“Train Dreams”: Behind the Majestic Visuals of Joel Edgerton’s Pacific Northwest Epic
The Train Dreams (now in theaters; streaming on Netflix, November 21) story ends in 1968, but the film about the fictitious logger and railroad worker Robert Grainier chimes with contemporary echoes. Grainier, played by Joel Edgerton, sees a Chinese immigrant being wrestled to the ground by bigots and thrown off a train trestle. He sees a wildfire ravage lives and landscapes in the Pacific Northwest. He helps saw down centuries-old trees in the name of progress.
“You’re One of the Best Actors of All Time”: Timothée Chalamet Praises Adam Sandler at “Sandler x Chalamet” Event
Timothée Chalamet and Adam Sandler took a break from their respective schedules to spend an evening together in Fairfax High School’s gymnasium in Los Angeles. To play a game of pickup? Well, kind of, but first, they broke down their most iconic roles.
On Saturday night, November 15, the “Sandler x Chalamet” event commenced with a packed crowd of students and other audience members. The pair gave a sneak peek of their respective upcoming films.
Tom Cruise Receives First Oscar at 2025 Governors Awards: “Making Films Is Who I Am”
“Making films is not what I do, it is who I am,” Tom Cruise said while accepting an honorary Oscar at the Academy of Motion Picture Arts and Sciences’ 16th Governors Awards on Sunday Night. Cruise was one of four film artists selected for this year’s ceremony, held at the Ray Dolby Ballroom at Ovation Hollywood, the seventh produced by Jennifer Fox.
Cruise was feted alongside actress/singer/songwriter Dolly Parton—who collected, in absentia,
Christopher Nolan’s “The Odyssey”: An Attempt to Break New Cinematic Ground
Christopher Nolan is no stranger to grand ambitions. He has been an advocate and early adopter of using IMAX cameras in his films, dating back to The Dark Knight (2008), his superhero masterclass, which utilized the large-format cameras for the gangbusters opening bank robbery scene. He’s been deploying the cameras ever since, even helping IMAX push their own technology further, creating newer, lighter-weight equipment.
For his latest epic,
“A House of Dynamite”: How Production Designer Jeremy Hindle Built a Nuclear Crisis in Real Time – Part 2
Filmed primarily in New Jersey with the help of $30 million in production incentives, Oscar-winner Kathryn Bigelow’s A House of Dynamite is a sobering look at how the response to a nuclear attack on U.S. soil might unfold. It’s not an easy watch, but it’s relentlessly compelling and superbly crafted, hallmarks of Bigelow’s distinguished career.
The cortisol-triggering film follows major players in the government during the 20 minutes before an inbound nuclear missile hits a major American city.
