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“The Boys in the Boat” Star Callum Turner on Going With the Flow
Creating the World of “The Color Purple” With Production Designer Paul D. Austerberry & Set Decorator Larry Dias
“Maestro” Cinematographer Matthew Libatique Makes Music With the Camera
“The Color Purple” Editor Jon Poll on Finding the Rhythm of This Moving Adaptation
“The Boys in the Boat” Production Designer Kalina Ivanov on Jumping On Board of George Clooney’s Stirring new Drama
Best of 2023: Hit Makers Mark Ronson and Andrew Wyatt on Adding a Pop Punch to “Barbie” Soundtrack
Best of 2023: Gina Prince-Bythewood, MPA Creator Award Recipient, Tells Her Story
Best of 2023: “Rustin” Screenwriter Julian Breece on Giving a Legend his Due
Best of 2023: “Fair Play” Writer/Director Chloe Domont Makes a Killing on Male Fragility
Best of 2023: “Poor Things” Costume Designer Holly Waddington on Bringing Yorgos Langthimos’ Ecstatic Vision to Life
Best of 2023: “Barbie” Casting Directors Allison Jones And Lucy Bevan on Populating Barbie Land
Best of 2023: How the “Spider-Man: Across the Spider-Verse” Visual Team Created a Mesmerizing Multiverse
Best of 2023: Christopher Nolan on Exploding Myths & Exposing Humanity in “Oppenheimer”
Best of 2023: How “The Color Purple” DP Dan Laustsen Made Visual Music
Best of 2023: “The Color Purple” Costume Designer Francine Jamison-Tanchuck’s Stunning Creations
“All of Us Strangers” Cinematographer Jamie Ramsay on Lighting a Lonely Life
“Maestro” Editor Michelle Tesoro on Orchestrating the Epic Bernstein Love Story
Searching for That Ferocious “Ferrari” Sound With Supervising Sound Editor Tony Lamberti
Gael García Bernal on His Showstopping Performance in “Cassandro”
“Wonka” Production Designer Nathan Crowley on Creating a Chocolatier’s Whimsical World
