“Reasonable Doubt” DP Robert E. Arnold on Lensing Hulu’s Legal Drama
Robert E. Arnold figured he’d paid his dues in Hollywood, working since 2008 as a grip, gaffer, and Steadicam operator on dozens of projects ranging from Big Little Lies and Grown-ish to The Walking Dead and Furious 7. But those credits, along with a degree from Los Angeles’ prestigious American Film Institute, failed to open ...
Filmmaker & TV Creator Mann Robinson on Getting it Done in Georgia
Mann Robinson gets it done. The former rapped-turned-filmmaker and television creator can do it all—write, direct, produce, edit—with a tirelessness that would seem inhuman if he wasn’t so even-keeled about how he approaches his work. “What’s allowing me to have so many things coming up?” he says when we spoke toward the end of summer, ...
“She-Hulk: Attorney at Law” Director Kat Coiro on Taking on The Trolls Head-On
For fans of She-Hulk: Attorney At Law, everyone can agree the last episode was quite a wild ride and something never seen before in the extended MCU. As per the comic book series, breaking the 4th wall is part of the She-Hulk tradition, and so it makes sense the filmmakers behind the show would go all ...
“House of the Dragon” Costume Designer Jany Temime’s Deadly Elegance
French costume designer Jany Temime has outfitted plenty of iconic characters, including Harry Potter (Harry Potter and the Half-Blood Prince), James Bond (Spectre), and Marvel’s Black Widow. But in terms of sheer scale, none of those feature-length films can match the ten-hour introduction to House of the Dragon, which just had its season finale on ...
“House of the Dragon” Co-Creator & Co-Showrunner Ryan Condal on Season One & Beyond
The first season of House of the Dragon has come to a close as an unqualified success. The premiere saw the largest single-day viewership for a series debut in HBO’s history and continued to land consistently in the top five titles streamed across all platforms through its last episode. The show was renewed before the second ...
HBO Reveals Closer Look at “The Last of Us” in New Video
In a new promo, HBO has given us some of their most hotly-anticipated series, perhaps none more so than Craig Mazin’s adaptation of The Last of Us. Based on the popular video game series, the Chernobyl creator has teamed with the video game’s writer and creative director, Neil Druckmann, to give us a 10-episode season ...
“Ramy” Costume Designer Nicky Smith on Season 3’s Style Evolution
Ramy Youssef’s consistently excellent self-titled Hulu series Ramy centers on his titular character, a young Muslim trying to reconcile his elastic identity. He’s the son of Egyptian immigrants living in New Jersey stretched in multiple directions, between his Muslim community, God, his friends, and his still murky future. The series was a critical hit when ...
“Los Espookys” Co-Creator/Writer/Director/Star Ana Fabrega Does it All (Literally)
Los Espookys, the surreal HBO comedy, has returned for a second season. Unlike anything currently on television, the series, created by Julio Torres, Ana Fabrega, and Fred Armisen, follows four horror-loving friends who run Los Espookys — a business that stages supernatural scenes and tricks people into thinking they are real. Renaldo (Bernardo Velasco), Los ...
“Coco” and “Encanto” Composer Germaine Franco on Finding Musical Inspiration at its Source
In 2016, composer and multi-instrumentalist Germaine Franco was the first Latina and first woman of color invited to join the Academy of Motion Picture Arts and Sciences music branch. With 2021’s Encanto, she was the first woman to score a Disney animated feature and the first Latina to be nominated for an Academy Award for Best ...
“She-Hulk” Composer Amie Doherty on Blending Megan Thee Stallion With Marvel’s Orchestral Bombast
With 2021’s Spirit Untamed, composer Amie Doherty became the first woman to score a DreamWorks animated feature film. Known for her work on The High Note and Happiest Season, she has also made a name for herself as an orchestrator. Her most recent project is as the composer for the Marvel series She-Hulk, where she has combined the bombastic, orchestral ...
