Maniac Casting Director Avy Kaufman on Matching Parts and Players
Avy Kaufman segued from casting print ads to film and television 30 years ago, and based on the success and scope of her work since then; casting director is the role she was born to play. Her 256 credits, according to imdb.com, include a range of genres produced by big studios and indie filmmakers alike. Among her most notable movie projects are The Sixth Sense, Brokeback Mountain and Syriana. For television,
Emmy-nominated Casting Director on Finding the Kids of Stranger Things
Supernatural thriller Stranger Things co-creators Matt and Ross Duffer not only made the inspired choice to bring Winona Ryder out of semi-retirement to star as the show’s unhinged mother-in-crisis; they also assembled primetime’s most endearing ensemble of twelve-year olds to portray four adorable boys and one mesmerizing mystery girl. Emmy-nominated casting director Carmen Cuba, teamed with co-nominees Tara Feldstein Bennett and Chase Paris, looked at more than 1000 in-person and video auditions to find the kids of Stranger Things.
Oscar Watch: Picking Three Actors for One Role in Moonlight
Yesi Ramirez knew she wanted to pick the actors for Moonlight as soon as she read the script — twice. "The first time I read the script I cried," she says. "The second time, I cried again." The Los Angeles-based casting director had never worked with Moonlight writer-director Barry Jenkins before, but she liked what she heard when they sat down for breakfasts to discuss the gay-themed Oscar contender that called for three actors to portray the forlorn "Chiron"
Talking to Casting Director Fiona Weir About Brooklyn, Room & More
It remains a baffling omission that casting directors don't have their own Academy Award category. There is hardly a more important aspect of pre-production, and few decisions can make or break a film like those charged to the casting director. From Selma's Aisha Coley to the legendary Bonnie Timmerman (The Karate Kid, Bull Durham, Black Hawk Down) and Pat Moran (The Wire,
The Kids are All Right: Casting Director Ronna Kress on Paper Towns
Casting director Ronna Kress has worked on everything from The Great Gatsby, to Mad Max: Fury Road and Terminator Genisys. Kress talks to The Credits about casting British supermodel Cara Delevingne in her breakout role as Margot in Paper Towns, which is based on the book of the same name by bestselling teen author John Green, and the most unusual place she’s discovered new talent.
Making History: Selma Casting Director Aisha Coley
By now we all know that actor David Oyelowo didn’t get nominated for his utterly captivating performance as Martin Luther King Jr. in Ava DuVernay’s Selma. Nor did DuVernay get the nod for director. The film, however, was nominated for Best Picture, and there’s zero doubt that Oyelowo and DuVernay could and likely should have been nominated. Yet neither one of them, nor any of the members of the cast or crew, worked on this film for the awards.
Legendary Casting Director Bonnie Timmerman On Blackhat & More
To say that Casting Director Bonnie Timmermann’s influence on the movie business over the last 40 years has been enormous is no understatement. George Clooney, Alec Baldwin, Ben Stiller, Sandra Bullock, Reese Witherspoon, Diane Lane, Jennifer Connelly, Jessica Alba, Jim Carrey, and Halle Berry are just a few of the now superstar actors discovered by Timmermann as they were starting their careers. Responsible for casting the likes of Meryl Streep, Glenn Close and Christopher Walken in early theater roles in the 1970s at NYC’s Phoenix Repertory Company,
Looking Back on Some of our Favorite Stories of 2013
When we launched The Credits a little more than a year ago, we aimed to shed a light on the many talented filmmakers who often don’t get much press for their work. While we’ve occasionally spoken to folks who need no introduction (John Waters, for example), most of the filmmakers we’ve focused on have a little less name recognition but a huge amount of talent. We interviewed a lot of people, so the below roundup is really just a taste—there were far too many people to mention in a single post.
Breaking Down Rom-Com Master Richard Curtis’s About Time
Richard Curtis wrote three of the most beloved romantic comedies of the mid 90s and early 2000s—in a remarkable string, he penned Four Weddings and a Funeral, Notting Hill, and Bridget Jones Diary (which he co-wrote with Helen Fielding and Andrew Davies). His directorial debut in 2003, Love Actually, which he also wrote, was an international success and helped create cross-pond love for fantastic actors like Bill Nighy, Chiwetel Ejiofor (now poised for an Oscar nomination for his starring role in 12 Years a Slave),
HBO’s Casting By Shines a Light on Casting Legend Marion Dougherty
The Academy of Motion Picture Arts and Sciences recently announced the creation of a new casting director’s branch, finally elevating the women and men who provide films with that somewhat vital ingredient—the cast—to full membership. This comes after years of lobbying on the part of filmmakers and actors themselves to give casting directors their due.
The Academy's decision means that casting directors will get three seats on the board of governors,
Where to Watch: New Site Offers Films & Shows, Legally & Seamlessly
Since our launch last September, The Credits has interviewed a diverse group of filmmakers, working our way through all the different jobs one could have in pre-production, on a film set, and in post. Directors, actors, cinematographers, screenwriters, art directors, costume designers, composers, editors, visual effects supervisors, casting directors, music supervisors, stunt performers and more have told us what it’s like to make a living making movies.
The Greatest Gatsby: Before Leo,There was Redford
When Paramount purchased the film rights to F. Scott Fitzgerald’s novel for $350,000 (more than fifty times what the author earned for the book in his lifetime), studio head Robert Evans had no way of knowing just how different the 1974 film would look from his original vision. For a story that’s all about dwelling on the past, on the eve of Baz Luhrmann’s latest 'Great Gatsby' interpretation, it seems fitting to look back on the making of the Robert Redford-Mia Farrow film,
The Queen of Casting: Meet Emmy Award Winning Casting Director & Baltimore Legend Pat Moran
The plight of the casting director is well known to people who follow the industry—they are crucial, they are highly skilled, and they are almost comically overlooked when it comes to having their contributions to filmmaking recognized (the TV world is, however, more egalitarian—they are honored at the Emmys). The gap between their worth to the films they work on and the respect they receive has generated pieces from the likes of Deadline.com and The Wrap, who wonder why the work of such critical collaborators,
