How to Train Your Dragon 2‘s Writer/Director Dean DeBlois

When Dean DeBlois and Chris Sanders film How to Train Your Dragon was released in 2010, it was a critical darling but had something of a sleepy opening. Adapted from Cressida Cowell’s book, How to Train Your Dragon contained everything that you expect from a stellar animated film—a great script, no small amount of wit, dramatic depth and fantastic effects. At its core it had a relationship that was hard to beat,

Get Excited: Star Wars: Episode VII, the Coen Brothers as Writers for Hire & More

What do J.J. Abrams, the Coen Brothers, Patrick Stewart, Jonathan Ames and UNICEF have in common? Nothing, save for the fact that they're all apart of this round-up of things to be excited about. Let's have a look:

The Coen Brothers as the Best Possible Writers for Hire

Here’s the [true] story; one afternoon in May, in 1943, an Army Air Forces B-24 bomber crashes into the Pacific Ocean. Former Olympic track star Louis Zamperini,

Celebrating the Unsung Maternal Heroes of the Silver Screen for Mother’s Day

Mothers’ Day is this Sunday, and it’s come to our attention that, strange as it may seem, celebrities have mothers too. Some of them even have celebrity mothers. Though really, if you consider all the time, industry knowledge and innate talent that it takes to succeed in Hollywood, it makes sense that we see so many famous kids with famous parents (see Liza Minelli and Judy Garland) or sprawling thespian dynasties (see the Barrymores or Redgraves).

Mr. Sunshine: David Lynch, Auteur of the Uncanny, Talks Inspiration

One of the first words out of David Lynch’s mouth nearly brought the house down at the Brooklyn Academy of Music on a drizzly night last week. The icon behind films as disparate and evocative as Eraserhead, The Elephant Man, Blue Velvet and Mulholland Drive, as well as the groundbreaking television series Twin Peaks, was patiently listening as Paul Holdengräber, the erudite director of public programs at the New York Public Library,

Angus MacLachlan on the Art of Writing for and Directing Actors

Paul Schneider won Best Actor at the Tribeca Film Festival last week for his role as Otto Wall in Angus MacLachlan’s Goodbye to All That. The character was a tricky one—Schneider was playing someone affable and intelligent, but also unfocused and obliviously selfish. He spends most of the film in a state of confusion about why his life seems to be falling apart. His wife has left him, his daughter doesn’t feel safe in his new house,

Tribeca 2014: David Simon, Beau Willimon, Nate Silver & Anne Thompson Talk Stories

We all know that our shopping habits are fodder for various entities looking to target their advertising and increase their profits, but the same kind of Big Data is being used by media and entertainment entities, from HBO and Netflix to the New York Times and Fox News, to figure out who we are, what we read and watch, and what, perhaps, we want next. "Does betting on the ‘wisdom of crowds’ bode well or ill for future innovation in film,

Tribeca 2014: Writer/Director Angus MacLachlan’s Goodbye to All That

Writer-director Angus MacLachlan’s Goodbye to All That includes one of the more frank and pathos-free sex scenes in recent memory. Otto Wall (Paul Schneider) and Mildred (Ashley Hinshaw), who recently met on the online dating service OkCupid, sit opposite one another on chairs, naked. They are describing, with exacting detail, what they’d like to do to each other. Otto’s wife has recently left him, and he’s experimenting for the first time in his life with online dating.

A Silicon God: Transcendence Screenwriter Jack Paglen’s Machine Dream

What is every budding screenwriter’s dream? How about having your screenplay land on the coveted Black List in 2012 (a selection of the best un-produced scripts in Hollywood) and, a scant two years later, premiere on the big screen with Johnny Depp, Morgan Freeman, Rebecca Hall and Paul Bettany as your stars, and serve as the directorial debut for one of the most gifted cinematographer’s of his generation, Wally Pfister. This is the reality for Jack Paglen,

Noah: Artistically Ambitious, Economically Advantageous

At first blush, it appeared that Noah represented writer/director Darren Aronofsky’s first real foray into pure big budget spectacle. The indie auteur that burst onto the scene with his twitchy, unsettling debut Pi, only to follow that up with one of the most breathtakingly devastating cinematic depictions of addiction in many years with Requiem for a Dream, was now going big budget CGI in the retelling of the Biblical story of Noah's ark on a grand scale.

Getting Schooled by Anna Deavere Smith on her HBO Documentary

Playwright, actress, and professor Anna Deavere Smith does not like to be precious about the work she has done with her students over the years. She’s bracingly honest and laid back about the time and effort she’s devoted to helping young people who dream of carving out a career like the one she has had. “It’s not so noble as sharing the craft,” she said when asked why she continues to teach well into a successful career as varied as it is impressive.

