“Wonka” Costume Designer Lindy Hemming on Dressing the Joyous World of a Budding Chocolatier
Costume designer Lindy Hemming knows her way around both sides of the color coin, having worked on Christopher Nolan’s texturally moody Batman trilogy and the playful palette of Paul King’s Paddington movies. She reunites with King for Wonka, whimsically outfitting the candy maker’s origins in a Gene Wilder prequel that has Dune actor Timothée Chalamet playing the title character to a joyous reaction among reviewers.
“American Fiction” Star Jeffrey Wright Authors a New Chapter in a Stellar Career
Jeffrey Wright has found a great role as Monk Ellison in writer/director Cord Jefferson’s American Fiction. The story is based on a 2001 novel called “Erasure” by Percival Everett and centers on a professor and writer fed up with the way the literary world limits how Blackness is portrayed in pop culture. In response, Monk writes a blatantly stereotypical novel full of gangs, thugs, and criminals using a pseudonym. To his shock,
“Saltburn” Cinematographer Linus Sandgren on Creating a Fluid Painting for Emerald Fennell
The comic drama Saltburn from director Emerald Fennell (Promising Young Woman) is as beautiful as it is macabre. It’s 2006, and Oliver (Barry Keoghan), an awkward, lonely student at Oxford, finds his place within the scenic confines of his university by becoming friends with Felix (Jacob Elordi), who is everything Oliver is not — handsome, charming, and rich. Felix invites Oliver to spend the summer at Saltburn,
“Poor Things” Production Designers Shona Heath and James Price on Going Gleefully Mad for Director Yorgos Lanthimos
When we first meet Bella Baxer, she’s a bit unusual. Not in a physical sense. All her arms and legs are accounted for, and playing the character is Academy Award winner Emma Stone so that you can be the judge of her beauty. But something about Bella is off. Turns out, she’s the creation of Dr. Godwin Baxter (Willem Dafoe), a renowned London scientist who reincarnated her adult body with the brain of a child.
How “Leave the World Behind” Production Designer Anastasia White Built a House for the End of the World
Leave the World Behind has five main characters. Four are human, and the other is the house where they find themselves holed up together as an apocalyptic event rages outside.
In the acclaimed 2020 novel by Rumaan Alam, the house has colorful interiors and a white picket fence. Not anymore. Sam Esmail, who wrote and directed the film, got Alam’s approval to use something more foreboding, according to production designer Anastasia White.
“Poor Things” Costume Designer Holly Waddington on Bringing Yorgos Langthimos’ Ecstatic Vision to Life
Before costume designer Holly Waddington got started on Poor Things, Yorgos Lanthimos gave her a visual reference: inflatable pants. The futuristic-seeming trousers made by London College of Fashion graduate Harikrishnan buck the movie’s late-19th-century setting, which encouraged Waddington to ignore the norms of time and space. No material would be too anachronistic, no fit too audacious. “I designed a whole series of things based on this idea of inflation and compression,”
“Nyad” VFX Supervisor Jake Braver on Digitally Dropping Annette Bening Into the Open Ocean
Diana Nyad would not be denied. Nyad attempted the treacherous endurance challenge of swimming from Cuba to the Florida Keys more times than a white-tip shark. The effort could have killed her—the ocean certainly tried—but ultimately, after multiple attempts, Nyad succeeded, cemented her legend, and now is the focus of Nyad, the new film from documentarians Jimmy Chin and Elizabeth Chai Vasarhelyi, the directing duo’s first narrative feature. Chin and Vasarhelyi won an Oscar for their work on Free Solo,
“Napoleon” Production Designer Arthur Max and Set Decorator Elli Griff on Bringing Bonaparte’s World to Life
Ridley Scott’s Napoleon takes on the general-turned-emperor who ruled France from 1799 to 1814 and presents him (Joaquin Phoenix) as an indefatigable military strategist but also a tortured everyman obsessed with, and forever a touch spurned by, his wife and subsequent ex-wife, Joséphine (Vanessa Kirby). Running in the background of this love affair are Bonaparte’s imperial conquests, his catastrophic losses in Russia, and finally, his banishment to Elba.
Scott’s portrait highlights a more intimate side of the former emperor,
“Napoleon” Costume Designers Janty Yates & David Crossman on Designing for Coronations and Conquests
A hat is merely a hat unless it’s a Napoleon Bonaparte hat, in which case the detailing and contours need to possess star quality equal to the man who made it famous. Ridley Scott’s Napoleon (in theaters now) casts Joaquin Phoenix as the world-conquering French commander, co-starring Vanessa Kirby as his un-adoring wife Josephine, and a series of scene-stealing “bi-corn” hats designed by David Crossman. An expert in military history, Crossman previously worked on World War 1 epic 1917 and more recently designed Robert Pattinson’s superhero suit in The Batman.
“Barbie” Costume Designer Jacqueline Durran Unpacks That Eye-Popping Wardrobe
British costume designer Jacqueline Durran, unlike Greta Gerwig, barely felt any attachment to Barbie dolls during her childhood. On the other hand, she’d enjoyed a fruitful collaboration with Gerwig on Little Women, for which Durran won an Oscar. So when the writer-director invited Durran to design clothes for Margot Robbie and Ryan Gosling as life-sized dolls in her feminist comedy Barbie, Durran promptly pivoted 180 degrees from Little Women‘s subdued 19th-century aesthetic and conjured a candy-colored wardrobe inspired by Mattel’s line of plastic figurines.
