Greta Gerwig On Moving Behind the Camera for her Solo Directorial Debut Lady Bird
*We’re sharing some of our favorite interviews of the year this week in our ‘Best of 2017’ roundup.
Fans of Greta Gerwig know her as the go-to muse of indie filmdom’s mumblecore movement and for her collaborations with such notable directors as Joe Swanberg (LOL,
Writer/Director Edgar Wright Talks his Brilliant new Film Baby Driver
*We’re sharing some of our favorite interviews of the year this week in our ‘Best of 2017’ roundup.
It’s is odd that British auteur and fan-boy fave Edgar Wright, 43, known for spoofing horror flicks (2004’s Shaun of the Dead), buddy-cop procedurals (2007’s Hot Fuzz) and sci-fi thrillers (2013’s The World’s End) has produced his most mature and satisfying spin on a popular genre – this time,
Writer/Director Martin McDonagh on his Dark, Brilliant Three Billboards Outside Ebbing, Missouri
*We’re sharing some of our favorite interviews of the year this week in our ‘Best of 2017’ roundup.
With his thrillingly raw new film Three Billboards Outside Ebbing, Missouri just released, writer/director Martin McDonagh is happy to chat about the movie,
I, Tonya Screenwriter Steven Rogers on the Many Sides to one of the ’90s Most Infamous Antiheroes
Steven Rogers remembers watching Tonya Harding at the televised 1994 Olympics when she complained to judges about a broken shoe lace a few weeks after being accused of ordering an attack on rival Nancy Kerrigan. “I thought, ‘Oh, she just wants attention, anything for attention,’ because that’s what I was being fed,” says Rogers. “That’s what we were all being fed.”
Two decades later, Rogers burrowed beneath the scandalous surface and wrote I,
Writer/Director Dan Gilroy on Bringing Roman J. Israel, Esq. to Life
Writer/director Dan Gilroy “can’t conceive of directing a movie I didn’t write.” Although Gilroy has written a number of scripts for other directors — from 2012’s The Bourne Legacy to 2017’s Kong: Skull Island — he says that the ones he chooses to direct himself tend to be more personal.
“If I’m going to spend a year of my life on something it’s got to be personal,” he told The Credits.
Coco’s Story Supervisor on Bringing Children to the Land of the Dead
In Pixar’s Coco, a Mexican boy named Miguel (Anthony Gonzalez) visits the Land of the Dead and meets his ancestors. The look and storyline are based on Mexican traditions, including Día de Muertos, when families invite their ancestors back for a visit with photographs, stories, and food. Story supervisor Jason Katz talked with us about what inspired the dazzling visuals and heartwarming relationships in the film, and how Pixar’s latest is connected to classic Disney and Pixar films throughout the years.
Writer/Director Martin McDonagh on his Dark, Brilliant Three Billboards Outside Ebbing, Missouri
With his thrillingly raw new film Three Billboards Outside Ebbing, Missouri just released, writer/director Martin McDonagh is happy to chat about the movie, which has received critical acclaim and film-fest accolades, including Best Screenplay at Venice and People’s Choice at Toronto.
Writer/Director Richard Linklater on his Timely, Devastating Last Flag Flying
Richard Linklater originally tried to get war veterans’ drama Last Flag Flying off the ground 12 years ago, shortly after reading Daryl Ponsican’s novel of the same. “The timing wasn’t right,” he says. But the timing for the now-completed movie, which opened this past Friday, couldn’t be much more attuned to national concerns. Shot last fall, the film gained unexpected resonance two weeks ago when White House chief of staff John Kelly described the exact same process dramatized in Last Flag Flying,
Chatting With Call Me By Your Name‘s Legendary Screenwriter James Ivory
What Mercedes is to cars and Tiffany is to diamonds, Merchant Ivory is to art-house films. The brand whose heyday was in the ‘80s and the ‘90s with such titles as A Room With a View, Howards End and Remains of the Day still is synonymous with tony period pieces, top-of-line acting and a story often adapted from a literary source that engages both the head and the heart.
Greta Gerwig On Moving Behind the Camera for her Solo Directorial Debut Lady Bird
Fans of Greta Gerwig know her as the go-to muse of indie filmdom’s mumblecore movement and for her collaborations with such notable directors as Joe Swanberg (LOL, Nights and Weekends) and Noah Baumbach (Greenberg,
Writer/Director Margaret Betts on her new Film Novitiate
What happens when a Manhattan socialite turned filmmaker (The Carrier, a 2011 doc about the AIDS pandemic in Africa) makes an impulse pre-flight purchase of a biography about Mother Teresa that contains revealing letters about her passionate relationship with God?
