Creativity in Hollywood: Film Visionaries On Creative Process And Inspiration
Unlike most films and television shows, inspiration is not available on-demand. In the highly creative realm of movie-making, a good idea can catapult careers, spark motion picture franchises, and make cinematic history.
Inventing the next film can mean laying the groundwork for brilliant movies and television, from Inception, Taxi Driver, The Master, or Edward Scissorhands.
Of course, caveats abound.
The World’s End: What’s Behind our Apocalypse Obsession?
Edgar Wright’s The World’s End (premiering August 23) is not the first, second, third or fourth film to come out this year about an apocalyptic or post-apocalyptic world. A cursory glance of 2013's film slate would suggest we are currently suffering from a collective panic attack about our prospects on the planet. This is the End, World War Z,
Your Big Break: Hollywood Studio Programs for Emerging Writers
How hard is it to make it as a screenwriter in Hollywood? Watch the Coen brothers Barton Fink or Billy Wilder’s Sunset Boulevard or last year’s Seven Psychopaths for a clue. All three films focus on a struggling screenwriter. All three, while wildly different and wonderfully perverse (in their own specific ways) get at the beating black heart of the unknown screenwriter’s soul—that your soul is for sale, so long as you can get your script made.
George Mastras on Writing & Directing One of Breaking Bad’s Best Episodes
George Mastras has been a criminal investigator for the public defender’s office in Washington D.C., a counselor at a juvenile correctional facility during the crack epidemic of the 1990s, a litigator in New York, and a defense attorney in Los Angeles. Then he quit, bought a one-way ticket to China and backpacked around the world for two years. He wrote a novel while he was in Indonesia that was published by Scribner in early 2009 to very good reviews.
Writer/Director/Producer/Star Lake Bell on In a World…
In the dramedy 'In a World…', out August 9, writer/director/producer/star Lake Bell visits the voiceover industry as a newbie competing for the same gig as her industry-veteran father. Here, Bell, who has delivered memorable acting turns in such movies as No Strings Attached and It’s Complicated, talks about writing the script for her feature-film directorial debut, why she loves trailers, and what “voice” annoys her most.
The Credits: What insight can you offer about voices and accents?
Disasters in Space: Hollywood’s History of Co-Opting NASA’s Real Fears
In a way, outer space is like a vast movie screen–we project our hopes, our dreams, and our worst fears onto it. A lesser species might stare into the glittering stars and see randomness—we have been looking up at the night sky for millennia and have seen a near endless array of characters; lions, bulls, twins, a sea monster, a chained princess, a centaur–gods.
It’s no wonder, then, that space has been the setting for some of Hollywood’s most iconic movies—Stanley Kubrick’s 2001: A Space Odyssey,
An Evening With Fruitvale Station Writer/Director Ryan Coogler
Few directors fresh out of film school can boast their first feature-length movie is a likely Oscar contender, but Ryan Coogler could be one of the few with Fruitvale Station. The movie, which Coogler wrote and directed, won the Grand Jury Prize for Dramatic Feature and Audience Award for U.S. Dramatic Film at the 2013 Sundance Film Festival, and also won the Avenir Prize – Un Certain Regard at the 2013 Cannes Film Festival.
Walt Disney Studios Reimagines The Lone Ranger & Breathes Life Into Westerns
“So who was that masked man, anyway?” A question invariably asked at the end of every episode of The Lone Ranger television series. Armie Hammer, Johnny Depp, producer Jerry Bruckheimer and director Gore Verbinski hope to provide a definitive answer to that question with the brand-new film The Lone Ranger, their reinvention of both the Western genre and the titular hero, in theaters today.
John Reid,
Oscar Winners Nat Faxon & Jim Rash on Reading, Writing, & The Way Way Back
After winning an Oscar for their screenplay for The Descendants, the screenwriting duo of Nat Faxon and Jim Rash appeared to have burst onto the scene as a couple of unknowns. In reality the writing and directing team have been on Hollywood filmmakers’ short list since 2007, when their script for The Way Way Back was being read and praised by insiders. The Credits sat down with the old friends and collaborators in advance of their already well reviewed coming-of-age comedy to find out about their process,
Getting the Goods from Oscar Winning Screenwriter Geoffrey Fletcher
Oscar-winning screenwriter Geoffrey Fletcher made noir films and documentaries as a student at Harvard, and as a graduate film student at NYU, his short, Magic Markers, caught the attention of both John Singleton and Lee Daniels, who later asked him to adapt the novel “Push,” by Sapphire, otherwise known as Precious, for the big screen.
