How DP Nancy Schreiber Sidesteps Voyeurism for a Naturalistic Look in “P-Valley”
If you think you’re in for a sexy, easygoing watch with P-Valley, Starz’s new series on the life and times of the employees of a Mississippi Delta strip club, expect an emotional awakening. The show’s creator, Laurence Olivier Award-winning playwright Katori Hall, first brought P-Valley to life as a critically well-received play, “Pussy Valley.” Hall’s television adaptation may be less explicitly titled, but it retains the nuance of a work fit for the stage,
Meet the Fight Coordinators Who Gave “The Old Guard” Their New Moves
Years before Wonder Woman, Black Panther, and Captain Marvel came out, Charlize Theron set the bar for female action heroes in 2005 when she starred in the sci-fi bloodbath Æon Flux. She followed that with her incredible performance as Furiosa in Mad Max: Fury Road and then as a super-spy more than willing to fight in Atomic Blonde. Now Theron returns to the fray as immortal ax-wielder Andy in The Old Guard.
Rethinking Old Age in Sergio Navarretta’s “The Cuban”
The Cuban, director Sergio Navarretta’s (Arctic Dogs) new feature out on streaming and in theaters on July 31st, melds two missives into one sweetly heartfelt film: a tribute to Afro-Cuban jazz and a reminder to cherish our elders. Opening in the cold light of a Canadian nursing home, brisk nurses attend to Luis Garcia (Oscar-winner Louis Gossett Jr.), the film’s titular star. Luis, a former jazz musician, is gripped by dementia and Alzheimer’s,
“Self Made” DP Kira Kelly on Why Black Stories Matter
Cinematographer Kira Kelly shot Ava DuVernay‘s 2016 Oscar-nominated 13th documenting how American prisons target Black men. Then she filmed miniseries Self Made: Inspired by the Life of Madam C.J. Walker, named after the hair products entrepreneur who became the country’s first Black female millionaire. Most recently, she shifted into rom-com mode for an episode of Insecure, set in South L.A.
Amy Roberts on the Subtly Changing Fashion in Season 3 of “The Crown”
The third season of The Crown, Netflix’s lavish, semi-fictionalized series about Queen Elizabeth II and her family, sees the monarch, Prince Philip and Princess Margaret entering middle age. Claire Foy hands off the role of Elizabeth to Olivia Colman, with Helena Bonham-Carter and Tobias Menzies joining the cast as her sister and husband. Kicking off in 1964 with a Soviet spy scandal ripped from the headlines and ending with the Queen’s 1977 Silver Jubilee,
How Director Mimi Leder Shaped Apple TV+’s “The Morning Show”
Hollywood has become somewhat more diverse since the eighties when director Mimi Leder became the first woman to graduate from the American Film Institute. And yet, as her latest drama The Morning Show illustrates, some male entertainment moguls still give talented women a hard time. Originally inspired by Brian Stelter’s book “Top of the Morning: Inside the Cutthroat World of Morning TV,” showrunner Kerry Ehrin (Friday Night Lights) re-tooled the Apple TV+ series as a #MeToo saga centered on the firing of popular infotainment anchor Mitch Kessler (Steve Carell) for sexual misconduct.
KiKi Layne on Her Lethal Left Hook (And More) in “The Old Guard”
With her star turn in Barry Jenkins’ If Beale Street Could Talk, KiKi Layne left a lasting impression on critics and producers alike. In director Gina Prince-Bythewood‘s The Old Guard, now streaming on Netflix, Layne shows herself to be a performer capable of handling wildly divergent roles. Her character, Nile Freeman, the youngest and newest member of a team of immortal mercenaries, is a highly trained Marine with a strong moral compass,
“Cursed” Director/Producer Zetna Fuentes on Remixing Arthurian Legend for Netflix
Cursed, which premieres today on Netflix, reframes the King Arthur legend to center on the mysterious Lady of the Lake and fae, Nimue, played by Katherine Langford. The show is created by Tom Wheeler and Frank Miller, based on their illustrated novel. The Credits spoke to Zetna Fuentes, who executive produced and directed the pilot and second episode of the series. This conversation has been edited for length and clarity.
How the Confined Spaces in “Greyhound” Added Authentic Intensity
In Greyhound, Tom Hanks is a naval captain of a US destroyer that spends three days in the North Atlantic trying to protect a fleet of merchant vessels from a pack of preying U-boats. The script, written by Hanks, is a fictional account that draws inspiration from C.S. Forester’s book “The Good Sheperd” and unravels like a game of chess with life and death consequences.
Directed by Aaron Schneider and lensed by cinematographer Shelly Johnson,
The Directors of “Mucho Mucho Amor” Give Latino Legend Walter Mercado his Due
Described as equal parts Liberace, Norma Desmond, and Oprah, the wildly popular, gender-bending Puerto Rican TV astrologer Walter Mercado was so larger than life that only a documentary could do him justice. The filmmakers behind Netflix’s Mucho Mucho Amor: The Legend of Walter Mercado, like millions of Latinx viewers around the globe, grew up watching Mercado deliver daily horoscopes on TV. Wearing his trademark bejeweled capes, Mercado’s flamboyance coupled with upbeat astrological predictions helped make him a beloved cultural icon.
