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How “The French Dispatch” Sound Team Immerses You in Wes Anderson’s World
How “The Guilty” Sound Designers Cranked the Tension in Antoine Fuqua & Jake Gyllenhaal’s Thriller
Best of Summer: How the “A Quiet Place Part II” Sound Team Turns the Viewer Into Prey
Sound Editor Trevor Gates on Keeping “Fear Street” Real, Upbeat, & Horrifying
“In The Heights” Supervising Sound Editor On Capturing a Musical City’s Magic
“Cruella” Sound Editor Mark Stoeckinger on Getting 1970s England Right
How The “A Quiet Place Part II” Sound Team Turns the Viewer Into Prey
Sound Designer Scott Hecker on Going Big in “Zack Snyder’s Justice League”
Supervising Sound Editor on Capturing the Sound of “Ted Lasso” Remotely
How Editor Lee Smith & Sound Editor Oliver Tarney Crafted the Immersive Story of 1917
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