Meet the Creative Team That Helped Captain Marvel Soar

Captain Marvel‘s Carol Danvers (Brie Larson) is a part human part alien superhero who can 100% kick-ass. Seriously. Watch out Thanos. Directors Anna Boden and Ryan Fleck propelled Marvel’s most potent superhero to the big screen this weekend and the results are a critical and commercial smash. Meet the creative team who helped Boden, Fleck and Larson create a Marvel movie unlike any other.

The allegory catapults us to the Kree home planet of Hala where Danvers already touts her powers and is training as a member of Starforce,

Building Sets in Malawi for Chiwetel Ejiofor’s The Boy Who Harnessed the Wind

Today Netflix is releasing actor Chiwetel Ejiofor’s directorial debut, The Boy Who Harnessed the Wind. Based on the 2009 bestselling memoir, co-written by its subject, William Kamkwamba, and Bryan Mealer, the film depicts Kamkwamba’s teenaged years in Malawi during a famine, when he successfully built a windmill irrigation system based on an old library book and using parts from a scrapyard. Prior to its Netflix release, The Boy Who Harnessed the Wind premiered at Sundance in January and was screened at the Berlinale film festival.

Roma‘s Oscar-Nominated Production Designer on Recreating Mexico City in the 1970s

*In the run-up to this Sunday’s Oscars telecast, we’re sharing some of our favorite interviews with nominees. 

Alfonso Cuarón’s Roma is one of the most astonishing film experiences of the year. The word experience fits, as Cuaron and his team created a lush soundscape that’s nearly as captivating as the shimmering black-and-white cinematography. Then there’s Roma‘s exquisite design, which recreates Cuaron’s hometown of Mexico City,

The Favourite‘s Oscar-Nominated Production Designer Re-Makes History

*In the run-up to this Sunday’s Oscars telecast, we’re sharing some of our favorite interviews with nominees. 

England’s Queen Anne, who only reigned from 1707 to 1714, is hardly the most notable female British sovereign, but to watch her played by Olivia Colman in director Yorgos Lanthimos’s The Favourite, one might wonder why this the first we’re hearing of her in so long. True to history,

Black Panther‘s Oscar-Nominated Production Designer Hannah Beachler Builds a new Nation

*In the run-up to this Sunday’s Oscars telecast, we’re sharing some of our favorite interviews with nominees. 

Everyone on the set of Black Panther had the weight of being a trailblazer. Realizing Wakanda for the screen meant reclaiming a painful history, honoring a rich heritage, and imagining the hope of the future right now. It also has the potential to confirm the demand for more diverse storytelling.

Back to the Future With Star Trek: Discovery’s Production Designer

Star Trek: Discovery has been boldly going places even past incarnations of the iconic TV series have never been. It took a mere two episodes for the show to break completely new ground; the Starfleet’s first mutiny carried out by the star of the show, Sonequa Martin Green’s Michael Burnham.

The major advances are not the only narrative. Behind the scenes, a top-flight crew has been making the most of the latest technology and some very special locations to pull off the kind of show Star Trek creator Gene Roddenberry would have loved and made,

Star Trek: Discovery Set Designer on Developing New Worlds

Since 1966, Star Trek has been boldly going where no one has gone before. Through dozens of planets and vast reaches of space, the series has explored the most wonderful and most fearsome places the universe has to offer. Set designer Emilie Poulin is charting the Starfleet’s newest adventures on Star Trek: Discovery.

The locations on Star Trek: Discovery are very active. Because the storylines are rooted in exploration,

How Glass’s Production Designer Utilized a Defunct Psychiatric Ward

Are superheroes real? The central characters in Glass, M. Night Shyamalan’s conclusion to the trilogy that began with Unbreakable 19 years ago and was followed by Split in 2016, aim to find out. Chief among them is Dr. Ellie Staple (Sarah Paulson), an unorthodox psychiatric doctor who places David Dunn (Bruce Willis) and Kevin Wendell Crumb (James McAvoy) under her care in a sparsely populated Philadelphia sanitarium.

Oscar Watch: The Favourite‘s Production Designer Re-Designs History With a Flourish

England’s Queen Anne, who only reigned from 1707 to 1714, is hardly the most notable female British sovereign, but to watch her played by Olivia Colman in director Yorgos Lanthimos’s The Favourite, one might wonder why this the first we’re hearing of her in so long. True to history, Lanthimos’s depiction of the queen shows her nearly constantly ill and in other ways unwell—she is in possession of 17 rabbits,

Oscar Watch: A Quiet Place‘s Production Designer on Creating Killer Spaces

In John Krasinski‘s A Quiet Place, sound kills. Yet it’s not only what one might say (or scream) that can get you killed, but anything you come into contact with. This means the spaces within the world of A Quiet Place can go from a sanctuary to a trap in a heartbeat. In order to create an environment that was as claustrophobic and terrifying as the film’s brilliant premise,