How “Saltburn” Production Designer Suzie Davies Imbued a Palatial Estate With Sinister Detailing
Like so many of us, production designer Suzie Davies loved Emerald Fennel’s debut, Promising Young Woman. When she heard that the actress-turned-director planned a sex-drenched thriller called Saltburn as a follow-up to her debut feature, Davies, Oscar-nominated for designing Mike Leigh’s lush period piece Mr. Turner, threw her hat in the ring. “I was like, ‘Let me get in the room with Emerald!'” she says. “My agent got me the script,
“Wish” Composer David Metzger on Getting the Stars to Align for His Heartfelt Score
The Walt Disney Company celebrates its 100th anniversary this year and, in honor of the milestone, released a new animated feature, Wish, just before Thanksgiving. Directed by Chris Buck and Fawn Veerasunthorn (both of Frozen) and written by Jennifer Lee and Allison More, Wish is set centuries ago in the magical Spanish Mediterranean island kingdom of Rosas. Until heroine Asha (Ariane DeBose) gets her bearings,
“Wish” Head of Character and Animation Avneet Kaur on Populating a Richly Diverse World
This Thanksgiving, the new animated musical comedy Wish premiered in the midst of the studio’s 100th anniversary, and the inspiration for the film can be encapsulated by “When You Wish Upon a Star,” a song made famous in Disney’s second full-length feature, 1940’s Pinocchio.
Wish takes place in the magical kingdom of Rosas, in the Iberian Peninsula, a crossroads attracting settlers from around the world.
Hit Makers Mark Ronson and Andrew Wyatt on Adding a Pop Punch to “Barbie” Soundtrack
Before Barbie, before producing Bruno Mars and Adele, before winning an Oscar for co-writing Lady Gaga’s duet “Shallow” for A Star Is Born, Mark Ronson made a living in New York City as a deejay pulling from his encyclopedic knowledge of musical genres from many eras. Ronson’s talents earned wide acclaim when he co-produced Amy Winehouse’s breakthrough album “Back to Black” in 2006. Since then, Ronson and his frequent collaborator Andrew Wyatt have gained a reputation as studio-savvy hitmakers in collaboration with a wide range of high-wattage talent.
“May December” Director Todd Haynes on Playing With Power in His Beguiling New Film
Beyond appreciation from critics and audiences alike for its compelling screenplay and gorgeous cinematography, Far From Heaven and Carol director Todd Haynes’s new release May December is getting awards buzz for the performances by its magnetic three leads. The film stars Haynes muse Julianne Moore, Natalie Portman, and Charles Melton as three very complicated, sometimes unlikeable characters that consistently shift the audience’s allegiances. The film is loosely based on the real-life tabloid scandal of 35-year-old teacher Mary Kay Letourneau,
“Radical” Cinematographer Mateo Londono Takes us to School in Christopher Zalla’s Moving New Film
A maverick teacher challenges the norms at an elementary school in the border town of Matamoros in northern Mexico. Such is the fact-based story that unfolds in Radical (in theaters now), led by Mexican star Eugenio Derbez (Coda, Instructions Not Included) in a film directed by Chris Zalla (Blood of My Blood).
The teacher, Sergio Juarez Correa (Derbez), aims to teach his students lessons that will help them navigate the difficult world outside the classroom,
“May December” Editor Affonso Gonçalves on Playing With Identity in Todd Haynes’ New Film
It has been a very busy year for Brazilian-American film editor Affonso Gonçalves, from last fall’s twisted psychological drama Don’t Worry Darling to this year’s doppelgänger medical chiller Dead Ringers and queer wrestling biopic Cassandro. Last week, he returned with director Todd Haynes’ quietly disturbing psychological drama May December.
They have developed a shorthand after working with Haynes on six projects — including the Oscar-nominated Carol and the Emmy-winning Mildred Pierce.
“May December” Screenwriter Samy Burch Unpacks the Unspoken in Todd Haynes’ New Film
May December (in select theaters now), which probes the interior lives of three enigmas aswirl in their own isolating truths, might be 2023’s most debatable movie. Rarely does anyone in Todd Haynes’ film say what they actually mean, and although it remains playful and accessible, an intriguing inscrutability hovers around the central characters.
Gracie Atherton-Yoo (Julianne Moore), a steely circus freak within her upper-middle-class Georgia community, has convinced herself that she is not liable for the liaison she had with a teenage boy while working at a pet store.
“Rustin” Producers Tonia Davis and Bruce Cohen on the Urgent Message of Bayard Rustin’s Life
In director George C Wolfe’s follow-up to his critically acclaimed powerhouse Ma Rainey’s Black Bottom, he shines a light on the long-overlooked civil rights luminary Bayard Rustin. Rustin was one of the lead architects of the March on Washington but was also a gay Black man who was out and proud in the 1960s. Although he was awarded the Presidential Medal of Freedom posthumously by President Barack Obama in 2013, too few people know his importance to American history.
“The Killer” Cinematographer Erik Messerschmidt on Re-Teaming With David Fincher
David Fincher’s lean, mean The Killer is a film stripped down to its bare essentials, much like the work of its titular assassin. Based on a French graphic novel and adapted by Andrew Kevin Walker (Se7en), Fincher’s adaptation tells the story of an unnamed killer (Michael Fassbender) and the strict, self-imposed protocols of his trade. It’s the rules of the process that concern the titular character, not moral dilemmas,