If you are Margaret Betts,
Writer/Director Rebecca Daly on Exploring a Community on the Edge in Good Favour
For her third feature Good Favour director Rebecca Daly, working with co-writer Glenn Montgomery, left her native Ireland, where her first two films were set, for Belgium. She also centered her story more on an ensemble, in this case a remote religious community that’s upended when a young, mysterious man appears out of nowhere and joins them, rather than the more intimate stories anchored by female heroines of her first two films.
Daly’s debut feature was the thriller The Other Side of Sleep,
Emmy-Nominated Veep Writers Master Insult-Driven Satire in the Age of Trump
On the face of it, few things sound less intrinsically funny than “presidential library.” And yet for ten wickedly hilarious episodes this spring, HBO comedy Veep packed in more jokes per minute than any of its competition by tracking the self-glorifying quests of a narcissistic politician, expert in the art of personal attacks, who’s willing to say anything and betray anybody if it means holding onto power. Portrayed by Julia Louis-Dreyfus, Selina Meyer spends most of the season on a quest to memorialize her eight-month “legacy”
Writer/director Destin Daniel Cretton on Adapting Jeannette Walls’ The Glass Castle
Writer/director Destin Daniel Cretton re-teamed with his Short Term 12 star Brie Larson for The Glass Castle, based on Jeannette Walls’ best-selling memoir about her chaotic childhood. Walls’ parents struggled with substance abuse and mental illness, and their four children were often hungry and neglected. Larson plays Walls as a young adult, professionally successful as a gossip columnist in New York. As the film opens, we see her leave an elegant restaurant after dinner with her Wall Street fiancé and his prospective client. From her taxi,
Taylor Sheridan Talks his Chilling Directorial Debut Wind River
From actor (lawman David Hale on FX’s Sons of Anarchy) to acclaimed screenwriter (2015’s Mexican drug-war thriller Sicario, 2016’s Texas-set neo-Western Hell or High Water) to writer-director (Wind River, opening today), Taylor Sheridan has had quite a career trajectory since he first popped up on the Hollywood scene in the mid-90s as a TV acting staple. The 47-year-old Lone Star native considers his three feature films so far to be part of a trilogy that examines the state of the American frontier,
Talking to Landline Writer/Director Gillian Robespierre & Producer Elisabeth Holm
The year is 1995. Bill Clinton is president, Natalie Merchant sings about the weather, Mad About You is must-see TV, Lorena Bobbitt jokes are all the rage, floppy discs are a clunky necessity – and cellphones are nowhere to be seen.
Director-writer Gillian Robespierre and producer Elisabeth Holm’s first film together, the 2014 art-house circuit darling Obvious Child, was a moving contemporary comedy that focused on a stand-up comic (Jenny Slate) who deals with an unexpected pregnancy after a one-night stand.
Writer/Director Edgar Wright Talks his Brilliant new Film Baby Driver
*We’re sharing some of our favorite interviews of the year this week in our ‘Best of 2017’ roundup.
It’s is odd that British auteur and fan-boy fave Edgar Wright, 43, known for spoofing horror flicks (2004’s Shaun of the Dead), buddy-cop procedurals (2007’s Hot Fuzz) and sci-fi thrillers (2013’s The World’s End) has produced his most mature and satisfying spin on a popular genre – this time,
John Waters Interviews Sofia Coppola at the Provincetown Film Festival
Sofia Coppola is Hollywood royalty, an Oscar winner for Lost in Translation, and she has a highly-anticipated new film, The Beguiled, ready to hit theaters. But the soft-spoken director is known for being reticent in interviews.
So it’s no wonder that the Provincetown International Film Festival (PIFF) paired Coppola with renowned raconteur John Waters for a one-on-one conversation when Coppola was honored recently as the PIFF’s 2017 Filmmaker on the Edge.
Dear White People Creator Justin Simien Talks Race and Comedy
In Netflix series Dear White People, sarcastic black radio host Samantha (Logan Browning), worn out after a long day of anti-racist activism at fictional Ivy League Winchester College, asks her best friend Joelle (Ashley Blaine Featherson) to "Say something funny and specific." Joelle obliges with a snappy one liner involving Drake and his ancient sitcom Degrassi High, propelling the show into its next scene on a buoyant comedic note.
All Eyez on Me Writers Show All Sides of Tupac Shakur
When Tupac Shakur got beaten by a couple of Oakland cops for jaywalking, Eddie Gonzalez, co-writer of the late rapper's All Eyez on Me bio-pic (opening Friday) could relate. Growing up poor in and around L.A.'s tough Compton neighborhood, Gonzalez says "I know about being harassed by police officers. You feel like don't have a voice but you want to say something, do something. That's why people connected with Tupac, and that's why I connected with him.
