In Honor of Star Trek: Into Darkness—Our 7 Favorite Invented Languages
Admittedly, writing about Klingon on the Internet is akin to shaving one’s entire body and jumping into a salt bath—we're opening ourselves up to an onslaught of criticism and fastidious fact-checking, so we’ll tread lightly here. But when Bing introduced Klingon to its web-based translation service on Tuesday in anticipation of this weekend’s release of Star Trek: Into Darkness, it couldn’t go without mention.
Though many movies have “invented”
Sarah Polley on her Astonishing new Documentary Stories We Tell
Once known primarily for her work as a child actress, as of late, Sarah Polley has distinguished herself as a writer and director, first, on 2006’s Away From Her, and then again with 2011’s Take This Waltz. This month marks Polley’s debut as a documentarian. In Stories We Tell, the Oscar nominee uses recollections of her late mother,
The Greatest Gatsby: Before Leo,There was Redford
When Paramount purchased the film rights to F. Scott Fitzgerald’s novel for $350,000 (more than fifty times what the author earned for the book in his lifetime), studio head Robert Evans had no way of knowing just how different the 1974 film would look from his original vision. For a story that’s all about dwelling on the past, on the eve of Baz Luhrmann’s latest 'Great Gatsby' interpretation, it seems fitting to look back on the making of the Robert Redford-Mia Farrow film,
Iron Man Unmasked: Robert Downey Jr., Don Cheadle & More Talk Character
There’s more to Robert Downey Jr. and Don Cheadle’s characters than hardware as they ramp up the buddy action in Marvel’s Iron Man 3, in theaters today.
For all those high-flying, save-the-world acrobatics, sometimes it’s easy to lose sight of the fact that there’s a man behind the suit—Tony Stark is Iron Man. And just as Iron Man is nothing without Tony, it’s nearly impossible to imagine Marvel’s Iron Man films without actor Robert Downey Jr.,
Drawing Inspiration: Sketching With the Storyboard Artists of Oblivion
Jack Harper (Tom Cruise) heads down to planet Earth — or what’s left of it anyway — to find a downed surveillance drone that has landed in the charred remnants of the New York Public Library’s Rose Reading Room. It’s only when Harper hits the ground of this cavernous space that he realizes he’s entered a trap. Someone — or something — wants to capture this drone repairman alive.
Whether he’s rappelling into a forgotten old library,
Company Man: A Conversation with The Company You Keep Author Neil Gordon
“During the war in Vietnam, you were either for Jane Fonda or you were for John Wayne,” says Neil Gordon. The author and professor doesn’t remember where he first heard this maxim, but it perfectly sums up his feelings about one of the most tumultuous eras in our country’s history. Though he’s firmly on Team Fonda, Gordon’s 2003 novel The Company You Keep — and the big-screen political thriller it inspired —
The Midas Touch: From Mad Men and Breaking Bad to Copper, Christina Wayne’s on a Roll
You will not meet a lot of TV executives who were once writers and directors themselves. This might go some way in explaining how Christina Wayne, now the president of Cineflix Studios, has had such a keen eye when it comes to selecting incredible (and oft-overlooked) scripts and getting them made. Wayne’s credits include not one but two game-changing shows, Mad Men and Breaking Bad,
By The Book: Literary Icons Flock to Hollywood
Los Angeles, arguably best known for its flagship status as a gateway to Hollywood and the film industry at large, has developed uncountable stereotypes for the culture that populates its traffic-clogged arteries. And while there might be too many LAisms to count (for starters: epic taco trucks, grass-scented juice bars, fuzzed-up band members sauntering down Sunset Boulevard, etc. etc.) those reserved for the film industry are particularly iconic misnomers. Among them, my favorite: the questioningly ambitious,
Writer-Director Derek Cianfrance on The Place Beyond the Pines
Ryan Gosling may have recently suggested that he is taking a break from acting, but fans can still find solace in this weekend’s release of The Place Beyond the Pines, a triptych that reunites him with Blue Valentine writer-director Derek Cianfrance.
The cops and robbers caper—costarring Bradley Cooper, Eva Mendes, and Ray Liotta—traces the ramifications caused when Gosling’s character, a drifter-cum-motorcycle stunt driver,
The Art of Adaptation: Talking With Karen Croner, Admission Screenwriter
Best known for her adaptations of Olive Ann Burns’ Cold Sassy Tree and Pulitzer Prize winner Anna Quindlen’s One True Thing, screenwriter Karen Croner is, above all things, a writer’s screenwriter if there is such a thing. Croner’s first stab at comedy hits the screen this weekend in the ever-capable hands of Tina Fey and Paul Rudd in Admission. Focused largely on the nervous breakdown suffered by a Princeton University admissions officer played by Fey,
Lovesick: Comedian Natasha Leggero Knocks Our Socks Off in the Ben Stiller Produced Burning Love
Sixteen lovelorn bachelorettes bunk up in an L.A. mansion where they’ll compete for the heart of hunky firefighter Mark Orlando and, naturally, embark on some epic makeout sessions and drunken catfights along the way. If it sounds like the “plot” to just about every reality show out there, that’s because it is. But Burning Love, an instant cult classic that started as a Yahoo web series and began its TV run on E!
