mpa-banner-bt
thecredits-expanded-wt
“Better Man” Director Michael Gracey on Monkeying With Robbie Williams in Bold Bio-Pic
How “Anora”‘s DP & Production Designer Brought a Deconstructed Cinderella to New York
“Nosferatu” Production Designer Craig Lathrop on Creating Count Orlock’s Gothic World
“The Brutalist” Composer Daniel Blumberg on Blending Genres in Brady Corbet’s American Epic
“The Last Showgirl” Director Gia Coppola Pulls Back the Curtain on Pamela Anderson’s Career-Defining Performance
“The Room Next Door” Production Designer Inbal Weinberg is the Architect of Pedro Almodóvar’s World
“Wallace and Gromit: Vengeance Most Fowl” Directors Nick Park & Merlin Crossingham go Back to the Bakehouse
“Nosferatu” DP Jarin Blaschke on Giving Robert Eggers’ Masterful Vampire Tale Its Bite
“A Complete Unknown” Costume Designer Arianne Phillips on Channeling the Bob Dylan Mystique
Best of 2024: Maximus Effort: “Gladiator II” Production Designer Arthur Max on Creating Colossal Constructions
Keep up with The Credits for the latest in film, television, and streaming.
To stay up to date with the Motion Picture Association, please sign up for our newsletter.