How “Morbius” Production Designer Stefania Cella Creates a Brooding Vibe
Stefania Cella has suddenly become one of Marvel’s favorite production designers, more than happy to sink her teeth into Jared Leto’s much anticipated rogue scientist saga Morbius (opening April 1). She also designed the studio’s Moon Knight (March 30) and, at the moment, Cella’s in Atlanta working on Marvel’s much-anticipated Blade reboot. Immersing herself in ...
“Death on the Nile” Production Designer Jim Clay Delivers Deadly Decadence
For production designer Jim Clay, details matter. In director Kenneth Branagh’s Death on the Nile, a pseudo-sequel to Murder on the Orient Express which returns sharp-witted investigator Hercule Poirot in another case of whodunit, the murder mystery transports viewers to the 1930s Egypt that entangles love and death in the most devilish ways – and ...
“The Tragedy of Macbeth” Production Designer Stefan Dechant on Joel Coen’s Minimalist Masterpiece
Production designer Stefan Dechant has worked on detail-packed cinematic spectacles like Jurassic Park, Avatar, Pacific Rim: Uprising, and Kong: Skull Island. When he signed up for Joel Coen‘s black and white adaptation of The Tragedy of Macbeth, Dechant had to embrace a new aesthetic, stripping all decorative embellishments that might distract from the drama at ...
“Spider-Man: No Way Home” Production Designer Darren Gilford on Re-Creating NYC
Spider-Man has always been a proud New Yorker, so naturally, filmmakers planned to shoot a lot of No Way Home in Manhattan. Then COVID hit and pandemic restrictions made it impossible to film on Peter Parker’s actual stomping grounds. Realizing that the Spidey show must go on, production designer Darren Gilford and his team came ...
“Nightmare Alley” Production Designer Tamara Deverell on Creating a Carnival of Creepy Delights
Director Guillermo del Toro pulls back the curtain of a 1930s traveling carnival in a love story that gets downright creepy in Nightmare Alley. Bradley Cooper is Stanton Carlisle, a quiet drifter who finds himself working for a carnival to make ends meet. After falling for a fellow carny, Molly (Rooney Mara), who quite literally ...
“The Suicide Squad” Production Designer Beth Mickle on Creating Gonzo Sets
James Gunn’s The Suicide Squad is a film filled with highly ambitious, no-holds-barred set pieces, nearly all of which are done with practical effects. It’s a story that takes the characters into all kinds of physical environments as they work together to achieve their objective without dying in the process. Collaborating with Gunn to help make his ...
“Lovecraft Country” Production Designer Kalina Ivanov on Melding History & Fantasy
Production designer Kalina Ivanov‘s work on Misha Green‘s Lovecraft Country was one of world-building and resurrecting. The world-building—which included creating more than 162 sets, challenged Ivanov and her team to create haunted houses, a Korean hanok home to a mythical creature, and a pirate ship (to name a few). For the resurrection portion of her work, Ivanov ...
Production Designer Amy Williams on the Ample Easter Eggs in “Master of None” Season 3
Director Aziz Ansari only appears briefly in the third season of Master of None, which turns its attention to the relationship between Denise (Lena Waithe) and Alicia (Naomi Ackie). At first blush, the pair’s marriage appears to have blossomed away from Brooklyn, in their new rambling, historic upstate home. Life seems as full as their ...
Production Designer Fiona Crombie on the Luxe World of “Cruella”
Cruella de Vil is eternally wicked, but she’s also a villain who knows how to have a riotously good time—certainly more than the original heroes of Disney’s 101 Dalmatians, anodyne dog lovers Anita and Roger Darling. And that’s why it’s this id-driven, luxury-loving, would-be dalmatian coat-wearing scoundrel who gets her own live-action origin story. In ...
“WandaVision” Production Designer Mark Worthington on Creating Wanda’s Ever-Changing Worlds
Unlike WandaVision director Matt Shakman or series creator Jac Schaeffer, production designer Mark Worthington does not consider himself a Marvel expert. “I’m not really a big Marvel person,” he says, “but I was curious when Matt first called me about the show. He described the basic story as it being about Wanda’s grief and how the whole ...
