Interview

Director

“The Book of Clarence” Director Jeymes Samuel Brings Humanity to the Biblical Epic

Hollywood has long recognized the cinematic appeal of Bible stories as both ancient and eternal. Battles between good and evil play out on an epic scale, but The Book of Clarence looks beyond the page to spotlight everyday citizens whose lives were upended by Jesus’ journey. The film’s writer and director, Jeymes Samuel, aimed to widen the lens of the gospels and give some perspective to those just outside Christ’s circle. 

By Kelle Long  |  January 17, 2024

Interview

Editor

Emmy-Nominated “Succession” Editor Ken Eluto on Cutting the Roy Family Down to Size

HBO’s glorious tragicomedy Succession went on for four riveting seasons and finished at a creative zenith. The acerbic squabbling and venomous backstabbing amongst the narcissistic Roy family — led by savage patriarch and leader of the media giant, Waystar Royco, Logan Roy (Brian Cox) — culminated with the end game promised in the series title playing out in a most unexpected way. In the final season of creator/showrunner Jesse Armstrong’s powerhouse family drama,

By Su Fang Tham  |  January 12, 2024

Interview

Production Designer

“Maestro “ Production Designer Kevin Thompson on Building the Bernstein’s Lives From Concert Halls to Connecticut

Bradley Cooper’s Maestro follows the arc of Leonard Bernstein’s career, but his rise from a lucky break at Carnegie Hall to becoming a household name as a composer and conductor is secondary in the film to the development of his relationship with his actress wife, Felicia Montealegre. The couple had three children and split their time between the Upper West Side Manhattan, where they eventually settled in an apartment in the Dakota, and a country home in Fairfield,

By Susannah Edelbaum  |  January 11, 2024
“Maestro” Sound Mixer Steven Morrow on Recreating Mahler’s “Resurrection” at the Ely Cathedral

Bradley Cooper knew Maestro was going to be the next film he directed before the proverbial ink dried on A Star Is Born (2018), his feature debut, which he starred in alongside Lady Gaga about a troubled musician’s relationship with alcohol. The adaptation, deservingly so, went on to be nominated for eight Academy Awards and won Best Original Song for “Shallow.” This time, the multi-hyphenated actor trades in a guitar for a baton to embody Leonard Bernstein,

By Daron James  |  January 9, 2024

Interview

Production Designer

“Ferrari” Production Designer Maria Djurkovic on Building Enzo Ferrari’s World in Michael Mann’s Racing Epic

Ferrari raced into theaters this past Christmas, and the bright red color of the iconic racing cars featured in the film seemed perfectly timed for its holiday release. Based on the 1991 nonfiction book “Enzo Ferrari: The Man, The Car, The Races, The Machine,” and helmed by celebrated four-time Oscar nominee Michael Mann, Ferrari centers on the summer of 1957, a very difficult time for Enzo Ferrari (Adam Driver).

By Leslie Combemale  |  January 9, 2024

Interview

Composer

“The Color Purple” Composer Kris Bowers on Creating a Melodic Symphony Fit for Celie’s Journey

Composer Kris Bowers didn’t have to read the script before saying yes to Blitz Bazawule’s emotionally captivating version of The Color Purple. He was already a fan of his work, particularly the director’s debut, The Burial of Kojo, and Beyoncé’s visual album Black is King.

For this collaboration, early discussions focused on “being innovative musically” and connecting themes to one of the two dozen plus songs featured in the heartfelt musical that sees actor Fantasia Barrino playing the role of Celie,

By Daron James  |  January 8, 2024

Interview

Director Stunt Coordinator/Stunt Person

Defying Death With “Mission: Impossible – Dead Reckoning Part One” Second Unit Director & Stunt Coordinator Wade Eastwood

“The action evolves with the story — I’m not trying to invent action just to invent the next big stunt. It’s got to be emotionally engaging through action and fit the character,” says second unit director and stunt choreographer Wade Eastwood of Mission: Impossible’s brand of character-driven action choreography.

