended family members.

Producer Joseph Patel Explores Sly Stone’s Life & Legacy in “Sly Lives! (aka The Burden of Black Genius)”

Prodigiously gifted songwriter/singer/arranger/producer/bandleader/keyboardist/guitarist Sly Stone gets his well-deserved close-up in documentary makers Joseph Patel and Ahmir “Questlove” Thompson‘s SLY LIVES! (aka The Burden of Black Genius). After earning an Academy Award for Summer of Soul, producer Patel and director QuestLove decided to deep-dive into the life and music of the man whose multi-racial band once thrilled hippies and Black audiences alike with ingenious funk-pop anthems including “I Want to Take You Higher,”

How Director Mohammad Rasoulof Shot his Oscar-Nominated “The Seed of the Sacred Fig” in Secret

Iranian filmmaker Mohammad Rasoulof wanted to tell a big story — so he went small. The Seed of the Sacred Fig explores his country’s authoritarian rule, repressive justice, patriarchal dominance, and women’s rights through its impact on one family.

Taking place during the 2022 Woman, Life, Freedom movement, a nationwide protest sparked by the arrest of Mahsa Amini, a 22-year-old Iranian woman jailed for not wearing a hijab and beaten to death while in custody,

“Nickel Boys” Writer/Director RaMell Ross on Camera as Consciousness in His Oscar-Nominated Film

An introspective, promising teenager hitchhiking to college gets a ride in a car that turns out to be stolen. The driver is Black, and so is the boy. Deemed an accomplice despite his innocence, Elwood (Ethan Herisse) is remanded to Nickel Academy, a segregated Florida reform school. Nickel Boys, the Oscar-nominated film based on Colson Whitehead’s Pulitzer Prize-winning novel The Nickel Boys, follows the harrowing path Elwood is placed on by the Jim Crow South.

Director Wes Ball & Oscar-Nominated VFX Supervisor Erik Winquist on the Groundbreaking Visuals of “Kingdom of the Planet of the Apes”

Kingdom of the Planet of the Apes took the franchise to new heights of photorealism and immersive filmmaking. The groundbreaking series has pushed the envelope in motion capture and beyond, starting with 2011’s Rise of the Planet of the Apes and carrying on through three subsequent films. The latest film, Wes Ball‘s 2024 epic Kingdom of the Planet of the Apes, was nominated for Best Visual Effects at the Academy Awards,

Oscar Nominated VFX Supervisor Paul Lambert on Turning the Worm in “Dune: Part Two”

Just nominated for his fourth Oscar for Dune: Part Two, VFX Supervisor Paul Lambert is a three-time Oscar winner—for Damien Chazelle’s First Man and two of director Denis Villeneuve’s films, Blade Runner 2049 and Dune: Part One. Having now worked on three of Villeneuve’s films thanks to Part Two, he has developed a shorthand with the director that makes overseeing hundreds of visual effects staff across multiple VFX houses go as smoothly as possible.

Issa Rae on the Importance of Filming “One Of Them Days” on the Streets of Los Angeles

In its opening weekend, One of Them Days earned back nearly all of its $14 million dollar budget, cementing its status as a comedy hit, the number two spot at the box office, and led many on social media in a rallying cry for more Black, female-led comedies. One of Them Days is centered on friends and roommates Dreux (Keke Palmer) and Alyssa (SZA), who find out that Alyssa’s boyfriend has blown their rent money,

Oscar-Nominated Makeup Artist Julia Floch-Carbonel on the Beauty of Transformation in “Emilia Pérez”

Emilia Pérez made history by casting Karla Sofía Gascón, the first transgendered woman to be nominated for a best actress Academy Award. The musical melodrama from director Jacques Audiard centers on Gascón’s portrayal of Mexican cartel boss Manitas, who undergoes surgery to begin a new life as Emilia. Nominated for an astonishing 13 Oscars, the film, co-starring Zoe Saldaña (also nominated for best supporting actress), Selena Gomez, and Adriana Paz,

How “One Royal Holiday” Was One Royal Savior for an Inn in Connecticut

The premise of Hallmark Channel’s One Royal Holiday is as cozy as a snowy Christmas morning—Anna (Laura Osnes) helps a mother and son who are stranded in a blizzard, only to discover the pair are actually royalty. Gabriella and James Galant (played by Victoria Clark and Aaron Tveit) are members of the Royal Family of Galwick, yet they’re (very fancy) ducks out of water in Anna’s hometown. It’s up to Anna to show the Galants what a Christmas in Connecticut is all about,

Making Macondo: How the “One Hundred Years of Solitude” Cinematographers Brought Gabriel García Márquez’s Epic to Netflix

Directors Alex García López and Laura Mora have undertaken the historic feat of adapting Nobel laureate Gabriel García Márquez’s 1967 novel, One Hundred Years of Solitude, into a sixteen-part Netflix series, the first half of which was released on December 11. Unlike the book, which moves back and forth in time across seven generations of the Buendía family, the show is chronological (and it was shot chronologically, too), but beyond the change in timing,

How a Historic House in Connecticut Gave “Christmas on Honeysuckle Lane” the Perfect Location

Christmas may be over, but Christmas movies are a delight anytime. There are plenty of classic Christmas movies for pretty much every taste. The sentimental (or viewers of a certain age) might tell you that there’s no improvement upon Frank Capra’s 1946 classic It’s a Wonderful Life or, just a year later, George Seaton’s seminal 1947 film Miracle on 34th Street. Bob Clark’s 1983 film A Christmas Story immortalized Ralphie Parker (Peter Billingsley)’s quest to secure a Red Ryder Range 200 Shoot BB Gun into a domestic epic,

“Wallace and Gromit: Vengeance Most Fowl” Directors Nick Park & Merlin Crossingham go Back to the Bakehouse

It has been almost two decades since the Oscar-winning stop-motion animation delight Wallace and Gromit: The Curse of the Were-Rabbit. Now, the dynamic duo is back in a new adventure, Wallace and Gromit: Vengeance Most Fowl; however, the world has changed.

Not only is the feature streaming on Netflix, a platform that did not exist in 2005, but technological and production processes have evolved exponentially, opening up a world of creative opportunities.

Best of 2024: “Shōgun” Editors Aika Miyake and Maria Gonzales on Cutting Mariko’s Heroic Path

*This interview was selected by measures having nothing to do with science as one of our standouts from 2024. Miyake and Gonzales unpack how they helped the story of Anna Sawai’s incredible Lady Mariko.

The first season of Justin Marks and Rachel Kondo’s masterful Shōgun was an expertly paced slow-burn drama that plunged viewers into 17th-century Japan with a passionate obsession with the rigors and wonders of the period and location.