Oscar Watch: Roma‘s Production Designer on Recreating Mexico City in the 1970s

Alfonso Cuarón’s Roma is one of the most astonishing film experiences of the year. The word experience fits, as Cuaron and his team created a lush soundscape that’s nearly as captivating as the shimmering black-and-white cinematography. Then there’s Roma‘s exquisite design, which recreates Cuaron’s hometown of Mexico City, specifically the neighborhood of Roma where he grew up. The focus is on a middle-class family and their live-in servants,

How Head Full of Honey Production Designer Isabel von Forster Creates a Beautiful Trip

A grandfather is losing his memory to Alzheimer’s, and the family member with the most patience and understanding for his gentle if frustrated, increasingly addled ways, is a child. It was the premise of actor-turned-director Til Schweiger’s 2014 German hit, Honig im Kopf, and four years later, he revisits the universal concept for Anglophone audiences in the homonymous Head Full of Honey.

Nick Nolte revives the role of Amadeus (in the original: Amandus,

Beautiful Boy‘s Production Designer Builds a World of Heartbreak & Hope

A desire for anonymity may be rare in the movie business, but production designer Ethan Tobman, whose credits include Room and most recently Beautiful Boy, doesn’t want audiences to notice his work.

“Whenever you’re designing contemporary drama, especially anything that’s inspired by real events, you want to support and create a unique world with an instant sense of intellectual and emotional empathy. And you want to do it subtly,” he says.

The Ballad of Buster Scruggs Production Designer on How the West Was Built

Joel and Ethan Coen‘s new anthology western The Ballad of Buster Scruggs offers six darkly comic 19th-century vignettes designed by the brothers’ longtime collaborator Jess Gonchor. Oscar-nominated for his contributions to the Coens’ True Grit and Hail, Caesar!, Gonchor initially thought the movie, which launches Friday on Netflix, would be a snap. “When the guys gave me the script and I read it top to bottom,

Building the Bizarre, Beautiful World of The Nutcracker and the Four Realms

In The Nutcracker and the Four Realms, Disney’s live-action re-creation of the E.T.A. Hoffmann story and subsequent classical children’s ballet, Morgan Freeman plays Drosselmeyer, giver of enchanted gifts and leader of a star-studded cast that kicks off in picture-perfect Victorian London, giving way to the magical realms where Clara (Mackenzie Foy) hunts for a key to open a final bequest from her late mother: a filigree silver egg that obviously possesses significance beyond knickknackery and sentiment.

Bohemian Rhapsody‘s Production Designer on Re-Constructing the World of Queen

As Freddie Mercury in Bohemian Rhapsody, actor Rami Malek is incredible, an on-stage writhing echo of the groundbreaking rocker’s performances with the band Queen. Surrounding Malek in this uplifting rock biopic are exacting recreations of the bands’ 1970s and 80s-era haunts, from stadium concerts to a youthful Freddie’s London flat with his girlfriend Mary Austin (Lucy Boynton). Bookended by Queen’s seminal performance at Wembley Stadium in 1985 for the Live Aid benefit,

Bad Times at the El Royale’s Production Designer’s Brilliant Build

When Laramie, a vacuum cleaner salesman with an off-sounding drawl (Jon Hamm), steps behind the bar to make a pot of a coffee in the lobby of the El Royale, no attendant to be seen, it’s clear this fancy yet faded, empty hotel isn’t your average roadside motel, no matter how welcoming the vintage neon sign outside. For a traveling salesman, Laramie seems to know an awful lot about the history of his abode for the evening,

How The House With a Clock in Its Walls was Actually Built

Horror master Eli Roth, known for directing The Hostel and Cabin Fever series, trades gore for wonder in his newest work, a PG adaptation of John Bellairs’ 1973 YA novel, The House With a Clock in Its Walls. Starring Jack Black as Uncle Jonathan, a self-proclaimed warlock, and Cate Blanchett as his sharp, competent witch neighbor, Florence Zimmerman, the plot of House and the fate of its young protagonist,

The Better Call Saul Production Designer on Jimmy’s Changing Landscape

The inevitable transition from the affable Jimmy McGill (Bob Odenkirk) to the hardnosed Saul Goodman is becoming one of the most emotional evolutions on TV. As a whole, Better Call Saul is entering a season of transformation. Production designer Judy Rhee was charged with guiding Jimmy’s world through great personal and professional changes in season 4.

“In the timeline of the prequel, we’re getting closer to Breaking Bad,” Rhee explained.

How BlacKkKlansman‘s Production Designer Used the Power Dynamics of Race

BlacKkKlansman is a story of high stakes pushed to the absolute limit. Based on a remarkable true story, Ron Stallworth (John David Washington) was the first African American officer on the Colorado Springs police force. A tense undertaking in itself, Stallworth was not content with breaking barriers. He capitalized on the opportunity and initiated a dangerous undercover operation to infiltrate the KKK, stunning even his colleagues. Production designer Curt Beech tackled these complex dynamics in incredibly imaginative ways that layer meaning throughout the design in subtle,