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Sundance 2018: Cinematographer Ashley Connor on Lensing Madeline’s Madline & The Miseducation of Cameron Post
How The Commuter DP Replicated a New York Train on a UK Soundstage
Sundance 2018: Burden Cinematographer on Lensing a Timely Look at Racism in America
How a Scandal Director Pulled off the Most Explosive Episode of the Final Season
Wonder Woman‘s Cinematographer on Capturing the Dynamic Essence of Diana Prince
Cinematographer Dan Laustsen on The Shape of Water‘s Fluid Fable
Get Out‘s Cinematographer Reveals the Methods Behind Jordan Peele’s Brilliant Madness
The Handmaid’s Tale DP on Using Old Lenses, Vermeer and Drones to Conjure Dystopia
Cinematographer Sam Levy’s Shot List Pictured Lady Bird a Year in Advance
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