Steven Spielberg’s “Disclosure Day” Trailer Teases Aliens, Secrets, and a World‑Shaking Reveal

Steven Spielberg is returning to the stars—and the secrets we keep from ourselves. The official trailer for "Disclosure Day" teases a propulsive sci‑fi thriller about stolen government truths, alien language, and a world‑altering revelation that powerful forces are desperate to keep buried.

By The Credits  |  13 hours ago

Interview

Actor

Oscar‑Nominated Songwriter EJAE on Turning Rejection Into “Golden” Success in “KPop Demon Hunters”

In our conversation, EJAE reflects on the long road to “Golden,” including years of near‑misses, creative setbacks, and moments when walking away from songwriting felt inevitable. Her story is a powerful reminder that success in the film industry is often built not on overnight wins, but on resilience—and on finding the right project at exactly the right moment.

By Leslie Combemale  |  17 hours ago

Interview

Actor, Director, Screenwriter

Inside “The Secret Agent”: Kleber Mendonça Filho & Wagner Moura on Power, Paranoia, and an Oscar‑Nominated Thriller

"The Secret Agent" could make history: if it wins Best International Feature, Brazil would become the first country in 37 years to win back-to-back. Oscar nominees writer/director Kleber Mendonça Filho & star Wagner Moura on using cinema, urban legends, and stop-motion to explore democracy's fragility.

By Loren King  |  17 hours ago
Kate Winslet Headed to Middle-earth in Andy Serkis’ “The Lord of the Rings: The Hunt for Gollum”

Kate Winslet is trading the lush worlds of Pandora for the perilous paths of Middle‑earth. The seven‑time Oscar nominee is in talks to join Andy Serkis’ "The Lord of the Rings: The Hunt for Gollum," the latest chapter in J.R.R. Tolkien’s cinematic universe.

By The Credits  |  17 hours ago

Interview

Cinematographer

How Oscar Nominee Adolpho Veloso Turned the Pacific Northwest Into the Soul of “Train Dreams”

Oscar nominee Adolpho Veloso shot "Train Dreams" entirely on location across Washington State — no artificial light, no wide-screen spectacle, just natural beauty captured at the right moment. The Brazilian-born cinematographer talks about channeling Dorothea Lange, choosing a Depression-era aspect ratio, and why getting out of nature's way is sometimes the most powerful creative choice you can make.

By Hugh Hart  |  March 11, 2026