An accomplished fixed-wing and helicopter pilot, Eastwood is also a licensed skydiver, rescue scuba diver, black belt martial artist, master stunt driver,

By Su Fang Tham  |  January 5, 2024

Interview

Hair/Makeup

“The Color Purple” Makeup Department Head Carol Rasheed Finds Music in Many Shades

Like its heroine, Celie (Fantasia Barrino), The Color Purple is a story that continually grows in boldness and beauty over time. Director Blitz Bazawule’s musical version of Alice Walker’s classic tale of hope and sisterhood is a vivid interpretation for a new generation.

Makeup department head Carol Rasheed approached the film with a clear intention and steadfast goals. She exchanged vision boards, music, and more with Bazawule for nearly six months to prepare for the shoot.

By Kelle Long  |  January 4, 2024

Interview

Costume Designer

“Maestro” Costume Designer Mark Bridges on Charting the Bernstein’s Ever-Changing Style

It’s no accident that Maestro (on Netflix and in theaters) begins with Bradley Cooper’s elderly Leonard Bernstein reflecting on how much he misses his late wife Felicia, portrayed by Carey Mulligan. The biopic, of course, includes bits of Bernstein’s greatest hits as a composer and conductor, from West Side Story to Mahler’s 2nd Symphony. But the movie concentrates mainly on the complicated relationship between the bisexual Bernstein and the stylish actress who found herself living in the shadow of America’s most celebrated classical music talent.

By Hugh Hart  |  January 4, 2024

Interview

Actor

“The Boys in the Boat” Star Callum Turner on Going With the Flow

Callum Turner plays Joe Rantz in The Boys in the Boat, based on the real-life story of the University of Washington rowing team that won a gold medal in the 1936 Olympics. George Clooney directed the film, adapted by Mark L. Smith from Daniel James Brown’s best-seller of the same title, and it’s a classic underdog story. Coach Al Ulbrickson, played by Joel Edgerton, took a big risk by taking the junior varsity team to the Olympics instead of the far more experienced varsity rowers.

By Nell Minow  |  January 3, 2024

Interview

Production Designer

Creating the World of “The Color Purple” With Production Designer Paul D. Austerberry & Set Decorator Larry Dias

For production designer Paul D. Austerberry and set decorator Larry Dias, The Color Purple was a challenge in grounding post-Antebellum South aesthetics with whimsical musical environments. Scouring every nook and cranny of Georgia, the town of Grantville provided seven shooting locations for director Blitz Bazawule’s retelling of the beloved story that follows Celie (Fantasia Barrino), a Black woman trying to find her identity while married to an abusive husband named Mister (Colman Domingo).

By Daron James  |  January 3, 2024

Interview

Cinematographer

“Maestro” Cinematographer Matthew Libatique Makes Music With the Camera

Spanning four decades of love, art, and loss, the tortured yet deeply moving marriage of American composer and conductor Leonard Bernstein (Bradley Cooper) and Costa Rican actress Felicia Montealegre Bernstein (Carey Mulligan), serves as the crux of Cooper’s sophomore directorial offering. Rather than a pure biopic, Maestro — the visually (and sonically) absorbing musical drama from Netflix — anchors its narrative verve on the couple’s tumultuous marriage and the sacrifices that art demands.  

