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TIFF 2018: The Time-Altering Superpower of the Widows Editor
How The Marvelous Mrs. Maisel‘s Emmy-Nominated Editor Gave Midge her Sparkling Start
I, Tonya‘s Oscar-Nominated Editor Tatiana S. Riegel on What Makes a Scene Work and Why
Baby Driver‘s Oscar-Nominated Editor Paul Machliss on Marrying Music to Mayhem
Baby Driver‘s Oscar Nominated Editor Paul Machliss on Marrying Music to Mayhem
Talking With the Editor of the Cannes Palme d’Or-Winning The Square: Part II
Talking With the Editor of the Cannes Palme d’Or-Winning The Square
Battle of the Sexes Editor Pamela Martin on Turning Emma Stone & Steve Carell Into Tennis Pros
Celebrating Reel Women: Behind the Scenes
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