Interview

Composer

“Ghostbusters: Afterlife” Composer Rob Simonsen on Expanding the Supernatural Sonic Palette

The Ghostbusters are back, but they’ve gotten a lot younger. In Jason Reitman’s follow-up, Ghostbusters: Afterlife (in theaters now), to his father Ivan’s generation-defining classic, Egon Spengler’s (the late Harold Ramis) grandkids, Trevor (Finn Wolfhard) and Phoebe (McKenna Grace) get into the family trade after moving to the dirt farm, a dilapidated Oklahoma property where ...

By Susannah Edelbaum  |  November 22, 2021

Interview

Composer

How Composer Alexandre Desplat Put a “Dada-istic” Spin on “The French Dispatch”

Wes Anderson’s dollhouse-perfect motion pictures radiate an unmistakable sensibility brought to life by a remarkably consistent team of below-the-line talent. His last four movies featured contributions from the same production designer (Adam Stockhausen), the same cinematographer (Robert Yeoman), the same music supervisor (Randall Poster), the same costume designer (Milena Canonero ), and, crucially, the same ...

By Hugh Hart  |  November 16, 2021

Interview

Composer

How “Candyman” Composer Robert Aiki Aubrey Lowe Manipulated Madness Into Music

It’s hard to believe that someone as soft-spoken as Brooklyn musician Robert Aiki Aubrey Lowe could be responsible for the dread-inducing soundscape that underscores the return of cinema’s most horrific throat-slashing boogeyman. And yet, that’s exactly what Lowe has achieved in his score for Candyman (opening Aug. 27). The film, from co-writer/director Nia DaCosta and ...

By Hugh Hart  |  August 27, 2021

Interview

Composer

Emmy-Nominated Composer Virginia Kilbertus on “Endings,” “The Lighthouse” & More

Composer Virginia Kilbertus was not entirely prepared for her Emmy nomination for outstanding music direction and composition for a daytime program. Although she’d submitted her work on Hulu’s Endings, a sci-fi adventure set in a near-future where four foster kids discover they’re not alone after the disappearance of the last elephant on Earth, she hadn’t been ...

By Bryan Abrams  |  July 20, 2021

Interview

Composer

“A Quiet Place Part II” Composer Marco Beltrami on Making a Menacing Score

The first box office hit of this summer’s return to in-person theater-going, A Quiet Place Part II picks up a few moments after its predecessor left off. Evelyn Abbott (Emily Blunt) is now on her own with her three children, her husband, Lee (John Krasinski, the film’s director and writer) having been killed by the ...

By Susannah Edelbaum  |  June 2, 2021

Interview

Composer

“Jupiter’s Legacy” Composer Stephanie Economou on Scoring Netflix’s Epic New Superhero Series

Based on the 2013 graphic novel created by writer Mark Millar and artist Frank Quitely, the new Netflix original series Jupiter’s Legacy tells the story of both the first generation of superheroes, that have worked to keep the world safe for nearly a century, and their children, who are expected to pick up the torch. ...

By Leslie Combemale  |  May 7, 2021

Interview

Composer

Oscar-Nominee Emile Mosseri on Scoring for Family Dynamics in “Minari”

This interview is part of our ongoing Oscar series. It was originally published on January 19. Emile Mosseri is nominated for Original Score. Dream-like piano notes accompany the Yee family as they gaze out the windows of their beat-up station wagon, on their way to a new home in rural Arkansas. Hoping to make it ...

By Susannah Edelbaum  |  April 25, 2021

Interview

Composer

Oscar-Nominee Terence Blanchard on Scoring Spike Lee’s “Da 5 Bloods”

This interview is part of our ongoing Oscar series. It was originally published on June 12, 2020. Terrence Blanchard is nominated for Original Score. Spike Lee’s films’ timeliness speaks to his prescience, and to his fearless, decades-long willingness to examine the continued and persistent injustice experienced by Black Americans. His new film Da 5 Bloods ...

By Leslie Combemale  |  April 22, 2021

Interview

Composer

Scoring a Serial Killer’s Many Transformations in “The Serpent”

In the 1970s, young travelers flocked to Asia for exotic adventures and a liberating nomadic lifestyle, but an evil force slithered beneath the surface to prey on them. Netflix’s The Serpent dives into the underbelly world of real-life serial killer, Charles Sobhraj. Tahar Rahim stars as the convicted murderer who targeted westerners and hippies traveling ...

By Kelle Long  |  April 8, 2021

Interview

Composer

Composer Keefus Ciancia Releases Two-Volume Soundtrack for HBO Max’s “Made For Love”

Composer Keefus Ciancia is no stranger to dark material. In 2019 Ciancia won a BAFTA for Best Television Soundtrack for his work on Phoebe Waller-Bridge‘s deliciously diabolical Killing Eve and was nominated for an Emmy for his work on season three of HBO’s True Detective. Now, Ciancia is the composer behind another twisty HBO Max series, Made For ...