“The Nevers” Production Designer Gemma Jackson on HBO’s Sci-Fi Victorian-Era Series
Bringing unique worlds to life is production designer Gemma Jackson’s stock-in-trade. So, she didn’t hesitate when offered the opportunity to create the look for The Nevers, the Victorian-era sci-fi series that debuted on HBO in April. “I think what drew me was a remarkably interesting script and an extraordinary storyline that I’d never read the ...
How the DP & Production Designer Behind “The United States vs. Billie Holiday” Met the Moment
It’s not often there’s a Golden Globe nomination for an African American actress playing a famous blues or jazz singer. This year, there are two of them. One is for Viola Davis, going chop-to-chop with the late, great Chadwick Boseman in the Netflix adaptation of August Wilson’s Ma Rainey’s Black Bottom, playing the titular character. ...
“Clarice” Producer/Director DeMane Davis on Seizing the Moment
DeMane Davis, co-executive producer/director of the new CBS series Clarice which premieres February 11, calls her career “incredibly fortunate.” But Davis was ready when opportunity arose in the form of Ava DuVernay. When DuVernay opened the door for women directors on her groundbreaking series Queen Sugar, Davis burst through it. On crutches. “I had broken ...
Production Designer Jim Bissell Builds a New Kind of Spaceship in George Clooney’s “The Midnight Sky”
Production designer Jim Bissell landed ET: The Extraterrestrial fresh out of college. His latest, The Midnight Sky (now streaming on Netflix) marks a return to the realm of science fiction, but this time he’s forgoing adorable aliens to picture the end of the world as we know it. Director-star George Clooney plays astrophysicist Augustine Lofthouse, ...
Production Designer Mark Ricker on Creating the Sumptuous “Ma Rainey’s Black Bottom”
During the course of Ma Rainey’s Black Bottom, based on the 1982 play by August Wilson, blues star Ma Rainey (Viola Davis) reveals the lengths it takes to counter the racial economic exploitation of the 1920s, while down in the practice room, her band members recount the horrors of Jim Crow. The film, directed by ...
“You Should Have Left” Production Designer on the Lasting Allure of the Haunted House
The haunted house has been a staple of the horror genre since the early days of silent films. There’s just something about creaky doors and shadows dancing around in dimly lit hallways that send shivers up our spines — especially when it’s a dark and stormy night. And with most of us homebound for Halloween, ...
Production Designer Talks Riots & Courtrooms in Aaron Sorkin’s “The Trial of the Chicago 7”
The Trial of the Chicago 7 revisits the circus-like legal proceedings that pitted anti-war activists including Abbie Hoffman (Sacha Baron Cohen), Tom Hayden (Eddie Redmayne), Black Panther Bobby Seale (Yahya Abdul-Mateen II), and lawyer Bill Kunstler (Mark Ryland) against a hard-nosed judge (Frank Langella) over charges that they conspired to incite violent riots at the ...
How Hitchcock Influenced the Bold Design of Netflix’s “Ratched”
Ratched will keep you on edge. The pseudo-origin story follows nurse Mildred Ratched (Sarah Paulson) from Ken Kesey’s book One Flew Over the Cuckoo’s Nest, a character first enshrined by Louise Fletcher in the 1975 film adaption. Penned as a spec script by Evan Romansky, who’s credited as a creator and executive producer, Ryan Murphy ...
Emmy-Nominated Production Designer Monica Sotto on “Drunk History”
Let’s get the sad part out of the way; Comedy Central’s beloved Drunk History was recently canceled, after 6 glorious, inebriated, compulsively watchable seasons. Shortly before that bad bit of news was revealed, we got a chance to chat with the show’s production designer Monica Sotto, whose work on the season 6 finale “Bad Blood,” ...
Emmy-Nominated Production Designer Jason Sherwood on Designing the Oscars
At 30 years old, Emmy-winning production designer Jason Sherwood became the youngest person to ever design the Oscars for this past year’s historic ceremony. Sherwood, already a talented theater designer, nabbed his first Emmy just last year for the design of Rent Live (which was also his first foray into major TV production). For this year’s ...