Meet Lucy Alibar, Oscar Nominated Screenwriter of Beasts of the Southern Wild
It’s not often you hear an Oscar nominee recount her road to recognition as a rapid one, but that’s just how Lucy Alibar describes it. Turning her one-act play Juicy and Delicious into Beasts of the Southern Wild with co-writer and director Benh Zeitlin, the first-time screenwriter won her film a spot in more than twenty film festivals including Sundance, Berlin, Deauville, and Cannes—the last of which she paid her own way to by selling everything from chocolate peanut butter cookies and homemade gelato to postcards and hugs on Indiegogo.com.
How do you Make a Zombie a Sex Symbol? We Speak With Warm Bodies Writer/Director Jonathan Levine to Find out
It’s no easy to task to make a zombie palatable (let alone credible) as a love interest in a film. Yet, that’s exactly what writer/director Jonathan Levine (50/50, The Wackness) has done with Warm Bodies, which he adapted from the Isaac Marion novel of the same name. The film centers around the budding paranormal romance between a zombie named R (Nicholas Hoult) and a kick-ass young woman named Julie (Teresa Palmer),
A Q&A With Girl Rising Director Richard E. Robbins About the Nine Incredible Young Women in his Groundbreaking Documentary
Academy Award nominated director Richard E. Robbins will be screening a portion of his latest project, the crucial documentary Girl Rising, at the Sundance Film Festival on Monday, January 21st. The film focuses on the story of nine girls from nine different countries born into unforgiving circumstances, with each girl’s story framed and written by a renowned author from her native country.
The film includes the story of Ruksana,
A Conversation With Broken City Director Allen Hughes
Allen Hughes has been making films with his twin brother, Albert, since they were 12-year- olds running around their house in Pomona, east of Los Angeles, with a video camera their mom had given them. The Hughes Brothers (as they are often credited) co-wrote and co-directed their first major feature, Menace II Society, when they were 20 years old.
Since then, the twins have made a number of gritty,
“I’m Kind of a Big Deal”: A Helpful Film Gift Guide for The Overzealous Film Quoter
Everyone’s got one. That friend who just can’t resist dropping a legendary movie quote at the most serendipitous of times. We’re talking about that charming (and ok, at times needling) buddy whose eyes glaze for an unexpected moment of, uh, possession, only to bark in a feigned scruffy voice, “Hey. You looking at me?” Yes, we are looking at you, Overzealous Film Quoter. And we’ve got just the film gift guide to satiate your movie-dialogue parroting obsession.
I Love You, Mom: Dan Fogelman’s The Guilt Trip Is A Love Letter To His Late Mother
Screenwriter Dan Fogelman’s story is a true life Hollywood fairy tale: New Jersey native comes to Tinseltown looking for work in the entertainment industry, lands a gig writing for TV, then writes for a little animation company by the name of Pixar (Cars), while writing his own scripts on the side, one of which becomes the hit Crazy, Stupid, Love starring Steve Carell and Ryan Gosling.
The fairy tale continues today (fitting,
Exec Producer and Writer Mark Goffman of White Collar Talks Aaron Sorkin, President Obama, and Patrick Swayze’s Final Show
Mark Goffman, a veteran TV writer and producer, has worked on a wide range of shows and films, including mega-hits like The West Wing and Law & Order: Special Victims Unit. He’s currently a writer and executive producer on USA Network’s White Collar (the new season starts on January 22 at 10/9 central), about a criminal who agrees to help the FBI catch his brothers-in-crime using his expertise as an art and securities thief.
A Holiday Gift Guide for the Budding Filmmaker in Your Life
Do you have someone in your life who dreams of making movies? Or perhaps someone who just loves knowing how they’re made? Well, we've got some book and film titles that will satiate the hopeful screenwriters, directors, and producers in your life. No list like this could ever be totally comprehensive, so tweet at us if you’ve got some recommendations to add to this list.
Books on Screenwriting
For screenwriters,
First Film School, Then The World: Three NYU Students On Movies, Ambitions, and The Future of Film
"I believe that while it may not be possible to train people to make films, it is possible to create a climate in which people can learn to make films, where aspiring artists can absorb, in a relatively short, intensive period, insight that others have wrested from the experience of an entire career."
– George Stevens, Jr., founding director of the American Film Institute
With innovation and technology forging ahead at unprecedented rates in the film and television industry,