By Bryan Abrams  |  April 1, 2021

Interview

Composer

“Cherry” Composer Henry Jackman Lets Loose on the Russo Brother’s New Film

Composer Henry Jackman began composing his first symphony at the age of six. He has since risen to become one of film’s top composers, by leveraging both his classical training and his experience as a record industry producer. His diverse credits include working with Hans Zimmer on The Dark Knight, as well as many scores of ...

By Leslie Combemale  |  March 10, 2021

Interview

Composer Director Editor Screenwriter

Filmmaker Noah Hutton on his Slyly Scorching Feature Debut “Lapsis”

Writer/director Noah Hutton was due to make his narrative feature debut with his sci-fi film Lapsis at SXSW in March of 2020. You know how that turned out. Nearly a year later, Hutton’s slyly lacerating debut is now available on Virtual Cinema, VOD, and Digital. His low-budget feature debut is an impressive feat of world-building, ...

By Bryan Abrams  |  February 22, 2021

Interview

Composer

Composer Jongnic Bontemps on Scoring America’s Past, Present, and Future

Jongnic “JB” Bontemps knows how to turn emotions into a musical composition, whether it’s for a character in a narrative or a historical figure in a documentary. Composing on narrative features, documentaries, shorts, and video games, Bontemps can speak to his collaborators in whatever narrative language they need. For Creed II, he provided director Steven ...

By Bryan Abrams  |  February 18, 2021

Interview

Composer

Sundance 2021: Composer Kathryn Bostic on Scoring Two Docs About Trailblazing Women

As we near the close of the first week of Black History Month, it’s important to recognize those who are making history now. Given the overall lack of working female composers of any race, as a Black female composer, Kathryn Bostic has been carving out a road few have traveled, and she’s been doing it ...

By Leslie Combemale  |  February 5, 2021

Interview

Composer

Composer Emile Mosseri on Scoring for Family Dynamics in “Minari”

Dream-like piano notes accompany the Yee family as they gaze out the windows of their beat-up station wagon, on their way to a new home in rural Arkansas. Hoping to make it as a farmer, patriarch Jacob (Steven Yeun) is in the process of uprooting his wife, Monica (Yeri Han), and American-born children, Anne (Noel ...

By Susannah Edelbaum  |  January 19, 2021

Interview

Composer

Branford Marsalis Gets the Blues For “Ma Rainey’s Black Bottom”

“Uh one. Uh two. Uh you know what to do.” That’s how the band leader cues his musicians in Ma Rainey’s Black Bottom. In fact, the actors portraying sidemen to Viola Davis’ title character did not really know what to do, musically. But thanks to Branford Marsalis, the actors in director George C. Wolfe’s adaptation ...

By Hugh Hart  |  December 22, 2020

Interview

Composer

Hans Zimmer Protégé Guillaume Roussel on Composing the “Black Beauty” Score Remotely

The good news for Guillaume Roussel: this spring he fulfilled a lifelong dream by working with the London Symphony Orchestra. The bad news: he had to supervise the Black Beauty recording sessions from his garage in Los Angeles due to COVID-19 travel restrictions. “It was just after lockdown, so the big frustration came because I ...

By Hugh Hart  |  November 25, 2020

Interview

Composer

Composer Steven Price on Scoring David Attenborough’s Plea to Humanity & Glen Keane’s “Over the Moon”

Those who work in the arts have an innate ability to invoke emotions through their work— to cause an audience to connect with a certain theme or issue. But what if that issue is the inevitable destruction of the planet told through the life story of one famed historian and world traveler? That was the ...

By Andria Moore  |  October 28, 2020

Interview

Composer

Composer Jay Wadley on Scoring Charlie Kaufman’s Bittersweet New Film

When you think of a Charlie Kaufman film, you start with his scripts. Being John Malkovich (1999), Adaptation (2002), and Eternal Sunshine of the Spotless Mind (2004) made Kaufman that rare thing; the star screenwriter. Each of these films was fearlessly weird, often unsettling, and always bittersweet. They were funny, too. Then we started to get to ...

By Bryan Abrams  |  September 16, 2020

Interview

Composer

“Becoming” Composer Kamasi Washington on Scoring Michelle Obama’s Life

As one of the most famous women in the world, we’re familiar with the broad strokes of Michelle Obama’s life, from her rarefied resume and progressive values to her playfully chic sense of fashion. Thanks to her critically-acclaimed memoir, “Becoming,” the former First Lady’s legions of fans have also gotten to know more about her ...

By Susannah Edelbaum  |  August 19, 2020