Writer/Director Jon Alston on His Impactful and Timely Short “Augustus”
Although it’s a short film, director Jon Alston’s Augustus tackles a monumental subject: human rights and the centuries-long injustice and racism faced by the Black community. Alston, a former record-setting linebacker in the NFL, served as an executive producer as well, along with the film’s writer and lead actor, Ayinde Howell.
The film plays from the point of view of Frederick Douglass, the noted abolitionist who escaped slavery. As Douglass suffers from nightmares depicting the death of his son,
Filmmaker Noah Hutton on his Slyly Scorching Feature Debut “Lapsis”
Writer/director Noah Hutton was due to make his narrative feature debut with his sci-fi film Lapsis at SXSW in March of 2020. You know how that turned out. Nearly a year later, Hutton’s slyly lacerating debut is now available on Virtual Cinema, VOD, and Digital. His low-budget feature debut is an impressive feat of world-building, cinematic wit, and a darkly funny critique of late-stage capitalism, specifically corporate greed and the exploitation of workers.
“The Investigation” Writer/Director Tobias Lindholm on Rethinking the Police Procedural
The police procedural has been a staple on television since its inception, and writer/director Tobias Lindholm felt it was time to shake things up. The Investigation, Lindholm’s six-episode miniseries currently playing on HBO, delves into one of the most sensational crimes in recent Danish history — the 2017 murder of journalist Kim Wall. And it turns the genre on its ear.
Wall went missing after meeting with an interview subject on his private submarine.
“Miss Juneteenth” Writer/Director Channing Godfrey Peoples on Her Potent Feature Debut
Writer and director Channing Godfrey Peoples‘ feature debut Miss Juneteenth is a subtlety powerful lesson in compassionate observation. Born in Fort Worth, Texas, with a theater degree from Baylor University (just a 90-minute drive south from Forth Worth on the I-35), Peoples’ Miss Juneteenth is a moving portrait of her hometown, and, more to the point, the tight-knit community of mostly Black people she grew up with. After graduating from the School of Cinematic Arts at the University of Southern California (where she met her husband and creative partner,
Sundance 2021: Writer/Director Carey Williams on his Romeo & Juliet Adaptation “R#J”
In partnership with producer Timur Bekmambetov, who is known for the innovative film style Screenlife as exampled by Unfriended and Searching, co-writer and director Carey Williams offers his feature debut with a modern and of-the-moment adaptation of “Romeo and Juliet,” R#J, told entirely through social media and smartphone screens. Using an entirely Black and Brown cast, and blending text messages and Instagram posts with timeless Shakespearian language,
Screenwriter Kemp Powers on Finding Truth & Beauty in “One Night In Miami”
After nearly two decades as a news reporter, Kemp Powers knew a good story when he found one. Discovering that four cultural icons — heavyweight champ Cassius Clay, soon to take the name Muhammad Ali; activist Malcolm X; crooner Sam Cooke; and NFL superstar Jim Brown — had hung out together in Miami in 1964 inspired him to recreate that night.
Powers’ play, “One Night in Miami,” enjoyed a string of regional productions before it was staged at the prestigious Donmar Warehouse in London in 2016,
Screenwriter Kata Wéber on Grief and Healing in “Pieces of a Woman”
Screenwriter and playwright Kata Wéber wrote Pieces of a Woman as a play before adapting it for the screen in partnership with director Kornél Mundruczó for their first English language film (premiering on January 7 on Netflix). Their last film was the award-winning White God, and the two have had both a long creative and personal history together. This story of Martha (Vanessa Kirby), a mother grieving the loss of her newborn child,
Writer/Producer’s Ron Leshem on His Groundbreaking HBO Max Series “Valley of Tears”
Writer/producer Ron Leshem has gained international recognition as the creator of the Israeli TV series Euphoria and executive producer of its U.S. adaptation. Along with his longtime collaborator Amit Cohen, Leshem is also known for creating the series The Gordin Cell, Allegiance, and No Man’s Land. But for a decade, the Israeli-born duo have been wanting to produce a story about one of the most important moments in their homeland’s history — the Yom Kippur War.
Writer/Director Francis Lee on His Hard Scrabble Love Story “Ammonite”
Writer-director Francis Lee’s acclaimed 2017 debut feature God’s Own Country and his follow-up, Ammonite (Neon), unabashedly center on queer, working-class characters. So it may come as a bit of a surprise that Lee cites 1980s studio movies as among his all-time favorite films.
“In my head, when I’m making my films, I’m making my version of An Officer and a Gentleman or Pretty Woman or Working Girl;
“His House” Writer/Director Remi Weekes on his Gut Punch Feature Debut
Back another lifetime ago, writer/director Remi Weekes‘ His House celebrated its premiere at the Sundance Film Festival this past January. Netflix quickly acquired it, and the future was looking bright for the talented filmmaker and his debut feature. You know what happened next.
