Composer Sherri Chung on Batwoman, Riverdale & More
Composer Sherri Chung faced the production freeze due to COVID-19 with equal parts equanimity and patience. Because her work is often done alone, the self-quarantine aspect of the pandemic hasn’t changed her process all that much. Chung has a studio where she has her own recording stage that can fit about 15 players, so that part of her process has been shuttered, but the fact that she was already on a natural hiatus, as she described it,
Composer Terence Blanchard on Scoring Spike Lee’s Must-See New Epic Da 5 Bloods
Spike Lee’s films’ timeliness speaks to his prescience, and to his fearless, decades-long willingness to examine the continued and persistent injustice experienced by Black Americans. His new film Da 5 Bloods lands in the midst of a pandemic disproportionately affecting Black, Hispanic, Latino and Indigenous communities, and a wave of demonstrations protesting police brutality and systemic racism against Black people by those who are sworn to protect all Americans following the murder of George Floyd.
The Righteous Gemstones Composer Joseph Stephens on Creating Earworm Tune “Misbehavin”
Joseph Stephens is the composer behind Danny McBride’s HBO series The Righteous Gemstones, and he helped craft one of the show’s funniest moments—the song “Misbehavin”—which he co-wrote with McBride and co-star Edi Patterson. In the show, “Misbehavin” is performed by the sibling musical duo of Baby Billy (Walton Goggins) and Aimee-Leigh (Jennifer Nettles). Watching it now feels like a musical blast from an alternate dimension when laughs were easy to come by and the sight of seeing musicians perform shoulder-to-shoulder was commonplace.
Composer Brandon Campbell on Scoring Netflix’s The Letter for the King, Hans Zimmer, & COVID-19
Composer Brandon Campbell remains busy despite the worldwide shutdown of just about every film and TV production due to COVID-19. “I’m doing alright, all things considered, ” he says. Although he can’t give us the names of his current projects, he’s got two he’s still scoring and a third that might follow. Campbell’s relatively full plate makes him one of the lucky ones in the film and TV world at the moment, but it’s still a precarious position.
Composer Vivek Maddala Underscores Discrimination in Asian Americans Documentary for PBS
The versatile composer Vivek Maddala recently shifted gears from his zany Emmy-winning music for Cartoon Network series The Tom and Jerry Show to score PBS’ somber documentary Asian Americans (debuting May 11). A musical prodigy, Maddala enrolled in Boston’s prestigious Berklee College of Music at age 15 with dreams of becoming a jazz drummer but switched to electrical engineering at Georgia Tech before earning a graduate degree in applied physics.
Composer Herdís Stefánsdóttir on HBO’s Fabulous New Unscripted Series We’re Here
There’s a new unscripted show in town, and it wants you to know We’re Here. That’s both the name and the aesthetic of co-creators Johnny Ingram and Stephen Warren’s fabulous, fierce, and fun show featuring renowned drag queens Eureka O’Hara, Shangela Laquifa Wadley, and Bob the Drag Queen. On the series, the Queens drive into towns across America, and recruit local residents representing a wide swath of humanity as ‘drag daughters,’ to participate in a one-night-only drag show.
Joker’s Oscar-Nominated Composer Hildur Guðnadóttir on Creating a “Wordless Dialogue”
We’re looking back at some of our interviews with this year’s Oscar nominees in the lead-up to this Sunday’s telecast. This story was originally published on October 7, 2019.
A female composer being hired for a studio film is a rarity, with 94 percent of the 250 films released in the US in 2018 scored by men. It is to his credit that director Todd Philips hired Icelandic cellist and composer Hildur Guðnadóttir to create the score for Joker.
How Oscar-Nominated Songwriter Joshuah Brian Campbell Helped Harriet Find its Voice
One of the more inspirational moments of Harriet, the stirring 2019 feature about Harriet Tubman, the legendary 19th-century slave turned abolitionist, happens when Cynthia Erivo sings Stand Up, an uplifting anthem to human dignity and the struggle to be free.
Erivo has deservedly received an Oscar nomination for her performance as Harriet Tubman. But she also landed a second nomination for Best Original Song as the co-writer of Stand Up.