Fletcher’s directorial debut, Violet & Daisy, which he also wrote,
More than a Thriller: The East’s Real-Life Environmental Radicalism
How far would you go to fight for what you believe in? For some characters in Fox Searchlight's new film The East, the answer includes violence against the companies and individuals they oppose, and even self-sacrifice of their own lives. Many real-life radical environmentalists may agree.
Far from just another heated Hollywood fiction, The East reflects a history of anarchist environmentalism dating back to the 1980s.
Rounding up the Cast and Director of Eco-Thriller The East
In The East, Zal Batmanglij and his filmmaking partner, Brit Marling, deliver an edge-of-your-seat eco-terrorism thriller in which an undercover overachiever (Marling) infiltrates a militant anarchist eco-vigilante group (including Alexander Skarsgard and Ellen Page) that arranges “jams” against corporate evildoers. Without giving too much away, you may find yourself asking, "What's really in this prescription drug I'm about to take?"
This is the second big screen collaboration for Marling and Batmanglij (pronounced “Baht-mahn-glitch”),
Poetry From Conflict: Writer-Director Musa Syeed on his Valley of Saints
Conflict zones have a long history of providing an amply angst-ridden backdrop for cinematic romance, but in his narrative feature debut, Valley of Saints, Musa Syeed takes a surprisingly lyrical look a largely untold conflict in India’s Kashmir region, an area that Indians and Pakistanis have fought three wars over during the past century. And the one-time documentary writer-director does it by exploring the idea of protecting Kashmir’s ecological beauty as a way of restoring stability to the region.
In Honor of Star Trek: Into Darkness—Our 7 Favorite Invented Languages
Admittedly, writing about Klingon on the Internet is akin to shaving one’s entire body and jumping into a salt bath—we're opening ourselves up to an onslaught of criticism and fastidious fact-checking, so we’ll tread lightly here. But when Bing introduced Klingon to its web-based translation service on Tuesday in anticipation of this weekend’s release of Star Trek: Into Darkness, it couldn’t go without mention.
Though many movies have “invented”
Sarah Polley on her Astonishing new Documentary Stories We Tell
Once known primarily for her work as a child actress, as of late, Sarah Polley has distinguished herself as a writer and director, first, on 2006’s Away From Her, and then again with 2011’s Take This Waltz. This month marks Polley’s debut as a documentarian. In Stories We Tell, the Oscar nominee uses recollections of her late mother,
The Greatest Gatsby: Before Leo,There was Redford
When Paramount purchased the film rights to F. Scott Fitzgerald’s novel for $350,000 (more than fifty times what the author earned for the book in his lifetime), studio head Robert Evans had no way of knowing just how different the 1974 film would look from his original vision. For a story that’s all about dwelling on the past, on the eve of Baz Luhrmann’s latest 'Great Gatsby' interpretation, it seems fitting to look back on the making of the Robert Redford-Mia Farrow film,
Iron Man Unmasked: Robert Downey Jr., Don Cheadle & More Talk Character
There’s more to Robert Downey Jr. and Don Cheadle’s characters than hardware as they ramp up the buddy action in Marvel’s Iron Man 3, in theaters today.
For all those high-flying, save-the-world acrobatics, sometimes it’s easy to lose sight of the fact that there’s a man behind the suit—Tony Stark is Iron Man. And just as Iron Man is nothing without Tony, it’s nearly impossible to imagine Marvel’s Iron Man films without actor Robert Downey Jr.,
Drawing Inspiration: Sketching With the Storyboard Artists of Oblivion
Jack Harper (Tom Cruise) heads down to planet Earth — or what’s left of it anyway — to find a downed surveillance drone that has landed in the charred remnants of the New York Public Library’s Rose Reading Room. It’s only when Harper hits the ground of this cavernous space that he realizes he’s entered a trap. Someone — or something — wants to capture this drone repairman alive.
Whether he’s rappelling into a forgotten old library,
Company Man: A Conversation with The Company You Keep Author Neil Gordon
“During the war in Vietnam, you were either for Jane Fonda or you were for John Wayne,” says Neil Gordon. The author and professor doesn’t remember where he first heard this maxim, but it perfectly sums up his feelings about one of the most tumultuous eras in our country’s history. Though he’s firmly on Team Fonda, Gordon’s 2003 novel The Company You Keep — and the big-screen political thriller it inspired —
The Midas Touch: From Mad Men and Breaking Bad to Copper, Christina Wayne’s on a Roll
You will not meet a lot of TV executives who were once writers and directors themselves. This might go some way in explaining how Christina Wayne, now the president of Cineflix Studios, has had such a keen eye when it comes to selecting incredible (and oft-overlooked) scripts and getting them made. Wayne’s credits include not one but two game-changing shows, Mad Men and Breaking Bad,