SXSW 2014: Sarah-Violet Bliss & Charles Rogers on Grand Jury Prize-Winning Fort Tilden

How do you write and shoot feature in a few months, cut it, have it accepted by a major film festival and then have it win that festival's major award? Writer/directors Sarah-Violet Bliss and Charles Rogers would be the perfect speakers on a panel here at SXSW on this very subject, considering as recently as last May, their Grand Jury Prize Winning feature Fort Tilden wasn’t even a thought in their mind.

In Their Words: Some of This Year’s Oscar Nominees on Their Craft, Part II

Yesterday we took a look at four filmmakers whose work has earned them an Oscar nomination (in Gravity cinematographer Emmanuel Lubezki's case, his sixth), sharing with you some of their thoughts on their craft. In one of the most anticipated Oscars in recent memory, it's refreshing to step back and reflect on exactly how these talented individuals created such memorable moments in such a fantastic year for film.

Georgian Filmmaker Nana Ekvtimishvili on her Powerful Debut In Bloom

The debut feature from Georgian filmmaker Nana Ekvtimishvili, In Bloom, is a powerful coming-of-age story that takes place in in 1992, just after the collapse of the Soviet Union. Shot in Tbilisi, the capital of Georgia, it’s about two 14 year-olds, Eka (Lika Babluani) and her best friend Natia (Mariam Bokeria) whose ordinary lives—school, friends, domestic strife—are set against the sudden changes to the social order of the country as well as a backdrop of war in the Abkhazia region.

Novelist Joyce Maynard on Jason Reitman’s Adaptation of her Labor Day

Joyce Maynard is a rarity in the movie world: a writer who’s thrilled with the film adaptation of her novel. Maynard’s “Labor Day” was adapted for the screen and directed by Jason Reitman. It’s about a reclusive single mother (Kate Winslet), her 13-year-old son (Gattlin Griffith) and the escaped convict (Josh Brolin) who hides out in their rundown New England house and creates, at least for a long weekend, an unorthodox family that fill a need in all three people.

Writer/Director John Slattery on Scouting, Casting & Shooting God’s Pocket

If you’re going to peel yourself out of bed at the crack of dawn to attend a screening, it might as well be of John Slattery’s feature length directorial debut, God’s Pocket. Adapted from the novel by Peter Dexter, Slattery has recruited fellow Mad Men star Christina Hendricks as Jeannie Scarpano, and a slew of heavyweight male actors to inhabit the insular, violent, and often very funny world of the titular South Philadelphia neighborhood where the film is set.

Sundance: Aubrey Plaza’s Deadly Turn in Life After Beth

Last year we interviewed Jeff Levine, the director of Warm Bodies, a zom-rom-com (excuse us) about a young woman and the zombie she falls for. The premise was fresh and the execution commendable. Julie (Teresa Palmer) finds herself falling for R (Nicholas Hoult), a zombie who still seems to retain some flicker of his sweet human soul.

In writer/director Jeff Baena’s directorial debut, Life After Beth, that premised is tweaked slightly,

Sundance: Jenny Slate Charms in Writer/Director Gillian Robespierre’s Obvious Child

Gillian Robespierre’s first crack at Obvious Child was as a short that she filmed in the winter of 2009. “We were frustrated by the limited representations of young women’s experience with pregnancy, let alone growing up,” she wrote on her Kickstarter page. “We were waiting to see a more honest film, or at least, a story that was closer to many of the stories we knew.” The short starred comedian Jenny Slate, the ex-SNL cast member (who infamously dropped the f-bomb on her very first show),

Sundance 2014: Young Hellraiser Fuels Kat Candler’s Impressive Hellion

The first night in Sundance required a deep breath. The Credits is a little more than a year old, so this was our first year here and it’s all slightly overwhelming at the beginning. Although the Festival is a well oiled machine at this point (free shuttles, a slew of press and industry screenings to choose from, and now Uber, expensive as ever), for a first timer here it’s a lot to take in.

We got our bearings and that initial touch of anxiety melted away once the lights went down at the Holiday Village Cinema and the first chords of heavy metal sounded in Kat Candler’s Hellion.

Chatting With Writer/Director Francesca Gregorini About The Truth About Emanuel

Francesca Gregorini’s film Tanner Hall marked the debut of two very talented women—Gregorini herself and her star, Rooney Mara. This coming-of-age drama focused on young women edging towards adulthood at an all-girls boarding school.

In her latest film, The Truth About Emanuel, which opens today, Gregorini gives us a portrait of two women, one just about to turn 18 (Emmanuel, played by Kaya Scoldelario), the other a young single mother (Linda,

Richard Linklater, Julie Delpy & Ethan Hawke on Their Before Trilogy

Eighteen years ago, Richard Linklater’s Before Sunrise was released in late January of 1995. Save for a few bit speaking roles sprinkled throughout the film—a pair of Austrian theater actors, a palm reader— every minute of screen time, and every word uttered, comes from a young American, Jesse (Ethan Hawke) and a young French woman, Céline (Julie Delpy), who meet on a train and impulsively decide to spend the next 24 hours together in Vienna.