Composer Christophe Beck on Returning for a Second Round of Ice & Earworms in Frozen II
In Jennifer Lee and Chris Buck’s Frozen II, sisters Elsa (Idina Menzel) and Anna (Kristen Bell) are back, older and wiser and reunited for good. Unfortunately, Elsa, now Queen of Arendelle, is still having trouble with her ice-making powers, a disturbance that arrives this time around via a mysterious siren call she can’t make anything of without following it to the Enchanted Forest, where it turns out an indigenous people,
Composer Joseph Trapanese on Scoring a Live-Action Lady and the Tramp for Disney +
Video snippets from Disney’s history, showing the studio’s early animators gathered around a live deer, drawing its actions for Bambi, make for both great contemporary Instagram bait and charming Disney lore. They also demonstrate the extent to which Walt Disney encouraged his animators to learn and experiment. That level of commitment to creative exploration is something that can be heard today in the score to the live-action remake of Lady and the Tramp,
Composer Alan Silvestri on Going Big in Avengers: Endgame
There’s hardly a movie-goer alive who hasn’t heard at least something of Alan Silvestri’s body of work. The composer started making music in Hollywood in the early 1970s, he’s scored all 17 of Robert Zemicki’s films—including the Back to the Future trilogy—and in 2011, he entered the Marvel Cinematic Universe, with Captain America: The First Avenger. The following year, he scored The Avengers, and strains of that theme music can be heard in his newer work in the back-to-back epics capping off this superhero saga,
Joker Composer Hildur Guðnadóttir on Creating a “Wordless Dialogue”
A female composer being hired for a studio film is a rarity, with 94 percent of the 250 films released in the US in 2018 scored by men. It is to his credit that director Todd Philips hired Icelandic cellist and composer Hildur Guðnadóttir to create the score for Joker. It offers a welcome challenge to the statistics, and also has proven to be a brilliant move on his part. Guðnadóttir just won an Emmy for Chernobyl,
How Mindhunter’s Composer Manipulates Sound to Create an Unexpected Score
What kind of music describes the FBI’s early attempts to understand the mind of a serial killer? According to Mindhunter, the David Fincher-produced Netflix series based on Mindhunter: Inside the FBI’s Elite Serial Crime Unit, by John E. Douglas and Mark Olshaker, the auditory embodiment of this process swings between a creepily high-pitched yet restrained clamor, and quiet, moody intonations, like the rumbling of an ominous wind.
It: Chapter Two Composer Benjamin Wallfisch on Scoring Pennywise’s Final Act
Benjamin Wallfisch is an award-winning composer of over 60 feature films, best known for scores like Hidden Figures and Blade Runner 2049. He created the score for Andy Muschietti’s 2017’s adaptation of Stephen King’s It, and was brought back to help finish the two-part epic in It: Chapter 2. The Credits talked to Wallfisch about his experience building on the first film,
Composer David Newman Talks Heathers, Serenity, and West Side Story
On August 23rd, Varese Sarabande released a limited edition version of the score of the cult classic Heathers on vinyl in honor of the film’s 30th anniversary. For fans, it’s high time. The original movie score, which was created by composer David Newman, has been surprisingly difficult to access but represents one of the better examples of early electronic-based compositions. Stranger Things, which coincidentally stars Heathers’ Winona Ryder,
Leaving Neverland‘s Composer on Scoring a Legacy Shattered
It’s sometimes hard to fathom the kind of pinnacle Michael Jackson reached. The King of Pop was a singular phenomenon without equal. His dominion was the entire planet. His star power was so colossal, his status as the greatest living entertainer so secure, it is not unreasonable to say no one will ever enjoy (if you can call it enjoyment) that level of fame again. His influence on artists far and wide is still being felt today.
Meet The Other Two‘s Secret Weapon—Songwriter Brett McLaughlin
If you haven’t watched Comedy Central’s The Other Two, I’m jealous of you. It is one of this year’s most consistently funny shows, with a joke-per-minute ratio that rivals some of our recent standard bearers, like HBO’s Veep. Go watch it and see for yourself. Created by SNL alums Chris Kelly and Sarah Schneider, The Other Two centers on a young musician named Chase Dreams (Case Walker),
How the The Simpsons new Composers Took on Springfield
The Simpsons boasts not only the longest run of any scripted primetime series, along with catch-phrases and characters that have been part of popular culture for almost two generations, but theme music recognizable within its first few notes—on a short list with Star Trek, Hawaii Five-O, Batman, Sesame Street, and a handful of others.
And now that series has new composers.
Composer Herdis Stefansdottir on her Intimate score for The Sun is Also a Star
Herdis Stefansdottir, scoring artist for the new release The Sun is Also a Star, is a rare example of a female composer working on a major studio film. She was hired when she was 7 months pregnant, and says that had a major impact on the creation of her emotional, often intimate score.
The film follows the college-bound romantic Daniel (Charles Melton) and a Jamaica-born pragmatist Natasha (Yara Shahidi) who meet—and fall in love—over one momentous day in New York City.
Watching The Orville’s Composer Conduct a Live Orchestra to Scenes From the Show
They look laid back in their shorts, tee shirts, and running shoes, but the Los Angeles musicians gathered in the cavernous Newman Scoring Stage on the Fox Lot snap to attention with astonishing precision once snowy-haired composer John Debney arrives. Debney’s on hand to conduct his music for Seth MacFarlane‘s sci-fi series The Orville. The Fox show, which concludes its second season today, Thursday, April 25, draws inspiration from vintage space dramas like Star Trek Voyager and counts on Debney to enhance the old-school vibe with his brawny brass and string music cues.
