Best of 2023: “Succession” Costume Designer Michelle Matland Breaks Down the Roy Family’s Signature Looks

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

Early this season on Succession, Waystar Royco executive Tom (Matthew Macfadyen) mocks the $2900 Burberry handbag carried by cousin Greg’s (Nicholas Braun) date as being “Ludicrously capacious…You could slide it across the floor after a bank job.” And in the show’s first year, Kendall (Jeremy Strong) bought a pair of $500 Lanvin sneakers to ingratiate himself with potential Silicon Valley investors,

Best of 2023: “Rustin” Screenwriter Julian Breece on Giving a Legend his Due

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

There are countless unsung heroes of the civil rights movement who will never get the recognition they deserve, yet it’s hard to imagine an overlooked figure more central to the cause and more courageous and capacious in spirit than Bayard Rustin. While historians are well aware of the impact Rustin had on the civil rights movement writ large and specifically the March on Washington,

Best of 2023: “Fair Play” Writer/Director Chloe Domont Makes a Killing on Male Fragility

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

Fair Play, writer/director Chloe Domont‘s feature debut, is somehow both an old-school erotic thriller and a shrewd, scalpel-sharp dissection of how far we have and have not come with gender equality in the workplace and in the headspace of men, even those who consider themselves allies.

The film is largely set at the hedge fund One Crest Capitol,

Best of 2023: “Ahsoka” Cinematographer Eric Steelberg on Lensing a Rebel Jedi’s Journey Through Time & Space

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

For Ahsoka cinematographer Eric Steelberg, lensing the latest live-action Star Wars series was a dream come true. Growing up in thrall to George Lucas’s original trilogy, Steelberg would find himself on set while filming the new series, surrounded by massive spaceships both practical and virtual (the latter thanks to Industrial Light &

Best of 2023: “Poor Things” Costume Designer Holly Waddington on Bringing Yorgos Langthimos’ Ecstatic Vision to Life

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

Before costume designer Holly Waddington got started on Poor Things, Yorgos Lanthimos gave her a visual reference: inflatable pants. The futuristic-seeming trousers made by London College of Fashion graduate Harikrishnan buck the movie’s late-19th-century setting, which encouraged Waddington to ignore the norms of time and space.

Best of 2023: “Barbie” Casting Directors Allison Jones And Lucy Bevan on Populating Barbie Land

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

Since its release last month, Greta Gerwig’s Barbie has been hailed as a marvel of a balancing act between sincerity and hilarity. On top of the nuanced script, Barbieland is populated by a Barbie and Ken of every stripe, for every type, despite dozens of characters who share a mere two first names (plus the singular Allan).

Best of 2023: How the “Spider-Man: Across the Spider-Verse” Visual Team Created a Mesmerizing Multiverse

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

When Spider-Man: Into the Spider-Verse was released five years ago, its web of 2D and 3D animation became a box office hit and went on to win the Oscar for best animated feature. Incredibly, the return of Miles Morales (voiced by Shameik Moore) in Across the Spider-Verse has lived up to the hype,

Best of 2023: Christopher Nolan on Exploding Myths & Exposing Humanity in “Oppenheimer”

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

Robert Oppenheimer (Cillian Murphy) stares wide-eyed into the pond spread out in front of him; his last conversation with Albert Einstein (Tom Conti) on the potential catalytic effects of the atomic bomb has rendered him speechless. The music swells as the screen fades to black — the final scene of Christopher Nolan’s highly-anticipated Oppenheimer.

Best of 2023: How “The Color Purple” DP Dan Laustsen Made Visual Music

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. This interview with “The Color Purple” cinematographer Dan Laustsen more than qualifies, and, with the film opening wide in theaters today, it feels like a fitting Christmas Day post. Happy Holidays!

Danish cinematographer Dan Laustsen has been shooting movies for forty years, earning two Oscar nominations along the way for his contributions to Guillermo del Toro’s films The Shape of Water and Nightmare Alley.

Best of 2023: “The Color Purple” Costume Designer Francine Jamison-Tanchuck’s Stunning Creations

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. This interview works doubly well as “The Color Purple” is in theaters today. Merry Christmas!

There’s a famous line in Alice Walker’s 1982 novel The Color Purple that goes: “I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.” It’s a message that even God can become annoyed when people overlook the wonderful things he creates.

“All of Us Strangers” Cinematographer Jamie Ramsay on Lighting a Lonely Life

Based on Taichi Yamada’s 1987 novel Strangers, writer and director Andrew Haigh’s All of Us Strangers takes place between a barren tower block in London, where Adam (Andrew Scott) leads a solitary existence, and his childhood home in the suburbs, where he frequently visits his parents, who died thirty years earlier. In London, Adam spends his days alone, until his neighbor Harry (Paul Mescal) appears outside his door, proffering whiskey.