Cinematographer Armando Salas on the Seductive Aesthetics of “Ozark”
The third season of Netflix’s Ozark sees Marty and Wendy Byrde (Jason Bateman and Laura Linney) dig into their life in Mississippi, where they now own one casino, and a sticking point in their marriage is the risk associated with acquiring another. With the Byrdes still laundering money for Omar Navarro (Felix Solis), the head of a Mexican cartel, and working alongside bloodthirsty lawyer Helen Pierce (Janet McTeer), the series’ third season retains the cool blue and green tones of earlier episodes but adds new aesthetic dimensions via a deeper look at the Navarro compound and flashbacks to Marty’s youth.
Director Gina Prince-Bythewood on her Netflix Epic The Old Guard
The Old Guard, premiering today on Netflix, is a completely engrossing female-fronted action film that just might blow the doors off your summer. Helmed by director Gina Prince-Bythewood, it also marks the milestone of the first major superhero film directed by a Black woman. Prince-Bythewood, who first made her name as writer/director of the classic Love & Basketball, has become one of the most thoroughly interesting directors working in Hollywood.
How “Insecure” Editor Nena Erb Finds the Perfect Moment
“I’m not ready to go to restaurants,” Insecure editor Nena Erb told me while we were on the phone discussing her career, and, of course, life in the midst of a global pandemic. Yet for Erb, whose career has conditioned her to solitude, she’s making the most of her forced isolation by helping bring up the next generation of young editors. “I was able to work at home for about the first month of the pandemic,
A Conversation With Laverne Cox
Laverne Cox serves as the guide of director Sam Feder’s crucial new documentary Disclosure: Trans Lives on Screen. The film offers a vivid, frankly startling history of the portrayal of transgender lives on screen, and Cox (also an executive producer) captains a compelling cast of influential trans creators, cultural critics, and thinkers. They include The Matrix creator Lilly Wachowski, Pose star Mj Rodriguez,
Director/Producer Dawn Porter on Capturing a Legend in “John Lewis: Good Trouble”
Director/producer Dawn Porter’s documentary John Lewis: Good Trouble is an inspirational look at the life and career of the legendary Georgia Democratic representative and civil rights activist John Lewis. Congressman Lewis, now 80 years old, has been instrumental in creating foundational change in the United States, from voting rights to equal rights for all Americans. To this day, he continues to be a voice for positive change.
The Credits spoke to Porter about the film,
“Welcome to Chechnya” Producer & Editor on Their Immersion in High-Stakes LGBTQ Reportage
Few westerners took notice in 2016 when the Russian republic of Chechnya began persecuting gay, lesbian, and transgender citizens. But after Oscar-nominated documentarian David France read a New Yorker article detailing how Ramzan Kadyrov’s regime has tortured, imprisoned, and executed LGBTQ residents, he traveled to Moscow. There, France and his crew documented the Russian LGBT Network and Moscow Community Center for LGBTI+ Initiatives as they provide temporary sanctuary for refugees eager to gain asylum in friendly countries.
How “Queer Eye” Casting Director Danielle Gervais Found the Perfect Team
Danielle Gervais had the daunting task of finding the new Fab Five when the iconic reality series Queer Eye was rebooted by Netflix for a new generation. The Emmy-winning casting director scoured America with her team to find Antoni Porowski (food and wine), Bobby Berk (interior design), Karamo Brown (culture), Jonathan Van Ness (grooming) and Tan France (fashion). Five seasons later, countless lives changed, and many tears shed in the process, Gervais reflects on how it all came together and why choosing a favorite ‘hero’ is like choosing a favorite child.
Dashaun Wesley Takes MC Duties to a New Level on HBO Max’s “Legendary”
It’s a party that’s been years in the making.
Legendary, the original HBO Max series that debuted on May 27, celebrates the “legendary” underground world of Voguing and Ball culture with a reality competition unlike any other on television. Eight houses (aka teams), mostly comprised of Black and Latino LGBTQ members, pour it all out and onto the stage in a series of challenges, showcasing everything from dancing and voguing to fashion and flair.
“Unsettled” Looks at LGBTQ Refugees Seeking a Home in America
June celebrations, even virtual ones in this pandemic year, commemorate the birth of the modern LGBTQ liberation movement and the progress made over five decades since Stonewall, from marriage equality to the recent Supreme Court ruling protecting LGBTQ rights in the workplace.
But in many countries outside the U.S., LGBTQ rights mean only the right to survive.
San Francisco-based filmmaker Tom Shepard, whose many credits include the award-winning Scout’s Honor (2001) about the struggle to overturn the anti-gay policies of the Boy Scouts of America,
How Spike Lee’s “Da 5 Bloods” Got Its Signature Look
Cinematographer Newton Thomas Sigel, known for his work on films like Bohemian Rhapsody, Drive, Three Kings, numerous X-Men installments, notes that his first feature with director Spike Lee always “felt like a distant dream.”
Not because he hadn’t crossed Lee’s path before, since the two had collaborated on numerous commercials, and he mentions having “known Spike forever it seems—we both came up in New York at the same time.