By Su Fang Tham  |  January 2, 2024

Interview

Editor

“The Color Purple” Editor Jon Poll on Finding the Rhythm of This Moving Adaptation

Editor Jon Poll knows comedy structure forward and backward, having worked on such classics as Meet the Parents, The 40-Year-Old Virgin, and Austin Powers: The Spy Who Shagged Me. So, how did he wind up editing The Color Purple? The deeply dramatic musical, directed by Ghanian-born rapper-turned-Beyonce collaborator (Black is King) turned filmmaker Blitz Bazawule, features Fantasia Barrino,

By Hugh Hart  |  January 2, 2024

Interview

Production Designer

“The Boys in the Boat” Production Designer Kalina Ivanov on Jumping On Board of George Clooney’s Stirring new Drama

For The Boys in the Boat, directed by George Clooney, production designer Kalina Ivanov had to make England of 2022 look like the Pacific Northwest of the United States in the midst of the Depression. No easy feat, but one the talented filmmaker was more than prepared to tackle. Ivanov, who worked with Clooney on The Tender Bar and currently helped create the iconic Gotham for the upcoming The Batman spinoff series The Penguin,

By Nell Minow  |  January 2, 2024

Interview

Composer

Best of 2023: Hit Makers Mark Ronson and Andrew Wyatt on Adding a Pop Punch to “Barbie” Soundtrack

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

Before Barbie, before producing Bruno Mars and Adele, before winning an Oscar for co-writing Lady Gaga’s duet “Shallow” for A Star Is Born, Mark Ronson made a living in New York City as a deejay pulling from his encyclopedic knowledge of musical genres from many eras. Ronson’s talents earned wide acclaim when he co-produced Amy Winehouse’s breakthrough album “Back to Black”

By Hugh Hart  |  January 1, 2024

Interview

Director Screenwriter

Best of 2023: Gina Prince-Bythewood, MPA Creator Award Recipient, Tells Her Story

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

An elite force of female soldiers, the Agojie, is all that stands between the African Kingdom of Dahomey and the combined forces of the Oyo Empire and Mahi people. The Oyo and Mahi plan to raid Dahomey villages and sell their captives to European slavers. We open on a Mahi village where raiders heat their machetes over a fire at night.

By Bryan Abrams  |  January 1, 2024

Interview

Costume Designer

Best of 2023: “Succession” Costume Designer Michelle Matland Breaks Down the Roy Family’s Signature Looks

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

Early this season on Succession, Waystar Royco executive Tom (Matthew Macfadyen) mocks the $2900 Burberry handbag carried by cousin Greg’s (Nicholas Braun) date as being “Ludicrously capacious…You could slide it across the floor after a bank job.” And in the show’s first year, Kendall (Jeremy Strong) bought a pair of $500 Lanvin sneakers to ingratiate himself with potential Silicon Valley investors,

By Hugh Hart  |  December 29, 2023

Interview

Screenwriter

Best of 2023: “Rustin” Screenwriter Julian Breece on Giving a Legend his Due

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

There are countless unsung heroes of the civil rights movement who will never get the recognition they deserve, yet it’s hard to imagine an overlooked figure more central to the cause and more courageous and capacious in spirit than Bayard Rustin. While historians are well aware of the impact Rustin had on the civil rights movement writ large and specifically the March on Washington,

By Bryan Abrams  |  December 29, 2023

Interview

Director Screenwriter

Best of 2023: “Fair Play” Writer/Director Chloe Domont Makes a Killing on Male Fragility

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

Fair Play, writer/director Chloe Domont‘s feature debut, is somehow both an old-school erotic thriller and a shrewd, scalpel-sharp dissection of how far we have and have not come with gender equality in the workplace and in the headspace of men, even those who consider themselves allies.

The film is largely set at the hedge fund One Crest Capitol,

By Bryan Abrams  |  December 28, 2023

Interview

Cinematographer

Best of 2023: “Ahsoka” Cinematographer Eric Steelberg on Lensing a Rebel Jedi’s Journey Through Time & Space

*It’s our annual “Best of the Year” look back at some of our favorite interviews from the year. 

For Ahsoka cinematographer Eric Steelberg, lensing the latest live-action Star Wars series was a dream come true. Growing up in thrall to George Lucas’s original trilogy, Steelberg would find himself on set while filming the new series, surrounded by massive spaceships both practical and virtual (the latter thanks to Industrial Light &

By Bryan Abrams  |  December 28, 2023