He Builds It, Audiences Come: A Q&A With A Good Day to Die Hard Production Designer Daniel Dorrance

Production designer Daniel Dorrance’s career has been something of a monster movie carnival. That’s not to say he’s worked exclusively on movies about monsters, but rather almost exclusively on giant, sprawling epics. He’s been responsible for the creation of massive sets and managing huge departments while answering to some of the heaviest of heavy weight directors. Those directors include Steven Spielberg (Hook, Saving Private Ryan), Francis Ford Coppola (Dracula),

A Conversation With Broken City Director Allen Hughes

Allen Hughes has been making films with his twin brother, Albert, since they were 12-year- olds running around their house in Pomona, east of Los Angeles, with a video camera their mom had given them. The Hughes Brothers (as they are often credited) co-wrote and co-directed their first major feature, Menace II Society, when they were 20 years old.

Since then, the twins have made a number of gritty,

Building Beauty: A Conversation With Sarah Greenwood, Production Designer on Anna Karenina.

When thrice Oscar-nominated production designer Sarah Greenwood signed on to Joe Wright’s adaptation of Anna Karenina, she had complete trust in her longtime collaborator—but both had a nagging yet unspoken concern about how they would turn Karenina into something more than a straightforward period adaptation like the two had done on Pride & Prejudice and Atonement. Coming fresh off of 2011’s Hanna,