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“Barbie” Sequel in Early Stages While Greta Gerwig and Noah Baumbach Hone Story Idea
“Nickel Boys” Cinematographer Jomo Fray Takes a New Angle on a Difficult Past
Feral Frame: How “Nightbitch” Cinematographer Brandon Trost Helped Amy Adams Unleash Her Inner Beast
The Shared DNA Between Writer/Director Jean de Meuron’s “Edge of Space” and “Top Gun: Maverick”
“Maria” Cinematographer Ed Lachman on Painting Angelina Jolie’s Mythic Opera Legend With Light
Jeremy Allen White Joining “The Mandalorian & Grogu” Movie as Iconic Villain’s Son
“28 Years Later” Trailer Releases Hell in Director Danny Boyle’s Long-Awaited Zombie Thriller Sequel
How “Gladiator II” Editors and the VFX Supervisor Shaped Three Ferocious Scenes
“Maria” Costume Designer Massimo Cantini Parrini on Designing Angelina Jolie as a Legendary Diva
“Gladiator II” Costume Designers Janty Yates and David Crossman on Lunatic Emperors & Blood-Splattered Warriors
A New Spin on “Wicked”: Choreographer Christopher Scott on his Whirlwind Creations
“Wicked” Director Jon M. Chu Takes us Behind the Curtain of His Gravity Defying Adaptation
James Gunn Teases “Superman” Star David Corenswet’s Freakishly Great Performance
“Snow White” Trailer: It’s Rachel Zegler vs. Gal Gadot in Enchanting Second Look
“Nosferatu” Review Round-Up: Robbert Eggers Masterful Horror Sinks Its Teeth Into You
“Moana 2” Paddles Into Movie History With Record-Shattering Debut
“Gladiator II” Cinematographer John Mathieson on Capturing Robotic Rhinos & Colossal Carnage
Production Designer Nathan Crowley: The Visionary Behind “Wicked’s” Stunning Sets
“Gladiator II” Production Designer Arthur Max on Rebuilding a Decadent, Debased Ancient Rome
Maximus Effort: “Gladiator II” Production Designer Arthur Max on Creating Colossal Constructions
