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Electric Shock: How “A Complete Unknown’s” Oscar-Nominated Sound Team Re-Created Bob Dylan Going Electric
“The Substance” of Nightmares: Oscar-Nominated Makeup Effects Master Pierre Olivier Persin on His Terrifying Transformations
“A Complete Unknown”: Orchestrating 60+ Live Performances for Oscar-Worthy Sound
First Image From Christopher Nolan’s “The Odyssey” Reveals Matt Damon as Odysseus
No More Games: “September 5’s” Oscar-Nominated Writers on the Day Terror Took Center Stage
How Director Mohammad Rasoulof Shot his Oscar-Nominated “The Seed of the Sacred Fig” in Secret
“Conclave” Oscar Nominee Peter Straughan on Scripting a Devilishly Good Vatican Thriller
Julian Brave NoiseCat & Emily Kassie’s on “Sugarcane”: Their Oscar-Nominated Exploration of Trauma and Truth
Oscar-Nominated Producer Maria Carlota Bruno on Recreating a Transcendent Heroine in “I’m Still Here”
“Nickel Boys” Writer/Director RaMell Ross on Camera as Consciousness in His Oscar-Nominated Film
“Conclave’s” Oscar-Nominated Costume Designer Lisy Christl on the Fashion of Faith
Director Wes Ball & Oscar-Nominated VFX Supervisor Erik Winquist on the Groundbreaking Visuals of “Kingdom of the Planet of the Apes”
Oscar-Nominated VFX Supervisor Paul Lambert on Infrared Insanity in “Dune: Part Two”
“The Brutalist” Producers on the Demands and Delights of Building a Masterpiece
Oscar Nominated VFX Supervisor Paul Lambert on Turning the Worm in “Dune: Part Two”
The Bad Guys Assemble in Meaty “Thunderbolts” Super Bowl Trailer
Brad Pitt Gets Behind the Wheel in “F1” Teaser Released During Super Bowl
“Mission: Impossible – The Final Reckoning” Launches Tom Cruise Into the Super Bowl
“Emilia Pérez’s” Oscar-Nominated Cinematographer Paul Guilhaume on Finding the Light in the Darkness
Rihanna Has Entered Her Blue Era in First “Smurfs” Trailer
