Unreliable Narrators: Liz Garbus on Directing Hulu’s Chilling Adoption Mystery “Good American Family”
Good American Family rolled into living rooms last month like a TV Trojan Horse, appearing at first to be a domestic drama peppered with garden-variety stress. Grey’s Anatomy star Ellen Pompeo plays super-mom Kristine Barnett, acclaimed author of “The Spark,” about her autistic son who gained early admission to Princeton University thanks to her nurturing ways and the loving support of husband Michael (Mark Duplass). Everything changes when the Indiana couple adopts Ukrainian orphan Natalia Grace,
“Daredevil: Born Again’s” Stunt Coordinator & Second Unit Director Philip Silvera on Big City Brawling
At the beginning of Season 1 of the Disney+ revival of the Daredevil storyline, Daredevil: Born Again, Marvel vigilante Matt Murdock/Daredevil is operating more or less as a yuppie. Matt has hung up his superhero suit to keep his heroics to the courthouse, working as a defense attorney and taking on clients pro bono when he believes in their innocence, but they can’t afford him. But with the murder of his friend and colleague,
“Connecticut’s Cinema Secret: How Dillon Bentlage’s “Watching Mr. Pearson” Found Its Perfect Location
Dementia was part of writer-director Dillon Bentlage’s family, his grandmother struggling with its early stages before passing away from cancer. Watching Mr. Pearson is a love letter to those living with symptoms and the people around them wanting to give them their best life. The feature stars Hugo Armstrong as Robert Pearson, a former Hollywood legend battling mental decline. When one of his caregivers, Caroline (Dominika Zawada), finds out that performing scenes from his film work gives him new life,
“Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip” Director Marvin Lemus on a Family Adventure Through New Mexico
The title says it all: Alexander and the Terrible, Horrible, No Good, Very Bad Road Trip is a PG comedy that follows a rambunctious family on an RV trek through New Mexico. Their destination? A very old village in Mexico, home to an ancient stone idol. By returning the haunted talisman to its ancestral home, 11-year-old Alexander (newcomer Thom Nemer) thinks he can lift the curse bringing bad luck to his mother, father,
No Cuts, Pure Tension: “Adolescence” Director Philip Barantini on Crafting Netflix Thriller in Unbroken Single Takes
British actor Stephen Graham is so reliably intense he played Al Capone for Martin Scorsese in Boardwalk Empire, stared down Al Pacino in The Irishman, executive producer and co-starred in the bare knuckle boxing drama A Thousand Blows, and earned the prestigious Officer of the Order of the British Empire (OBE) award for his contributions to UK television. Now he’s co-written the acutely tense Adolescence (streaming on Netflix on March 13),
From Acclaimed Ads to the Andes: Director Dougal Wilson’s Charming Feature Film Debut “Paddington in Peru”
Arguably the world’s most beloved (fictional) British immigrant, Paddington the Talking Bear arrived in London from South America in 2014 by way of the eponymous animated hit movie. Three years later, he returned for a sequel opposite Hugh Grant. This month, PG-rated Paddington in Peru (in theaters) continues the adventure as the marmalade-loving creature, based on Michael Bond’s children’s books and voiced by Ben Whishaw, returns to his native land in search of his beloved Aunt Lucy.
How Director Mohammad Rasoulof Shot his Oscar-Nominated “The Seed of the Sacred Fig” in Secret
Iranian filmmaker Mohammad Rasoulof wanted to tell a big story — so he went small. The Seed of the Sacred Fig explores his country’s authoritarian rule, repressive justice, patriarchal dominance, and women’s rights through its impact on one family.
Taking place during the 2022 Woman, Life, Freedom movement, a nationwide protest sparked by the arrest of Mahsa Amini, a 22-year-old Iranian woman jailed for not wearing a hijab and beaten to death while in custody,
Julian Brave NoiseCat & Emily Kassie’s on “Sugarcane”: Their Oscar-Nominated Exploration of Trauma and Truth
Toronto-born filmmaker and investigative journalist Emily Kassie has covered conflict around the globe, from the Taliban’s crackdown on women to child labor in Turkey. “But I had never turned the lens on my own country,” says Kassie. That’s changed with Sugarcane, which mixes a grassroots investigation with personal and collective reckoning of years of forced separation, assimilation, and abuse of Indigenous children by Catholic priests at St. Joseph’s Mission Indian residential school in British Columbia,
“Nickel Boys” Writer/Director RaMell Ross on Camera as Consciousness in His Oscar-Nominated Film
An introspective, promising teenager hitchhiking to college gets a ride in a car that turns out to be stolen. The driver is Black, and so is the boy. Deemed an accomplice despite his innocence, Elwood (Ethan Herisse) is remanded to Nickel Academy, a segregated Florida reform school. Nickel Boys, the Oscar-nominated film based on Colson Whitehead’s Pulitzer Prize-winning novel The Nickel Boys, follows the harrowing path Elwood is placed on by the Jim Crow South.
Director Wes Ball & Oscar-Nominated VFX Supervisor Erik Winquist on the Groundbreaking Visuals of “Kingdom of the Planet of the Apes”
Kingdom of the Planet of the Apes took the franchise to new heights of photorealism and immersive filmmaking. The groundbreaking series has pushed the envelope in motion capture and beyond, starting with 2011’s Rise of the Planet of the Apes and carrying on through three subsequent films. The latest film, Wes Ball‘s 2024 epic Kingdom of the Planet of the Apes, was nominated for Best Visual Effects at the Academy Awards,
Creating Count Orlock With “Nosferatu” Director Robert Eggers & Special FX Makeup Designer David White
Count Orlok (Bill Skarsgård) is a putrid feast for the eyes. In writer/director Robert Eggers’ brilliant Nosferatu remake, the iconic creature of the night is a decaying figure – nightmarish precisely because his living death was wrought with such chilling reality. Whether the Count is deep in the shadows or full view, his monstrosity remains mortifyingly intoxicating. It makes you feel even more empathy for Lily-Rose Depp’s Ellen Hutter as she becomes enraptured by the Count’s deathless spell.