Yet here we are, months later and living in our nightmarish world, with Weekes’ stunning horror film set to debut on October 30. “I’m excited,” Weekes said from London when I asked him what it felt like to finally see his film released into the wild,
Screenwriter Madhuri Shekar on Adapting Her Own Audio Play for Blumhouse’s “Evil Eye”
This month, Blumhouse Productions has released a collection of unsettling thrillers in partnership with Amazon Prime, just in time for Halloween. One of these films is Evil Eye, in which a romance turns dark when a mother becomes convinced her daughter’s ‘perfect’ new boyfriend has supernatural connections to her own past. The story is centered in Indian and Indian-American culture, with a cast of actors that are of Indian descent,
Writer/Director Miranda July on Her Joyously Original Third Feature “Kajillionaire”
Miranda July wears many hats—writer, filmmaker, actress, performance artist, and more. Indeed, her name appears as bylines on magazine articles, as director, writer, and actor in feature-film credits, and as an author on book covers (she has penned an award-winning collection of short stories and published both fiction and nonfiction). Her artistic diversity is perhaps what makes her projects so unique and nuanced and wonderful to engage with.
July’s breakthrough on the big screen came with the 2005 release of Me and You and Everyone We Know,
Aaron Sorkin on Writing & Directing his Timely “The Trial of the Chicago 7”
When writer/director Aaron Sorkin started writing The Trial of the Chicago 7 over 12 years ago, he had no way of knowing how his script based on a real-life conspiracy trial for men accused of inciting riots during the 1968 Democratic Convention would parallel current events in 2020. Now, his film is set to premiere on October 16th on Netflix, only weeks before the most important election of our time.
How Justin Simien Schools Viewers in “Dear White People”
On one hand, Dear White People creator Justin Simien was thrilled to see a 600 percent increase in viewership for his Netflix series in the wake of George Floyd’s death. On the other hand, he says, “It’s also a little bit annoying because like, ‘Where were y’all when we started this conversation with this franchise six years ago when this [racism] was just as relevant then as it is now?'”
In tracking the trials and tribulations of wise-cracking Black students at an Ivy League-level fictional school called Winchester University,
Writer/Director JD Chua & Producer Juan Foo on Singapore’s First Creature Feature Circle Line
JD Chua had the distinction of being director Michael Mann’s only intern when he was in Hollywood, the man who made, in a seven-year period, three of the best films of the 1990s—The Last of the Mohicans (1992), Heat (1995), and The Insider (1999). As a child, one of Chua’s favorite films was Mann’s The Last of the Mohicans. “I remember immersing myself in the laserdisc,”
Think Like a Dog Writer/Director Gil Junger on his Family Friendly Canine Comedy
Think Like a Dog is a warm-hearted fantasy adventure about a boy who invents a contraption that enables him to read his dog’s mind. It is reminiscent of Disney live-action classics like The Absent-Minded Professor and The Shaggy Dog. In an interview, writer/director Gil Junger talked about the pleasures of ignoring the show business adage about never working with children or dogs and how the film is a love letter inspired by his own experience of re-connection to his family.
Oscar-Winning Writer Kevin Willmott on Re-Teaming With Spike Lee For Da 5 Bloods
What happens when four Black Vietnam vets re-unit in present-day Ho Chi Minh City to retrieve a CIA shipment of gold left behind in the jungle forty years earlier? As imagined by Spike Lee in his new Netflix film Da 5 Bloods, the old soldiers’ quest leads to carnage, flashbacks, greed, and nervous breakdowns. As with every Spike Lee film, Da 5 Bloods manages to be timely, too,
Judy & Punch Writer/Director Mirrah Foulkes Turns the Tables on Her Infamous Puppets
Judy & Punch kicks off with a male marionette thrashing a female doll-on-strings as a crowd of 17th-century tavern goers roars with delight. The camera soon shifts to witches, hangings, infanticide, beatings, magic brews, and lies as filmmaker Mirrah Foulkes bloodily re-imagines how the western world’s most famous pair of hand puppets got their start.
Set in and around an English village shortly after the Bubonic Plague, Judy & Punch (June 5,
With Her Amazon Directing Gig on Hold, Indian Filmmaker Tannishtha Chatterjee Embraces Other Creative Pursuits
It’s often two-thirty in the afternoon before actor, writer, and director Tannishtha Chatterjee finds time to turn her attention to creative pursuits. “Till lunchtime…I’m cooking, cutting vegetables, cleaning, dusting and bathing Radhika.”
Radhika is Chatterjee’s four-and-a-half-year-old daughter. For the last six weeks, it’s been just the two of them tucked away in her Mumbai apartment. “She’s actually become quite independent in the last one and a half months. She’s learned many new things.
Caitlin Moran on Adapting Her Own Novel How to Build a Girl
The girl in Caitlin Moran’s rowdy coming of age comedy How to Build a Girl, which the popular British author adapted from her 2014 semi-autobiographical debut novel, is so uniquely larger than life that finding the right actress proved problematic — at least for a while. The film is now available on-demand.
“We scoured Britain trying to find a British actress who could do it,” says Moran from her home in London where she’s “been in lockdown for weeks so just talking to another human being that isn’t someone I gave birth to or someone I married is a genuine thrill,” she says.