“Blonde” Director Andrew Dominik on Painting a Different Kind of Portrait of Marilyn Monroe
Visually, writer-director Andrew Dominik wanted to surface the iconic imagery of Marilyn Monroe for his fictional adaptation of Joyce Carol Oates’s Blonde (now streaming on Netflix.) What found its way to the screen is a nearly three-hour collection of novellas that poetically paint Norma Jean’s life from childhood to stardom. “The big visual idea of ...
“Super/Natural” Producer Tom Hugh-Jones on How His New Nature Doc Will Blow Your Mind
They call him Sarcastic Fringehead, and the gargoyle-like fish with its glow-in-the-dark inflatable mouth must be seen to be believed. A resident of the Pacific Ocean, Sarcastic Fringehead is just one of 40 or so naturally gifted characters filmed in their native habitats for National Geographic’s Super/Natural show. Executive produced by James Cameron with voice-over ...
“Don’t Worry Darling” Cinematographer Matthew Libatique on Creating a Sinister World Beneath the Surface
There’s a menacing unreality looming beneath the surface in Olivia Wilde’s Don’t Worry Darling that cinematographer Matthew Libatique (The Whale, A Star is Born) stitched together through a tapestry of largely subliminal clues, subconsciously pinning you to the story’s shocking twist. Midsommar scene-stealer Florence Pugh steps into the role of Alice Chambers, a young housewife ...
“Moonage Daydream” Director Brett Morgen on Following David Bowie Down the Rabbit Hole
It’s a bit of a miracle that director Brett Morgen survived creating Moonage Daydream, his kaleidoscopic deep dive into David Bowie’s unique sound and vision. Morgen was six months into editing the film, the first project that had the full cooperation of Bowie’s estate. But assembling the massive volume of footage, some of it never ...
“The Woman King” Fight Choreographer Jénel Stevens on Raising a Warrior Army
There’s a reason that the battle sequences in The Woman King look so authentic. The actors, from star Viola Davis on down, worked for months to get into physical shape to play an army of women warriors. They learned all the right moves from a team of expert trainers that included fight choreographer Jénel Stevens. ...
“Confess, Fletch” Cinematographer Sam Levy Modernizes the Crime Caper
Being pegged as the main suspect in a murder may sound worrisome, but some cinematic shooting, scenic locales, and Jon Hamm’s charm can make such a predicament seem seductive, and Confess, Fletch both resurrects and modernizes the classic crime caper. Pulled from the pages of Gregory Mcdonald’s 1970s novels, Fletch now carries a smartphone, but ...
Trainer Gabriela Mclain on Getting “The Woman King” Cast into Fighting Shape
Talk about reading the room: actress-producer Maria Bello pitched The Woman King directly to Viola Davis in 2015 while standing at the podium to present her with a Women Making History Award. Davis immediately embraced the fact-based story about General Nanisca, who, in the 1820s, led an army of fierce 19th-century women warriors from the ...
“The Woman King” Costume Designer Gersha Phillips on Outfitting History’s Fiercest Female Army
Intensity and discipline were trademarks of the Agojie warriors who defended the African Kingdom of Dahomey in the 19th century. Their caliber of combat was so unmatched that one of their most unexpected traits often went undetected by their enemies. “They fought with male warriors, so they would disguise themselves and look like men,” costume ...
“The Woman King” Director Gina Prince-Bythewood on Her Singular, Sweeping Historical Epic
When director Gina Prince-Bythewood’s most recent film, The Old Guard, premiered on Netflix in July of 2020, the critically acclaimed action drama became one of the top 10 original launches in the platform’s history. Prince-Bythewood is following that with one of the most anticipated films of 2022, the historical epic The Woman King, the story of the ...
“The Woman King” DP Polly Morgan on Lensing Viola Davis in Gina Prince-Bythewood’s Thrilling Epic
A sweeping historical epic that blends intimacy and adventure is the kind of movie that The Woman King cinematographer Polly Morgan dreamed about making while growing up in West Sussex, England. “My earliest memories were Close Encounters and Empire of the Sun. Spielberg captured my imagination like many of my generation,” said Morgan over the phone ...
