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“Maestro” Editor Michelle Tesoro on Orchestrating the Epic Bernstein Love Story
Searching for That Ferocious “Ferrari” Sound With Supervising Sound Editor Tony Lamberti
Gael García Bernal on His Showstopping Performance in “Cassandro”
“Wonka” Production Designer Nathan Crowley on Creating a Chocolatier’s Whimsical World
“American Fiction” Writer/Director Cord Jefferson on Cutting to the Heart of the Matter
“The Color Purple” Costume Designer Francine Jamison-Tanchuck’s Stunning Creations
How “The Color Purple” DP Dan Laustsen Made Visual Music
“Superman: Legacy” Update: James Gunn Teases Superman’s Costume, Miriam Shor Joins Cast
New “Aquaman and the Lost Kingdom” Trailer Focuses on Black Manta’s Brutal Mission
“Wonka” Costume Designer Lindy Hemming on Dressing the Joyous World of a Budding Chocolatier
Eddie Murphy Returns as Axel Foley in First “Beverly Hills Cop: Axel F” Trailer
“American Fiction” Star Jeffrey Wright Authors a New Chapter in a Stellar Career
James Gunn Confirms Nicholas Hoult Will be Lex Luthor in “Superman: Legacy”
New “Dune: Part Two” Images Unleash Austin Butler’s Feyd-Rautha Harkonnen
A New “Dune: Part Two” Trailer Brings the War to Arrakis
“Saltburn” Cinematographer Linus Sandgren on Creating a Fluid Painting for Emerald Fennell
New “Taylor Swift: The Eras Tour” Extended Version Trailer Arrives Ahead of Streaming Debut
Golden Globe Nominations Revealed With “Barbie” and “Succession” Leading the Pack
“Poor Things” Production Designers Shona Heath and James Price on Going Gleefully Mad for Director Yorgos Lanthimos
How “Leave the World Behind” Production Designer Anastasia White Built a House for the End of the World
