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Anthony Mackie & Harrison Ford Take us Behind the Scenes of “Captain America: Brave New World”
“Anora” Cinematographer Drew Daniels on an Old School Approach to Modern, Misguided Love
Creating Count Orlock With “Nosferatu” Director Robert Eggers & Special FX Makeup Designer David White
Studios Pledge Millions in Wildfire Relief & Support
The Tribute to David Lynch That Captures his Joyful Approach to the Dark
“Better Man” Director Michael Gracey on Monkeying With Robbie Williams in Bold Bio-Pic
How “Anora”‘s DP & Production Designer Brought a Deconstructed Cinderella to New York
“Conclave” Ascends to BAFTA’s Peak With 12 Nominations, “Emilia Perez” Right Behind With 11
“Nosferatu” Production Designer Craig Lathrop on Creating Count Orlock’s Gothic World
Cam’s Back: New “Back in Action” Trailer Boasts Cameron Diaz’s Return to Big Screen Alongside Jamie Foxx
Unleashing the Beast: How They Turned Christoper Abbot into the “Wolf Man”
“The Brutalist” Composer Daniel Blumberg on Blending Genres in Brady Corbet’s American Epic
“The Last Showgirl” Director Gia Coppola Pulls Back the Curtain on Pamela Anderson’s Career-Defining Performance
L.A. Wildfire Relief Efforts Launched: How to Help
Oscar Nominations Pushed 2 Days Due to Historic L.A. Fires
James Mangold Offers More Insight Into his “Star Wars: Dawn of the Jedi” Movie
“The Room Next Door” Production Designer Inbal Weinberg is the Architect of Pedro Almodóvar’s World
How a Historic House in Connecticut Gave “Christmas on Honeysuckle Lane” the Perfect Location
“Wallace and Gromit: Vengeance Most Fowl” Directors Nick Park & Merlin Crossingham go Back to the Bakehouse
Golden Globes 2025: “Emilia Pérez” and “Shōgun” Win Four Apiece, “The Brutalist” Wins Top Film Drama