“Better Man” Director Michael Gracey on Monkeying With Robbie Williams in Bold Bio-Pic
Australian director Michael Gracey skyrocketed to success after releasing his debut feature, the 2017 Hugh Jackman-led musical The Greatest Showman. For his second narrative feature, Better Man, which is also a musical, he has tackled the life story of English pop singer Robbie Williams. There’s a twist, though. For the entirety of the film, Williams is portrayed as a CGI-animated chimpanzee. Gracey co-wrote the film and has a producing credit,
“The Last Showgirl” Director Gia Coppola Pulls Back the Curtain on Pamela Anderson’s Career-Defining Performance
For a film set in Las Vegas, it’s surprising that director Gia Coppola chose grit over glitz for The Last Showgirl.
“I wanted to make a movie in an intimate way. I adore [John] Cassavetes and how he made movies,” says Coppola, who cites Cassavetes’ The Killing of a Chinese Bookie as “one movie I looked at for sure.”
Coppola worked from a script by Kate Gersten,
“Wallace and Gromit: Vengeance Most Fowl” Directors Nick Park & Merlin Crossingham go Back to the Bakehouse
It has been almost two decades since the Oscar-winning stop-motion animation delight Wallace and Gromit: The Curse of the Were-Rabbit. Now, the dynamic duo is back in a new adventure, Wallace and Gromit: Vengeance Most Fowl; however, the world has changed.
Not only is the feature streaming on Netflix, a platform that did not exist in 2005, but technological and production processes have evolved exponentially, opening up a world of creative opportunities.
Best of 2024: Richard Linklater on the Killer Chemistry in his Romantic Comedy “Hit Man”
In Richard Linklater‘s latest film, an irresistibly sexy romantic comedy that’s also a bit of a noir, a giddy satire on the hitman genre, and a screwball quasi-whodunit, the one constant is a vibe that is decidedly and effusively all Linklater. Glen Powell, a rising star who has been Linklater’s longtime collaborator through a string of roles dating back to 2006’s Fast Food Nation, plays Gary Johnson, a professor of psychology and philosophy at the University of New Orleans who is as passionate about Nietzsche as he is dispassionate about the affairs of his own life.
Best of 2024: MPA Creator Award Recipient Writer/Director JA Bayona’s Epic Journey
J.A. Bayona’s Society of the Snow, a reimagining of the real-life 1972 Uruguayan plane crash in the Andes Mountains that caught the world’s attention, is a viscerally astonishing feat of empathetic filmmaking. It was nominated for two Oscars: Best International Feature for Spain and Best Makeup and Hairstyling (Ana López-Puigcerver, David Martí, and Montse Ribé), a sweet coda for a filmmaker who returned to his home country of Spain for the majority of the film’s production.
Best of 2024: “Wicked” Director Jon M. Chu Takes Us Behind the Curtain of His Gravity-Defying Adaptation
This interview was selected by measures having nothing to do with science as one of our standouts from 2024. This was one of the easier selections—Chu’s sensational adaptation managed to delight mega-fans of the Broadway juggernaut as well as newbies freshly dazzled by the story of Elphaba, Glinda, and the ramifications of their epic friendship.
Spoilers aplenty!
Black hat seated atop her head, Elphaba (Cynthia Erivo) peers around the corner of the Ozdust ballroom,
Best of 2024: “My Old Ass” Writer/Director Megan Park on Magic, Mushrooms, and Meeting Yourself
In Megan Park’s wide-eyed, warm-as-the-waning-summer-evenings sophomore feature, My Old Ass, time itself is a trip.
When Elliott (Maisy Stella) ushers in her 18th birthday with a camping excursion à la psilocybin-laced mushrooms, the last thing she expects is her psyche to conjure up an “old ass” version of herself (at 39 years old), portrayed by Aubrey Plaza. With her last summer in the picturesque lakeside town of Muskoka, Canada, before she heads off to the University of Toronto,
The Shared DNA Between Writer/Director Jean de Meuron’s “Edge of Space” and “Top Gun: Maverick”
A visually lavish and emotionally captivating short film about the early days of manned spaceflight exploration, writer/director/producer Jean de Meuron’s directorial debut, Edge of Space, is set in 1961. The 18-minute film follows U.S. Air Force test pilot Glen Ford (played by the Sniper film series’ Chad Michael Collins), who risks it all for a suborbital test flight in the X-15 hypersonic rocket-powered aircraft. The film provides a refreshing glimpse into the decade leading to the Apollo missions,
“Maria” Costume Designer Massimo Cantini Parrini on Designing Angelina Jolie as a Legendary Diva
“I am happy with the theater behind my eyes,” utters legendary American-born Greek soprano Maria Callas (portrayed by Angelina Jolie after seven months of intense vocal lessons) at the film’s beginning. Drenched in the melancholy of a woman well aware that her days are numbered, the stunning film traverses between the heights of La Callas’ massive successes in the 1950s and 1960s and present day in her extravagant Parisian apartment, where she reflects on the triumphs,
