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“The Brutalist” Producers on the Demands and Delights of Building a Masterpiece
Oscar Nominated VFX Supervisor Paul Lambert on Turning the Worm in “Dune: Part Two”
“Emilia Pérez’s” Oscar-Nominated Cinematographer Paul Guilhaume on Finding the Light in the Darkness
“Presence” Screenwriter David Koepp on Writing a Ghost Story Told by the Ghost
“September 5” Production Designer Julian Wagner on Recreating the 1972 Olympic Attack From the Inside Out
Oscar-Nominated Makeup Artist Julia Floch-Carbonel on the Beauty of Transformation in “Emilia Pérez”
From Ranch to Rodeo to Rig: How the Hair on “Yellowstone” & “Landman” Tells the Story
“The Brutalist” Production Designer Judy Becker on Designing Fictional Mid-Century Modernist Masterpieces
“Anora” Cinematographer Drew Daniels on an Old School Approach to Modern, Misguided Love
Creating Count Orlock With “Nosferatu” Director Robert Eggers & Special FX Makeup Designer David White
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