From “Star Wars” Superfan to Villain: Jonny Coyne on Playing Lord Janu Coin in “The Mandalorian and Grogu”
Jonny Coyne went from standing in line to see “Star Wars” to becoming part of its mythology. In “The Mandalorian and Grogu,” the veteran character actor embraces villainy as Lord Janu Coin—and reflects on acting, imagination, and working with Pedro Pascal.
Christopher Nolan’s “The Odyssey” Creating Mythic Demand for Tickets
Christopher Nolan’s “The Odyssey,” starring Matt Damon, Zendaya, and Anne Hathaway, is already driving unprecedented ticket demand. IMAX 70mm screenings sold out a year early, signaling another era-defining cinematic event.
From Bogart to Bold Color: How DPs Darran Tiernan and Peter Deming Captured Nic Cage’s “Spider-Noir”
Cinematographers Darran Tiernan and Peter Deming reveal how “Spider-Noir” blends classic black-and-white noir with bold color, crafting two distinct visual worlds for Nicolas Cage’s detective antihero.
“Spider-Noir” Colorist Pankaj Bajpai on Crafting Two Worlds—From Lush Color to Gritty 1930s Monochrome
For “Spider-Noir,” senior colorist Pankaj Bajpai set out to do something rare—build two complete visual worlds for one story. Inspired by classic noir films and modern comic-book vibrancy, Bajpai crafted both a richly textured black-and-white experience and a bold, “True-Hue” color version, ensuring Nicolas Cage’s 1930s-era vigilante resonates across eras, formats, and audiences.
How Kendrick Sampson Brought Quincy Jones to Life in “Michael” With Just Two Days Prep
“You have to leave enough space to let God walk through the room.” For Kendrick Sampson, that philosophy—shared by Quincy Jones himself—became the key to unlocking one of the most influential musical minds of all time in “Michael,” Antoine Fuqua’s sweeping portrait of the King of Pop’s rise.
