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Ana de Armas and Keanu Reeves’ John Wick Spar in Lethal New “Ballerina” Trailer
Colin Farrell in Talks to Enlist in “Sgt. Rock,” Luca Guadagnino’s DC Studios Film
“Mickey 17” Production Designer Fiona Crombie Creates a Playful Pattinson-Verse for Bong Joon Ho’s Black Comedy Space Epic
“Snow White” Early Reactions: One of the Best Live-Action Remakes to Date
SXSW 2025: Tapping Into Texas’s Vast Potential to Become the Next Cinematic Frontier
From the Upside Down to the MCU: “Stranger Things” Star Sadie Sink Joining Tom Holland in “Spider-Man 4”
Following “Ballerina,” a Fifth “John Wick” Movie Has Been Confirmed
“Thunderbolts”: Marvel’s Wild Card Mixes Antiheroes and Indie Talent From A24 & More
SXSW 2025: Dan Farah’s “The Age of Disclosure” Stuns Crowd With Shocking Alien Doc
SXSW 2025: 11 Intriguing Film & TV Premieres Highlight a Big Time Festival Lineup
From Wings to Stars: Costume Designer Gersha Phillips on Redesigning Captain America
From “Elf” to “Blue Bloods”: Veteran Producer Santiago Quiñones on the Unique Advantages of Filming in New York
“Captain America: Brave New World” Composer Laura Karpman Crews a New Beat for a New Cap
“Anora” Completes Its Cinderella Story With Fairy Tale Oscars Night
Brazilian Sociologist & Film Expert Ana Paula Sousa on the Power & Promise of the Oscar-Nominated “I’m Still Here”
From “Day of the Jackal” to “Captain America: Brave New World”: DP Kramer Morgenthau Breaks Down 70s Thriller Inspiration
The Future of Batman at DC Studios Includes Giving a Surprising Villain His Own Film
From Acclaimed Ads to the Andes: Director Dougal Wilson’s Charming Feature Film Debut “Paddington in Peru”
Red Alerts & Cherry Blossom Brawls With “Captain America: Brave New World” Production Designer Ramsey Avery
Be Still My Bursting Chest: “Alien: Romulus’s” Oscar-Nominated VFX Team on Finding Fresh Horror for the Franchise