“Dr. Death” Showrunner, Executive Producer & Stars on Season 2

In the second season of the celebrated Peacock series Dr Death, the show takes on another doctor featured on the hit Wondery true crime podcast, “Miracle Man,” Paolo Macchiarini. The story is of the world-renowned surgeon (played here by Edgar Ramirez) celebrated for his groundbreaking work in regenerative medicine and organ transplantation, but ultimately disgraced by his misconduct, dangerous practices, and web of deceit.  

His rise and fall are,

“Maestro” Editor Michelle Tesoro on Orchestrating the Epic Bernstein Love Story

To tell the story of composer Leonard Bernstein’s (Bradley Cooper) courtship with Costa Rican-American actress Felicia Montealegre Cohn Bernstein (Carey Mulligan), Cooper, who also directed, and his editor, Michelle Tesoro (The Queen’s Gambit, When They See Us) varied the technical aesthetic throughout Maestro. As the couple first gets to know each other at a party, followed by wooing one another on stage at an empty theater,

Searching for That Ferocious “Ferrari” Sound With Supervising Sound Editor Tony Lamberti

How eager was Tony Lamberti to work on Michael Mann’s latest feature? Let’s just say the director had Lamberti, a Formula 1 enthusiast, at Ferrari.

The Oscar-nominated (Inglourious Basterds), Emmy-winning (John Adams) audio engineer got his first peek at the feature about Enzo Ferrari and his iconic racing legacy back in 2015. Overseeing a mix update on Mann’s crime thriller Blackhat,

Gael García Bernal on His Showstopping Performance in “Cassandro”

Gael García Bernal has played a political revolutionary, an eccentric symphony conductor, an animated trickster, and a victim of a beach that makes you age years in hours, but he’s never made as much noise in one film as he does in Cassandro, where Bernal had to rile up crowds of thousands as the eponymous lucha libre star. Cassandro, a Texas native known outside the ring as Saúl Armendáriz, became an unlikely wrestling champion in Mexico by flaunting his flamboyance.

“The Chi” Producer/Directors Deondray Gossfield and Quincy LeNear Gossfield on Shaping Lena Waithe’s Sharp Showtime Series

The Chi directors/producers Deondray Gossfield and Quincy LeNear Gossfield are living proof of the collaborative spirit. They live and work together (they’re married), and when they directed episode 4 in season 5, “On Me,” in Lena Waithe’s coming-of-age Showtime series, the talented creator recognized she’d found two collaborators who could take on a larger role for season 6. That meant both directing and producing.

“We were already fans of the show before we started working on it,

“Wonka” Production Designer Nathan Crowley on Creating a Chocolatier’s Whimsical World

For production designer Nathan Crowley, whose impressive list of credits includes The Dark Knight, The Greatest Showman, and First Man, creating director Paul King’s deliciously appetizing Wonka musical was an exploration of “whimsical, nostalgic, and romantic” visuals inspired by Roald Dahl’s book Charlie and the Chocolate Factory. “I’m used to doing practical films, and with Wonka, we had to find the realism of Roald Dhal and what that looked like.

“American Fiction” Writer/Director Cord Jefferson on Cutting to the Heart of the Matter

Writer/director Cord Jefferson’s narrative feature debut, American Fiction, has become one of the most talked about films this awards season, and for good reason. Adapted from Percival Everett’s 2001 novel “Erasure,” the satirical drama won the audience award upon its debut at the Toronto Film Festival, with a number of subsequent fests following suit, and was recently named one of the top ten films of 2023 by the AFI.

“The Color Purple” Costume Designer Francine Jamison-Tanchuck’s Stunning Creations

There’s a famous line in Alice Walker’s 1982 novel The Color Purple that goes: “I think it pisses God off if you walk by the color purple in a field somewhere and don’t notice it.” It’s a message that even God can become annoyed when people overlook the wonderful things he creates. One such creation is what the character of Celie represents. “She’s a beautiful flower and a beautiful person that’s being trampled on,” costume designer Francine Jamison-Tanchuck tells The Credits.

How “The Color Purple” DP Dan Laustsen Made Visual Music

Danish cinematographer Dan Laustsen has been shooting movies for forty years, earning two Oscar nominations along the way for his contributions to Guillermo del Toro’s films The Shape of Water and Nightmare Alley. Director Blitz Bazawule, on the other hand, had never made a major Hollywood motion picture before helming The Color Purple (opening Dec. 25). But together, director and cinematographer melded their talents to resounding effect to create a sumptuous-looking movie musical based on Alice Walker’s 1971 novel.